In this edition of SPOTM: Amber Rose, Bono, Lady Gaga, Eminem and Miley Cyrus.
In this edition of SPOTM: Amber Rose, Bono, Lady Gaga, Eminem and Miley Cyrus.
Sinead O’Connor is definitely not known for NOT speaking her mind. When Miley Cyrus claimed that her look for the video Wrecking Ball was inspired by Sinead’s quintessential 90′s hit Nothing Compares, Sinead did not quietly nod her head in approval. Instead, she wrote an open letter basically destroying everything Miley Cyrus is about and the industry that controls her.
As I stated in the article MTV VMAs 2013: It Was About Miley Cyrus Taking the Fall, Miley is not simply a young girl “expressing herself”. She is doing what she is being told by her handlers who are turning her into another industry sex kitten. The letter posted on Sinead’s website, warns her of what is really going on: Those who control her are prostituting her and they will eventually dump her. She tells her : “your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.” Sinead even adds that, if she keeps going that route, she will eventually end up in rehab.
Here’s the (strongly worded) letter:
I wasn’t going to write this letter, but today i’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares … So this is what I need to say … And it is said in the spirit of motherliness and with love.
I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.
Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent. I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.
The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted … and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.
None of the men ogling you give a shit about you either, do not be fooled. Many’s the woman mistook lust for love. If they want you sexually that doesn’t mean they give a f**k about you. All the more true when you unwittingly give the impression you don’t give much of a f**k about yourself. And when you employ people who give the impression they don’t give much of a f**k about you either. No one who cares about you could support your being pimped … and that includes you yourself.
Yes, I’m suggesting you don’t care for yourself. That has to change. You ought be protected as a precious young lady by anyone in your employ and anyone around you, including you. This is a dangerous world. We don’t encourage our daughters to walk around naked in it because it makes them prey for animals and less than animals, a distressing majority of whom work in the music industry and it’s associated media.
You are worth more than your body or your sexual appeal. The world of showbiz doesn’t see things that way, they like things to be seen the other way, whether they are magazines who want you on their cover, or whatever … Don’t be under any illusions … ALL of them want you because they’re making money off your youth and your beauty … which they could not do except for the fact your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.
I repeat, you have enough talent that you don’t need to let the music business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them give a flying f**k about you. They’re there for the money… we’re there for the music. It has always been that way and it will always be that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control.
You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age … which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.
Real empowerment of yourself as a woman would be to in future refuse to exploit your body or your sexuality in order for men to make money from you. I needn’t even ask the question … I’ve been in the business long enough to know that men are making more money than you are from you getting naked. Its really not at all cool. And its sending dangerous signals to other young women. Please in future say no when you are asked to prostitute yourself. Your body is for you and your boyfriend. It isn’t for every spunk-spewing dirtbag on the net, or every greedy record company executive to buy his mistresses diamonds with.
As for the shedding of the Hannah Montana image … whoever is telling you getting naked is the way to do that does absolutely NOT respect your talent, or you as a young lady. Your records are good enough for you not to need any shedding of Hannah Montana. She’s waaaaaaay gone by now … Not because you got naked but because you make great records.
Whether we like it or not, us females in the industry are role models and as such we have to be extremely careful what messages we send to other women. The message you keep sending is that its somehow cool to be prostituted … its so not cool Miley … its dangerous. Women are to be valued for so much more than their sexuality. We aren’t merely objects of desire. I would be encouraging you to send healthier messages to your peers … that they and you are worth more than what is currently going on in your career. Kindly fire any motherf**ker who hasn’t expressed alarm, because they don’t care about you.”
- Source: sineadoconnor.com
The post Sinead O’Connor’s Open Letter to Miley Cyrus: “You Are Being Pimped by the Music Business” appeared first on The Vigilant Citizen.
Last week, people around the world lined up in front of stores to buy the new iPhone 5S. Why? Well, many will probably tell you: “Because it’s now available in gold!! All of my friends will be jealous! LOL OMG #iphone #socool #gold #exclusive #imspecial”
But seriously, were there people lining up because the device can now also scan and store your fingerprints? I don’t believe so. But that is, by far, the most notable feature of the new iPhone. It introduces biometrics to the mass market and, as we know, all of that information can EASILY be transmitted to a whole bunch of shady governmental entities.
Here’s a great video about the new iPhone.
“Now You See Me” is about big-time magicians doing incredible magic tricks … and some kind of a bank heist. But mostly, “Now You See Me” is about a shady organization named “The Eye” that controls these entertainers. While most viewers are dizzied with the senseless action of the movie, an important message is being communicated: The occult elite controls the entertainment business … Do you see it?
Warning: Gigantic spoilers ahead!
Most critics had the same complaint about Now You See Me: The story makes absolutely no sense and is completely illogical. I wholeheartedly agree with them. Almost everything that happens during the entire movie is implausible. Even the mind-blowing overarching “master plan” of the movie actually depends on so many variables that could go wrong that it is, in fact, a horrible plan.
While most viewers will try to make sense of the action in Now You See Me, the movie simply keeps repeating to the viewers “The closer you look, the less you see”. It also constantly repeats that magicians always do something to distract the audience while the real magic happens elsewhere. Does this apply in the movie itself? Of course it does. The police chase, the bank heist plot, the explosions are there to keep the viewers’ eyes occupied while the real underlying story unfolds: It is about the entertainment industry, the forces that rule it and those that are used by it. It is also about the audience, the masses that are being fooled by master illusionists. The first lines of the movie say it all:
“Come in close. Closer. Because the more you think you see, the easier it’ll be to fool you. Because what is seeing? You’re looking, but what you’re really doing is filtering, interpreting, searching for meaning. My job? To take that most of gifts you give me, your attention, and use it against you.”
These lines, said while a magic card trick is being performed, sum up the true role of mass media and the entertainment industry. The rest of the movie aptly describes who rules the industry and even the methods it uses. The magicians are recruited by a secret society named “The Eye” (this might ring a bell for readers of this site) that uses the entertainers to further its agenda and make its symbolism a part of popular culture. Take a step back and realize this: The movie IS the magician. Let’s take a look at the themes of Now You See me.
At first, we see the four magicians doing their own little thing separately. They are all trying to make a living doing their magic tricks. They are however far from being big-time celebrities. They are watched and followed by a hooded figure who leaves an invitation in the form of a tarot card.
The four magicians are selected because they excel in their particular field of magic and, mostly, because they sometimes appear to be using real, occult magic.
The magicians are invited to a strange apartment with strange contraptions in it. After figuring out the riddles that were placed there (an initiation process), they see the elite’s plans laid out for them. Then, just like magic, they become big-time entertainers.
After joining The Eye, the magicians are in Las Vegas, surrounding by a roaring crowd while we hear big boisterous music that basically screams “This is showbiz, baby!”. The four magicians, who were four solo, independent acts, have now joined into a group to become the Four Horsemen. This name is taken the Bible’s Book of Revelation, where the Four Horsemen are harbingers of the Apocalypse and the tribulations that come with it. The Four Horsemen of the Apocalypse are often said to be associated with pestilence, war, famine and death. This is a rather grim name for a bunch of magicians, but it makes sense when we know that they are working for the occult elite. The Book of Revelation is of great importance in secret societies as it is believed to conceal an occult meaning to be only deciphered by the initiates. A lot of their symbolism derives from it and this is no exception.
Not unlike “real” performers in the entertainment industry, the Four Horsemen are only there to obey orders coming from The Eye. Everything about them relates to the secret society that controls them.
Everything about the Four Horsemen is therefore stamped with the seal of the Eye.
It is interesting to note that the people behind the movie did not create a fictional symbol to represent the secret society. They used the most important symbol of today’s occult elite – one the most important symbols of various powerful secret societies. As we often see on this site, this symbol is also already used all around mass media. Why is that? Is it because the movie plays the role of the Four Horsemen – a vehicle for the symbolism of the occult elite?
As the movie progresses, we discover some information The Eye and its history. Everything about it closely resembles an actual secret society that is powerful in Hollywood: the OTO, a self-described “magickal Order”.
In the movie, the Eye is:
“keepers of real magic and protectors of those who practice it. Candidates for initiation must follow a series of commands with blind obedience”.
It is clearly stated that the symbol of the Eye originates from the Ancient Egyptian symbol of the Eye of Horus.
The characteristics of the Eye closely resemble the OTO.
The OTO is based on Aleister Crowley’s Thelema – a philosophy that was “communicated” to him while inside an Egyptian pyramid. Like The Eye, the OTO primarily focuses on “real” magick and its near-scientific application. Crowley added the letter “k” at the end of magick to distinguish it from stage magic. Therefore, like The Eye, the OTO considers itself “keepers of real magic”.
The symbol of the Eye of Horus is of the extreme importance for the OTO because the OTO is all about bringing about the Aeon of Horus – an era ruled by the Thelema. Is it surprising to see that, in this Aeon of Horus, mass media is literally flooded with the symbol of the Eye of Horus?
Just like The Eye, the OTO exerts a great influence in Hollywood. One of its mission statements is to bring about Thelema and the Aeon of Horus to the masses. What better tool than mass media to do so?
As we witness the Four Horsemen rise to fame, we also see how the entertainment industry functions. For instance, there are a few allusions to the usage of mind control on various people.
Thaddeus (the guy who attempts to debunk the Horsemen and the Eye) describes how this guy ended up on stage:
“He was selected. Programmed his mind to make it to Las Vegas. And then they kept reinforcing it until he did. They trailed him. They studied him. Nothing was left to chance. He had no idea he was their target. And they simply activated him in Las Vegas.”
Another key aspect of the Illuminati industry is the use of ritual sacrifices in order to bring about transformation. The illusionist Jack Wilder was given the tarot card of Death at the beginning of the movie because he was chosen for a ritual sacrifice.
The event causes shock and brings sympathy towards the elite-backed magicians. We later discover that the car crash was a set up and that Jack is still alive – but the public doesn’t know that. The event is an example of a ritual sacrifice played out on a mass scale by the occult elite. It was also a diversion.
The movie also shows what happens to those who fall out of the elite’s good graces. Thaddeus, an ex-magician, now makes a career out of creating DVDs “debunking” magicians. When he goes against the elite-backed Horsemen, things do not end well for him.
When asking the police officer (who turns out to be part of The Eye) why this is happening to him, here’s the reply.
“The legend is that The Eye is everywhere. Waiting for the truly great magicians to distinguish themselves from the mediocre ones. Maybe that was you. Deep down inside you wanted nothing more than be part of The Eye, but you were never invited.”
As the movie progresses, it becomes obvious that the members of the Four Horsemen have no idea what’s really going on. Like real life artists in the industry, they are mere puppets trying to fulfill the tasks given to them. They however know one thing for sure: They desperately want to be part of The Eye.
Once they complete their entire mission, the Horsemen meet up in Central Park.
Rhodes tells the magicians “Welcome to The Eye” and brings them to a carousel that starts turning. The magicians mount on a little horsie and start spinning around. This leads us to think: Were the magician taken for a literal ride during the whole time? Does The Eye even exist?
Judging by the magnitude of the schemes the Horsemen were involved in, there is no doubt that a VERY powerful entity was behind them. However, like in real life, outsiders can never be part of the “inner-circle”. While the Horsemen did everything required from them, they will never be part of the elite. This fact is reinforced in a semi-hidden scene at the end of the movie.
A few minutes after the credits roll out, there’s a scene that I’m sure many people missed. It shows the ultimate fate of entertainers used by the occult elite.
They then go get equipment for their new magic show.
Thinking that maybe their magical tarot cards might be able to unlock their crates, the magicians look in their pockets. Their tarot cards are gone. The Eye does not need these performers anymore so their pass was revoked. They were used and now they were thrown away in the desert amongst discarded neon signs.
So to answer questions many ask me: Are artists like Jay-Z actually part of the Illuminati? There’s your answer.
Throughout the movie, investigators ask themselves “Why do they go through all of this trouble”? Why do the magicians and, by extension The Eye construct these elaborate schemes? It makes no sense. And, to many viewers, the movie doesn’t make sense. Most of the action is based around moronic police officers running around, pointing their guns, trying to catch smug-faced magicians. However, behind the action scenes and the loud music, there’s a message there. The movie itself repeatedly tells the viewers: “The closer you look, the less you see”. The closer you try to understand and make sense of the action going on screen, the less you see the “big picture”.
Now You See Me is definitely not about a bank heist. It is about the “magic” of the entertainment industry. Crowley defined magick as “the Science and Art of causing Change to occur in conformity with Will”. The goal of the entertainment industry is to cause change. But that change takes time … years, decades and generations. The movie describes the process in a very metaphorical matter.
The interpol agent researching The Eye describes the most famous trick of a magician named Lionel Shrike
“When he was 14, he saw a hole in a tree in Central Park. He had a guy, who worked at the carousel, sign a card for what looked like a routine little trick. At the guy’s retirement, 18 years later, Shrike performs, has the guy sign a card and presto! The card is in the tree. It was in the tree for 18 years.
The trick was not to look closely. It was to look so far that you see 20 years into the past.”
At one point, Thaddeus says:
“This is a magic trick played out on the global scale. And you are the abracadabra, the distraction”.
While the viewers are hypnotized with explosions and car chases, they are missing the real magic: The elite transforming society to fit its needs through mass media.
The movie ends with a call from the Illuminati to the public, letting them know that they are the ones being duped by the real magicians.
“Come in close. Closer. Because now you know our secret. We could be anywhere. Watching you. We’re looking for someone to help us with our next trick. On the count of three, open your eyes and tell me what you see. One. Two …”
Fade to black…
While there is absolutely nothing “realistic” about Now You See Me, it does aptly describe what actually happens in the entertainment industry. The magicians in the movie represent the various artists and performers that are recruited by the elite to advance its agenda. The Eye is based on actual secret societies that exert influence in Hollywood. While these facts might be crystal clear to some, most viewers probably miss these messages as they try to understand what the hell is going on.
In fact, during the entire time, the movie kind of laughs at the audience. At one point, a member of the Horsemen says: “The magician must be the most intelligent person in the room”. The movie is so Hollywood that it is almost a parody of it. It is almost telling the viewers: “Look at the moronic stuff you’re consuming to be entertained”. But, behind it all, there’s a powerful message coming straight from The Eye. Either you see it … or you don’t.
The post “Now You See Me”: A Movie About the Illuminati Entertainment Industry? appeared first on The Vigilant Citizen.
The magazine Vanity Fair created a series of short videos called Vanity Code, quick “how to” guides how to be a douchebag socialite – the “lifestyle” promoted by the magazine. The video entitled “How to Land a Hollywood Agent” humorously instructs small time writers how to become big time in Hollywood. While the humor somewhat caused me to expire air out of a my nose at some point, it is the blatant and flagrant symbolism that caused me to watch it again. Here’s the video.
Why is this guy giving advice on Hollywood made to be the most hardcore Freemason ever? Is it a subtle way of hinting at how to REALLY make it in Hollywood?
In another video, the guy gives advice on how to behave in “Eye Wide Shut”-style swingers party.
Owned by Condé Nast, the mega-corporation that also owns the Illuminati-symbolism-laden Vogue magazine, Vanity Fair subtly yet blatantly telling you who runs the show. As usual, all of that symbolism will swoosh about ten miles above most people’s heads.
The post Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”? appeared first on The Vigilant Citizen.
Illuminati mind control symbolism does not only exist in the Western world. In Asia, the widely popular K-Pop scene is also replete with the same imagery. We’ll look at the symbolism of A-JAX’s “Insane” and Ladies’ Code “Hate You”, two blatant examples that prove the elite’s symbolism is truly international.
K-Pop (pop music from South Korea) has garnered an incredible following across the world as its machine keeps creating new boy and girl bands and music videos that become instant YouTube hits. The “Korean wave” has hit not only Asia, but also Latin America, Northeast India, the Middle East, and North Africa. However, while K-Pop appears to have become somewhat of an alternative to Western pop culture, it is not exempt from the Illuminati symbolism and the Agenda found in Western pop. In fact, the symbolism is often more blatant and in-your-face with K-Pop videos, causing me to ask: Is K-Pop truly an alternative to Western pop or just an effective way for the elite to get its message across in Asia?
A quick look at K-Pop videos such as A-JAX’s “Insane” and Ladies’ Code “Hate You” is all it takes to realize that mind control symbolism is as heavily pushed in K-Pop than it is in the West. In fact, both of these videos basically read like a MK-101 manual, using all of the symbols associated with it and portraying the stars as slaves. K-Pop has effectively become another outlet for the elite to promote its “mind control culture”, even alluding to its sadistic practices in stylish videos aimed at young (and unaware) people. (For more information mind control, read the article Origins and Techniques of Monarch Mind Control.) Let’s look at the videos and see how they fit right in with the MK Agenda that is also pushed in the Western world.
A-JAX is one of these K-Pop “idol” boy bands that were completely created by a record label and reality TV. Their video “Insane” contains all of the hallmarks of MK symbolism. Furthermore, it clearly depicts the singers as mind-controlled slaves who are hypnotized in a mental institution and dissociate to a world full of MK symbolism. How much clearer can it get ?
The video takes place in a mental institution room, where the band members held there are constantly hypnotized by creepy doctors. Throughout the video, the members dissociate to an alternate world while physically staying in the room. Causing a slave to dissociate is the basic premise of Monarch mind control and the video clearly refers to this. Why expose children to this sick practice? Because it is part of the elite’s Agenda.
As seen in previous articles, “going through the looking glass” is the classic symbol for dissociating from reality. It was taken from Alice in Wonderland, a story that is used as a tool to program slaves.
When the slave goes through the mirror, he enters his “internal world” as programmed by his handler.
Those behind the making of the video appear to have a good knowledge of Monarch programming, because this is exactly how the internal world of Monarch slaves is made to be.
“In programming Monarch slaves, mirrors are used a great deal. Within the Monarch slave’s mind, countless mirror images are made. The slave sees thousands of mirrors everywhere in their mind.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
The slaves then goes through another mirror and ends in another VERY symbolic scene: A room that solely consists of dualistic black and white patterns.
The video clearly shows that the scenes of dissociation are happening in the slave’s mind.
All of this leads to the ultimate goal of Monarch programming: The fracturing of the core persona and the creation of new ones.
Almost every single frame of “Insane” is filled with imagery associated with and used in MK programming. While the song is about them being “insane”, we clearly see that there is a lot more going on there. The singers are actively being hypnotized, monitored and controlled to dissociate from reality. Combined with occult symbolism, the video gives a complete picture of what MK culture is all about.
Reading the title of the song and a translation of the lyrics, most people would believe that “Hate You” is about a girl that hates her boyfriend but cannot leave him. However, the imagery of the video communicates something a lot more disturbing. There are absolutely no references to a love relationship in the video but plenty of references to another kind of relationship: One between an MK slave and her handler. Not only is the video replete with the basic symbolism we’ve seen in previous articles, it symbolically portrays the sick relationship between a programmed slaves and a sadistic handler.
When we combine the dolls, the tally marks and the butterfly, we obtain a clear reference to Monarch programming.
“The name MONARCH is not necessarily defined within the context of royal nobility, but rather refers to the monarch butterfly.
When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.”
- Ron Patton, Project Monarch
While the two above frames are pure mind control imagery, the rest of the video makes everything clearer regarding its true meaning.
The other singers appear in similar scenes. They first play the role of the handler, then the slave.
As the large number of screenshots taken from this video suggest, “Hate You” is pretty much a non-stop compilation of Monarch programming imagery. The members of Ladies’ Code are made to play the role of handlers and slaves, symbolically recreating some of the horrendous torture actual slaves have to live through. The chorus, which repeats “I hate you” three times to end with “but I love you”, can be interpreted as MK who despise their sadistic handlers, but that are nevertheless programmed into feeling something resembling love towards them. Sick? Yes.
If you’re a regular reader of this site, you can by now easily recognize the specific set of symbols that is used by the occult elite its promote MK culture. Those who are part of the Monarch programming system have created a disturbing culture surrounding it, complete with esthetics and symbols that are now omnipresent in mass media. All of this is packaged with catchy tunes and good-looking performers, which causes young people to subliminally associate this culture with positive feelings, even making it fashionable. As the above videos prove, this is all becoming increasingly blatant and interpreting these videos through the mind-control lens is almost impossible.
While the mind-control culture appears to have originated in the United States, the exact same set of symbols and meanings are also present in the booming South Korean pop scene. The fact that this is happening proves two things: First, the set of symbols I describe in videos is NOT a result of coincidence. It is cohesive imagery that originates from Monarch mind control. Second, it is obvious that at the top of all music industries, whether it be in America, Europe or Asia, the same occult elite are promoting the same Agenda. Why does Baphomet have to be in all of these videos across the world? Because the horned head represents those in power, and those in power are not your locally elected politicians, but a global elite. Through these videos, you are being told what the elite believes in and the sick practices it engages in. Are people rebelling against this? No, quite to contrary, they are dancing to it and paying money to purchase it. I guess A-JAX aren’t the only ones who are Insane.
The post A-JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K-Pop appeared first on The Vigilant Citizen.
On 12/12/72 Marie-Hélène de Rothschild, member of the most powerful elite family in the world, held a Surrealist Ball at Château de Ferrières, one of the family’s gigantic mansions. While these events are usually extremely secretive, photographs of this particular Ball surfaced on the web. In short, it is a mix of an “Eyes Wide Shut”-style masked ball mixed with a Lady Gaga-style pop video. I’m not even kidding. Indeed, behind the fun and games, these pics reveal the underlying ideology and the mind state of the occult elite – which is apparently also used in the countless MK/Illuminati theme music videos discussed on this site.
The post Revealing Pictures From 1972 Rothschild Illuminati Ball appeared first on The Vigilant Citizen.
The iHeartRadio Ultimate Pool Party was a two-day musical weekend that took place on June 29th at Fontainebleau in Miami Beach. The high profile event featured pop acts such as Miley Cyrus, Pitbull and Ke$ha. I wasn’t aware this even existed but when a VC reader sent me stills of Ke$ha’s set, I had to watch her performance as it appeared to be an extremely blatant, Illuminati-themed set. I watched the whole 50 minutes thing…and it was. My head is still hurting. If you can take it, here’s the performance.
The show begins with Ke$ha addressing her fans about being “misfits” and fighting for acceptance. How are her fans called? “Animals”… It’s as if this name was chosen by the elite that is laughing at the people who love this stuff.
The first thing we then see is a planet exploding and turning into a giant all-seeing eye. This pretty much sets the tone of the entire performance.
The audience then gets 50 minutes full of mind-numbing, hypnotizing symbolism.
While the above headdress looks like an esoteric, third eye, pineal gland type thing which usually refer to “spiritual enlightenent”, there isn’t much of that going on during that show. For instance, before the next song, Ke$ha asks the crowd:
“Do you guys like balls? I do. I love them. I love every kind of ball. I like big balls…I like little balls…I even like saggy balls, they don’t even bother me. That’s good news for the older people here. But my favorite ball, is an eyeball.”
She then does this.
Can Ke$ha display her servitude to the Illuminati in a clearer way? The answer is yes. Here’s what happens during that song.
The last song of the performance was Die Young. As I described in the article entitled The Illuminati Symbolism of Ke$ha’s “Die Young” and How it Ridicules the Indoctrinated Masses, the video of that song was pure Illuminati symbolism. Unsurprisingly enough, the performance was as well.
In short, this was what young people are paying to be exposed to. Pure, mind numbing, Illuminati symbolism with no real artistic meaning or content at all. Ke$ha’s last words of the show: “I hope you all get laid tonight!”. Such insight, such inspiration, such depth. Wow.
The post Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism appeared first on The Vigilant Citizen.
The 2013 edition of the VMAs was not about music. It wasn’t even about the symbolism I’ve described in past years. It was basically MTV saying: “There is nothing to celebrate in pop music this year, here’s an awkward, cringe worthy display of everything that is wrong in the entertainment industry”.
I wrote extensive articles about past VMA awards because they were filled with occult symbolism and messages. This year, not so much. It was about promoting major artists and their newest albums. But mostly, it was about providing a “shocking” moment that would get mass media talking for days. Miley Cyrus provided it.
Miley Cyrus’ display at the VMAs was qualified by many as “trashy” and “embarrassing”. It was indeed a strange sight to see. It was as if she was doing it on purpose to embarrass herself. Well, here’s a moment of clarity: It WAS done on purpose and, moreseo, it was ALL staged. People commenting on Miley Cyrus appear to forget one, massive detail: There is an enormous marketing machine behind Miley Cyrus and there always was.
Miley is now signed with Hollywood Records, a record Label that was founded by Michael Eisgner, the CEO of Disney. Therefore, despite the appearances, Miley and her image are still owned by Disney. Hollywood Records also owns other child stars such as Demi Lovato, Selena Gomez and the Jonas Brothers. Every artist in the record label’s stable has a carefully crafted image to be marketed to its target public.
As a product of Mickey Mouse programming Miley underwent a classic “good girl gone bad” treatment. From a good, wholesome daddy’s girl, Miley turned into a bratty, sex freak who keeps sticking out her tongue and twerking for no reason. While most people are probably tsking at Miley, they do not realize that this whole thing coincided with the release of her new album – and that it was all ordered by her handlers. In other words, she was selected and programmed to be this year’s main example of a “good girl gone bad”, a process the occult elite wants the public to constantly witness. They want the masses to see innocence and wholesomeness turn into sleaze and trash. They want pop culture and the youth in general follow the same process. While alchemy is about turning stone into gold, the masses are made to witness the opposite process.
Miley’s VMA performance is about a child star who was beloved by millions of young people showing what the industry has done to her. It is about shattering the innocence of her fans by having them witness her metamorphosis into one giant sex-obsessed caricature. I’m using the word caricature because it is safe to say that Miley was not 100% herself during the VMA’s. Her oversexualized demeanor was characteristic of a Beta programming slave who had the switched turned “on”. It was however not only about being overtly sexual, it was also (and mostly) about being annoying and embarrassing herself – as if it was a sick, humiliating ritual. Dressed and styled to look like a bratty child, jumping around with giant teddy bears, Miley’s performance was all about getting a negative reaction from the public while continuing the ongoing agenda of sexualizing everything that is related to childhood.
Things got even stranger when Robin Thicke came out to perform Blurred Lines. As its name somewhat stipulates, that song blurs the line between being a flirty and all out creepy. Its video has a strange handler-slave vibe, where Robin, Pharell and T.I. are all sharply dressed while the women dancing around them are completely naked…And being sung lines such as “You’re an animal”.
It is therefore not a coincidence that Miley sang this particular song during the VMAs. Her whole act goes with the spirit of the song and, like in the video, there’s a handler/slave relationship going on in during the performance.
As Miley was going crazy on stage, shots of the audience revealed how it was not amused. Facial expressions were ranging from shock, to despair to “WTF”. One could almost feel the hate emanating from the room – and the entire nation – while she was performing. And that is what “they” (Miley’s handlers) were gunning for. Miley was primed and set up to take that fall. Miley was even ridiculed during the intro of her own performance. The MTV awards needed its trademark “shock” moment and the industry needed its “sacrificial lamb” to keep its sick, occult, MK-Ultra system going.
The one-eyed pedo-bear shirt she had on told her entire story.
While the “controversy” around Miley might help her sell more records for a while, the ongoing public humiliation that is forced on her by her handlers will most likely lead to some kind of meltdown in the future. In an article published in 2011, Miley’s father Billy Ray Cyrus stated that her handlers (that’s the word he used) cut him out of the loop and told him to “mind his business”. Like other industry slaves, Miley has no contact with her family. In the interview, Billy Ray added that “Satan was attacking his family” that he was afraid to see her go down the same tragic path as Anna Nicole Smith (a Beta Kitten slave) and Michael Jackson (killed by the industry).
This performance and the public backlash that followed is proof of the tight control the industry has on its slaves. I am pretty sure that, deep down inside, Miley knew that this is all ridiculous and embarrassing. But there’s nothing she can do about this.
There wasn’t much more to the VMAs this year. I can imagine MTV execs telling Justin Timberlake’s people:
- What song will Justin perform?
- His latest single.
- That’s not enough. We’ve got a lot of dead time to fill here.
- How many songs do you want him to sing?
- ALL…OF THEM.
- Make him sing EVERY DAMN SINGLE he ever recorded. Bring back goddamn NSYNC if you have to. We’ve got a whole of free time to fill here.
- Um, OK.
But seriously, other than Miley Cyrus, Lady Gaga also got a little attention. Her new single Applause is basically a continuation of her “Fame Monster” theme where she’s a performer that desperately seeks attention and fame. Gaga is ready to do anything to get it, even if that means doing the elite’s bidding and throwing around its symbols.
We quickly see who “paints” Gaga.
Gaga spent the rest of the VMAs as Venus, basically sitting there in a thong, letting people know that she is now Venus, goddess of sex. There is also a second, occult level to the importance of Venus in occult mysteries.
“As the morning star, Venus is visible before sunrise, and as the evening star it shines forth immediately after sunset. Because of these qualities, a number of names have been given to it by the ancients. Being visible in the sky at sunset, it was called vesper, and as it arose before the sun, it was called the false light, the star of the morning, or Lucifer, which means the light-bearer. Because of this relation to the sun, the planet was also referred to as Venus, Astarte, Aphrodite, Isis, and The Mother of the Gods.”
- Manly P. Hall, The Secret Teachings of All Ages
The “Mother Monster” is apparently now the “Mother Goddess”. Gaga’s performance was, in short, a tribute of her past personas, and the “birth” of a new one – one that fits with the mythology and symbolism of the occult elite.
While mass media backlash against Miley Cyrus is solely directed at Miley Cyrus, the big picture is completely being missed (or ignored). If “observers” and “critics” took their faces out of her bony behind and took a step back, they would maybe see what is truly happening: Miley Cyrus is, more than ever, owned and controlled by Disney. Her image, her music and her performance is fully determined by her handlers. For some sick reason, she was chosen this year to embarrass herself and to traumatize all of the young people who grew up watching her. Miley was offered as a “sacrifice” to the public while adding to the complete breakdown of popular culture. Her performance was choreographed and staged to be as annoying and distasteful as possible. From the bratty hair, to the unflattering outfit, to the constant sticking out of the tongue, to the obsession with “twerking” without having the physical attributes to pull it off…it was all planned to piss the world off.
While the masses are laughing and pointing at Miley Cyrus, those who handle her are laughing and pointing at the masses…because they’re falling right into this sick humiliation process. While I am not looking to add to the Miley Cyrus noise, someone needs to say it: She’s a puppet and we need to look at those who are pulling the strings. We also need to look at what they are doing to people such as Miley Cyrus and, more importantly, to our youth in general. This is not about a single girl who lost her way, it is about a system making the world lose its way.
The post MTV VMAs 2013: It Was About Miley Cyrus Taking the Fall appeared first on The Vigilant Citizen.
In this edition of SPOTM: Kylie and Kendall Jenner, Ciara, Britney Spears, Miley Cyrus and…sigh…Smurfette. Also, more then ever, what the hell is wrong with the fashion world? Warning: the first five images are might disturb some readers.
Special thanks to everyone who sent in pics!