The Hidden Life of the Kennedys : The Elite Dynasty That Got Decimated (Pt. I)

The Kennedys were considered, at one point, America’s Royal Family – a powerful dynasty that was also beloved and admired by the public. The mind boggling “Kennedy Curse” however struck the family to the core as numerous members lost their lives at a young age and in strange circumstances. 

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The assassination of John F. Kennedy on November 22nd 1963 will remain one of the most tragic days in American history. It can be pinpointed as the day where the American public “lost its innocence” and got a glimpse of the dark and morbid shadow government working behind the scenes. In 2000, over 81% of Americans believed that JFK’s assassination was the planned by more than just a lone gunman, making it one of the most widely accepted conspiracy theories in US History. However, as the years go by, countless theories and hypothesis about JFK’s assassination keep appearing in the form of “tell-all books” or “shocking documentaries”, contradicting previous theories and ending up muddying the waters of truth instead of clarifying them. One can wonder if some of these “revelations” are actually attempts at disinformation in order to keep the truth from ever emerging.

But to understand the Kennedys and what lead them to power, one must go deeper than JFK’s presidency and his assassination. We must look at those who preceded him, especially his father, Joseph Patrick Kennedy Sr. who gained an incredible amount of wealth and became close with the most powerful families in the world. While these connections ultimately sent the family to the White House, the Kennedys did not remain in power for long. The same “hidden hand” that lead them to the top apparently sought to completely eradicate them. Was the curse actually a series of hits aiming at removing the Kennedys from power? Studying the story of the Kennedys equals studying at the inner-workings of the occult elite. We’ll first look at the origins of the Kennedy dynasty.

Joseph P. Kennedy Sr. : The Mogul That Started it All

Joseph Kennedy Sr. was a powerful figure in business and politics. He was also connected with the most prominent bloodlines in the world.

Joseph Kennedy Sr. was a powerful figure in business and in politics. He was also connected with the most prominent bloodlines in the world.

Joseph Patrick Kennedy Sr. was the man who orchestrated the family’s rise to power. He was a leading figure of the Democratic party and of the Irish Catholic community of America. He was also a sucessful businessman as he made fortune by buying and merging together several Hollywood movie studios and by importing and distributing alcoholic beverages in the United States after the prohibition. There were however persistent rumors claiming that he Joe was working with organized crime and bootlegged alcohol during the prohibition. Shortly before his death, mob figure Frank Costello famously stated “I helped Joe Kennedy get rich”.

During his political career, Kennedy became a close advisor to President Franklin D. Roosevelt and was appointed as the inaugural chairman of the U.S. Securities and Exchange Commission (SEC). In 1938, he was named ambassador of the U.S. in the United Kingdom, a prestigious position, where he formed ties with British nobility and witnessed the early stages of  World War II.

Elite Ties

Born into a prominent political family of East Boston, Joseph Kennedy married Rose Elizabeth Fitzgerald in 1914 , the eldest daughter of Boston Mayor John Francis Fitzgerald. In a move that is often seen in elite bloodlines, the marriage joined the city’s two most prominent political families. As Kennedy’s wealth and power grew, his influence however reached way beyond the city of Boston as he formed ties with the power elite of the world.

Understanding Joe Kennedy’s ties and relations equals understanding the occult elite and the way it functions. He dealt with people that were part of “Illuminati bloodlines” (as defined by Fritz Springmeier) such as the Rothschilds, the Astors and the Sassoons. He was close to the newspaper mogul and high level Illuminatus  William Randolph Hearst who helped launch JFK’s career.

During his political career, he advised FDR who was a 33rd degree Freemason and the first Honorary Grand Master of the Order of DeMolay. Also advised by notable occultists Manly P. Hall and Nicholas Roerich FDR ordered the placement of the Seal of the United States (the Illuminati symbol of the pyramid with all-seeing eye) on the dollar bill.

Joe Kennedy Sr. was also part of several elite orders such as the Knights of Malta and the Pilgrims society – a highly secretive group that held within its ranks members such as the Rockefellers, the Vanderbilts, J.P. Morgan, British Royals, heads of the Skull and Bones, Freemasons, Knights Templar and Presidents of the Federal Reserve Bank, major companies and mass media. In short, it is probably the most influential “elite group” in existence .

Standing atop the London Bush House, this statue built by the Pilgrim Society represents America and England holding the Illuminati Torch of Illumination.

Standing atop the London Bush House, this statue built by the Pilgrim Society represents America and England holding the Torch of Illumination.

As ambassador of the United States in Great Britain, Joseph Kennedy developped good relations with British royalty, where he was often received with great honors. In 1944, Joe Kennedy’s daughter Kathleen married William Cavendish, the Duke of Devonshire (a very prestigious position within British Nobility). The Duke of Devonshire was Grand Master of the United Grand Lodge of England, the governing body for the majority of Freemasons in England, Wales, the United States and the Commonwealth. After his daughter’s premature death, Joseph Kennedy stated:

“If Kathleen and her husband were living, I’d be the father of the Duchess of Devonshire (first Lady-in-Waiting to the Queen) and the father-in-law of the head of all the Masons in the World”.
- David E. Koskoff, Joseph P. Kennedy: A Life and Times

Joseph Kennedy was therefore extremely well connected with the occult elite and the Illuminati bloodlines of the United States and Great Britain. While Joe Kennedy had hopes of becoming a Presidential candidate, his window of opportunity closed when, facing a Nazi invasion threat, he stated that “Democracy in Great Britain is finished”, adding that the “battle for Britain is not about democracy, that is all bunk”. Behind closed doors, Kennedy was also caught sympathizing with Hitler and the Nazi movement. He was also quoted professing various anti-semitic statements while discussing with the Astors. Realizing that the outcry he caused would prohibit him from ever becoming President, he went behind the scenes and focused on “placing” his sons in positions of power. He had the wealth and, more importantly, the elite connection needed lead his plans to fruition.

High Expectations for the Children

While most family pictures of the Kennedys give the impression of one big, happy, all-American family, the truth is much less picture perfect. The great number of biographies documenting the nine Kennedy children often account of “loveless” childhoods, great distance between members and countless, devastating tragedies. Joseph Kennedy Sr. was often described as strict father with gigantic expectations for his children. Unfortunately, Rosemary Kennedy did not live up to these expectations.

The Lobotomized Kennedy

Rosemary Kennedy with her father Joe Kennedy Sr.

Rosemary Kennedy with her father Joe Kennedy Sr. … before the lobotomy.

Rose Marie “Rosemary” Kennedy, the third child of the family, was described as “mentally retarded erratic and prone to mood swings”. Joe Kennedy was told by his doctors that a prefrontal lobotomy could “cure” her condition – which could be potentially embarrassing for the family. Therefore, at age 23, Rosemary was forced to undergo the experimental procedure which, in layman’s terms, involved hammering a nail into the patient’s brain through an eye socket. Here’s an account of the procedure performed on Rosemary.

“We went through the top of the head, I think she was awake. She had a mild tranquilizer. I made a surgical incision in the brain through the skull. It was near the front. It was on both sides. We just made a small incision, no more than an inch.” The instrument Dr. Watts used looked like a butter knife. He swung it up and down to cut brain tissue. “We put an instrument inside,” he said. As Dr. Watts cut, Dr. Freeman put questions to Rosemary. For example, he asked her to recite the Lord’s Prayer or sing “God Bless America” or count backwards….. “We made an estimate on how far to cut based on how she responded.” ….. When she began to become incoherent, they stopped.
- Ronald Kessler, The Sins of the Father: Joseph P. Kennedy and the Dynasty He Founded

The procedure went horribly wrong. It left Rosemary Kennedy with the mental capacity of a  two year old child. It prevented her to walk or speak intelligibly and was considered incontinent. She was placed in an institution where she was cared for until she died in 2005.

Joseph Kennedy never mentioned the lobotomy to the public and explained his daughter’s absence from family events as her being “reclusive”. He never visited Rosemary after the lobotomy and her name was “never mentioned” at the Kennedy house.

Aiming for the White House

Joe Kennedy Sr. with his two sons John F. Kennedy (right) and Joseph P. Kennedy Jr. Both of them will lose their lives at a young age.

Joe Kennedy Sr. with his two sons John F. Kennedy (left) and Joseph P. Kennedy Jr. (right). Both of them lost their lives at a young age.

Joe Kennedy Sr. knew he had the wealth, the influence and the connections to reach the White House. However, his “sympathetic” stand towards the Nazis while ambassador of the United States in Great Britain killed his political career. From then on, he went behind the scenes and looked to orchestrate the political careers of his sons.

Joseph Sr. originally placed his presidential hopes on Joseph Patrick Kennedy Jr., the eldest son of the family. He however died at the young age of 29 in an airplane explosion during  World War II. His body was never recovered (four years later, his sister Kathleen – the wife of the Duke of Devonshire – would also lose her life in a plane crash at age 28).

After the tragic death, Joseph Sr. did not give up on the White House. He focused on the political career of his second son, John Fitzgerald Kennedy, the one that the entire world will eventually know as JFK.

To claim that Joseph Kennedy Sr. was the mastermind behind JFK’s rise to the Presidency is far from an exaggeration.

“He played a central role in planning strategy, fundraising, and building coalitions and alliances. Kennedy supervised the spending and to some degree the overall campaign strategy, helped select advertising agencies, and was endlessly on the phone with local and state party leaders, newsmen, and business leaders. He had met thousands of powerful people in his career, and often called in his chips to help his sons.”
- Kesser, Op. Cit.

JFK also got the backing of elite bloodline families and the unconditional support of newspaper magnate William Randolph Hearst (and high level Illuminatus) who used his media empire to push JFK to power.

JFK was groomed from an early age to take high office for the Brotherhood and he was supported by all the classic names like the Rothschilds, Tafts, Russells, Rockefellers, and media barons like Henry Luce, the head of Time-Life, and Randolph Hearst, the most powerful newspaper tycoon in the United States. When Kennedy ran for political office, the Boston American newspaper, owned by Hearst, refused to accept the paid advertisements of his opponent.
- David Icke, The Biggest Secret

In 1961, JFK was elected as President of the United States by a very slim margin. Youthful, charismatic and photogenic, Kennedy was the perfect face to put on a Presidency supported by the occult elite. However, soon after taking office, JFK quickly understood that his position was something of a “glorified puppet”. While his 23 months in the White House are often associated with the Vietnam war and the civil rights movement, JFK took actions that were less publicized but that could nevertheless shake to the core two extremely powerful institutions in the United States: The Federal Reserve and the CIA. More on this in the next part of the series.

Conclusion of Part I

While JFK is usually the face associated with the Kennedys, it was his father Joseph Kennedy Sr. who engineered the rise of the dynasty. His ties with elite bloodlines, business moguls, politicians, secret societies and elite groups made him a typical “good ol’ boy” of the occult elite. After losing two children in plane accidents and seeing a third becoming disabled for life, Joseph orchestrated JFK’s election as President of the United States.

Las Vegas Shooting : Was Jerad Miller a Patsy Used to Further an Agenda?

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On June 8th, a couple shot and killed two police officers inside a Las Vegas restaurant. Before opening fire, the couple reportedly yelled “This is a revolution!”. They then covered the bodies of the police officers with a yellow Gadsden “Don’t thread on me” flag, along with a note containing a swastika symbol. The shooters then entered a nearby Walmart, killed another man inside and took their own lives.

When the murderers were identified as Jerad and Amanda Miller, media sources quickly tagged the couple as “extreme-right”, “pro-gun”, “conspiracy theorist”, “Tea Party”, “anti-Government” and “White supremacists”. Then, pictures of them emerged and things got strange.

Was the shooting the result of deranged minds who read too much stuff on the internet or was it intentionally provoked to further an agenda? A closer look at the case reveals that several facts are quite odd and “convenient”. First, there’s the “Batman” connection.

The Batman Connection

In past articles on the “Batman shooting” and the Sandy Hook shooting, I described how these mass murders were linked to Batman movies. As strange as it might seem, there is also a Batman link in the Las Vegas shooting.

The couple apparently loved dressing up as the Joker from Batman.

Jerad and his wife Amanda loved dressing up as the Joker.

 

Joker again.

Joker again.

 

A screenshot from a YouTube video posted by Jerad Miller where he was ranting about police and government while giving manic glares at the camera.

This is a screenshot from a YouTube video posted by Jerad Miller. With his face painted as the Joker, Miller ranted about the police and the government while giving manic glares at the camera.

In 2012, the Aurora shooting was carried out during the premier of a Batman movie – The Dark Knight Rises.

Holmes reportedly dyed his hair bright orange to resemble Heath Ledger's rendition of the Joker.

Holmes reportedly dyed his hair bright orange to resemble Heath Ledger’s rendition of the Joker.

 

As stated in my article entitled “The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice" Heath Ledger lost his life in mysterious circumstances shortly after his work as the Joker.

Heath Ledger lost his life in mysterious circumstances shortly after embodying the Joker.

The 2012 Sandy Hook shooting also had a strange Batman connection, the words “Sandy Hook” appear on a map during The Dark Knight Rises.

Screenshot from Dark Knight Rises.

Screenshot from The Dark Knight Rises.

In this map, sent as part of a promotional kit, we clearly see that Sandy Hook is identified as a "strike zone".

In this map, sent as part of a promotional kit for The Dark Knight Rises, we clearly see that Sandy Hook is identified as a “strike zone”.

The Las Vegas shooting is therefore another mass murder involving Batman. While there are numerous clues hinting that James Holmes and Adam Lanza were patsies, can we say the same of Jerad Miller?

Was Jerad Miller a Patsy?

As stated above, Jerad Miller was quickly tagged by mass media as an anti-government, militia-supporting, God-loving, conspiracy theorist. That explosive cocktail of words is increasingly being used to identify America’s newest #1 enemies.

On June 2nd, the White House announced thecreation of a new task force to fight “homegrown terrorism”. In a video presenting the task force, attorney general Eric H. Holder Jr. stated:

“We face an escalating danger from self-radicalized individuals within our own borders. Now — as the nature of the threat we face evolves to include the possibility of individual radicalization via the Internet — it is critical that we return our focus to potential extremists here at home.”

A few days later, the Las Vegas shooting occurs. Is it possible that patsies are being used to generate terror in order to justify action against specific “radical” groups?

In April 2014, Jerad Miller spent time at the Bundy Ranch, the site of the much publicized “Bundy Standoff”, where rancher Cliven Bundy is involved in a long-standing dispute with the government over unpaid grazing fees. The standoff devolved into an armed confrontation between protestors and law enforcement and is turning into a symbolic battle against “government tyranny”. Jerad Miller and his life “left everything” to join the Bundys.

During his stay at the ranch Jerad was interviewed by NBC News where he took a rather radical, violent stance.

The Miller couple was however kicked out of the ranch soon after. While the official reason of the expulsion was Jerad’s past felonies, members of the ranch stated that the couple was “annoying” and “too radical”. Did they have suspicions that Jerad was a government agent sent to infiltrate and maybe push them to violence?

A few months after Jerad’s appearance on NBC News (why was HE chosen to appear in that interview?), the entire Bundy Standoff issue – which was gaining some public sympathy -  is now associated with cop-killing, White Supremacists. This is how you discredit movements and turn public opinion against them.

News sources also linked Jerad Miller to Alex Jones and his Infowars website. It was discovered that a post entitled The Police (to kill or not to kill?) was posted by a user named jerad on May 28th 2012, where the user rants about constitutional rights and his hate for police. This lead news sources to cite Infowars and “conspiracy theorists” as a factor leading to the shooting.

In short, Jerad Miller and his heinous crime is being used to discredit and vilify several movements that are already targeted by the powers that be. It is a real life continuation of the movie Prisoners where the “bad guy” is a deranged, religious, patriotic survivalist. (Interesting fact : An important character in the movie is named Alex Jones).

The shootings also occurred less than a week after another self-professed Libertarian shot three police officers in New Brunswick, Canada. Not unlike Jerad Miller, the shooter’s Facebook page was filled with typical “extreme-right” images and messages.

In Conclusion

Was Jerad Miller a government agent used to infiltrate and discredit specific groups? Was he programmed to carry out the murders to then take his own life? Was he maybe just a crazy guy with a gun?  It is difficult to say. It is however clear that the media spin on the Las Vegas shootings is perfectly in line with a top Agenda element of the elite : To discredit, demonize and lump together various groups that are not welcomed in the U.S. anymore. Whether we look at Libertarians, constitutionalists, survivalists, religious or pro-gun groups, they are all being targeted by the elite.

While I won’t claim that every person involved in these groups is a kind, balanced, law abiding citizen, it is clear that most of these groups exist because rights and freedoms being chipped away in America. Their main goal is to preserve the original spirit of the U.S. Constitution which has been seriously violated in the past two decades. However, as the elite is transforing America into a NWO-friendly police-state, these groups are now perceived as a serious threat. More importantly, the elite needs the public to turn against them.

What would be an efficient way to discredit these groups? Here’s an answer: Send out a Jerad Miller to commit something awful like killing police officers with children. Then have news casters use “conspiracy theorists” and “constitutionalists” in the same sentence as “murder” and “White Supremacist”.

Whether or not Jerad Miller was a government agent, his actions definitely furthered the biggest Agenda item of the next few years.

Beyoncé, Condolezza Rice and Others in Campaign to Ban the Word “Bossy”. Seriously.

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Lean In, an organization created by Facebook COO Sheryl Sandberg launched a campaign to ban the b-word. And by that I mean the word “bossy”. To do that, the organization recruited Beyoncé (who’s often involved in elite-funded campaigns), Jennifer Garner and political figure Condolezza Rice. In a cringe-inducing video, they’ve all “committed” to ban the word.

The video supposedly aims to encourage girls to become leaders. Instead of, like, encouraging girls to become leaders, the video actually says: “Let’s just ban the word bossy”. Really? That’s pretty bossy of them. Telling us what words to use and not to use. I’ve known quite a few women who were leaders but who were NOT bossy. They were great leaders with tact and vision who did not feel the need to boss and micro-manage people around because they could. I’ve also known women who were not leaders of anything but were nevertheless bossy. BOSSY. That’s the word to describe that type of person. Deal with it.

But seriously, when I heard about this campaign the first thing that immediately came to mind was the book 1984 and Newspeak. If you are not familiar with this book, here’s George Orwell’s description of Newspeak in the novel’s appendix.

“Newspeak is the official language of Oceania, scheduled for official adoption around 2050, and designed to make the ideological premises of Ingsoc (Newspeak for English Socialism, the Party’s official political alignment) the only expressible doctrine. Newspeak is engineered to remove even the possibility of rebellious thoughts—the words by which such thoughts might be articulated have been eliminated from the language. Newspeak contains no negative terms. For example, the only way to express the meaning of “bad” is through the word “ungood.” Something extremely bad is called “doubleplus ungood.”

In short, in the 1984, Newspeak was developed by the Party to restrict human thought. When there is no word to describe an idea, the idea cannot even take form. In this sense the Ban Bossy campaign appears to take a page right out of 1984. In a broader sense, it is about using feminism to restrict, oppress and re-mold. It is not about equality, it is about creating, in the words of 1984 “thought criminals” and restricting language.

While I believe this superficial, mind-numbingly ridiculous campaign will fail miserably, there is nevertheless a great deal of financial and political power behind it.

As stated above, Lean In was created by Sheryl Sandberg an important figure of the power elite. Before becoming the COO of Facebook, she was Vice President of Global Online Sales and Operations at Google. Before that, she was chief of staff for the United States Secretary of the Treasury. More importantly, she is part of the Brookings Institution and the Council of Foreign Relations – two of the most important elite think tanks in the world. These two institutions alone are responsible for most of the  New World Order-friendly policies adopted by governments today. Sandberg also attended the 2012 Bilderberg meetings which is, as you might know, another elite hotspot.

Ban Bossy is therefore the product of an elite-funded organization which uses feminism as a means of control. To “empower” means to give power. Banning words is the opposite of giving power.

In other news “bossy” is the word of the day. Use it as much as you can today. Here’s a video that goes with the spirit of the day.

P.S. Bossy.

The Deeper Meaning of “True Detective” – Season One

“True Detective” is a TV series about the investigation of satanic ritual murders carried out by mysterious men. While the season ended in a rather straight-forward matter, the plethora of symbols and references peppered throughout the episodes send out profound messages about forces subtly influencing society. We’ll look at the deeper meaning of the first season of “True Detective”.

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Warning: Gigantic spoilers ahead!

Taking place in the swampy backwoods of Louisiana, True Detective captured audiences’ attention with its interesting characters and dark atmosphere. Through its eight episodes, the series followed two detectives as they uncovered a series of ritualistic murders that were rumored to be carried out by rich and powerful men. While, week after week, fans of the show obsessed over small details in order to “crack the case”, the series ended in a rather plain matter: The murderer was a dirty, crazy, stereotypical redneck who was identified by the detectives a few episodes beforehand. There was therefore no mind-blowing plot twist (i.e. one of the detectives was behind it all) or shocking high-level conspiracy. And that left many fans somewhat disappointed.

However, looking back at the references, the symbolism, and the enigmatic dialogue peppered throughout the episodes, one can indeed wonder why some aspects of the story (i.e. Marty Hart’s family life) were so extensively developed while they were of no relevance to the final outcome of the investigation. Was the series, through these alternative storylines, trying to communicate something that went beyond the actual investigation? Something that encompasses us all?

Despite the straight-forward conclusion to the story, there is a deeper message communicated throughout the series:  That the ritual murders were not simply the product of the mind of lone crazy redneck – they’re the result of a deep-seated mindset, a toxic environment that goes back several generations and affects all aspects of society. This concept can be summed up in one word: “psychosphere” – a word detective Rustin Cohle uses in the first episode. Through a variety of symbols and messages, True Detectives shows us how the sick obsessions of the elite ultimately seep through the everyday lives of the masses.

Let’s first look at the premise of the story.

The Premise

The series begin with the discovery of the corpse of a young women, set up in a ritualistic matter.

The woman was found naked, bound, with stab wounds on her stomach. She is wearing a "crown of thorns" and antlers on her head.

The woman was found naked, bound, with stab wounds on her stomach. She is wearing a “crown of thorns” and antlers on her head.

On her back is tattooed a spiral, which is the symbol of the group carrying out the murders.

On her back is tattooed a spiral, the symbol of the group carrying out the murders.

The authorities quickly conclude that it’s a satanic ritualistic murder. Rustin Cohle describes the killer as “meta-psychotic”.

“It’s fantasy enactment, ritual, fetishization, iconography. This is his vision. Her body is a paraphilic love map – an attachment of physical lust to fantasies and practices forbidden by society”.

After the autopsy, the detectives learn that the victim was drugged, bound, abused, tortured with a knife, strangled and posed outside for the world to see. In short, it bares all of the signs of mega-ritual of Satanic Ritual Abuse (SRA).

Around the body are strange triangles made of sticks.

Around the body are strange triangles made of sticks.

A reverend tells the detectives that these things are “devil nets” and are used “to catch the devil before he came too close”.

The reverend adds that he thought that these devil nets were just “something for children to do, keep them busy, tell them stories why they’re tying sticks together”. While the reverend says these words, the camera zooms into another set of sticks tied together.

As the reverend talks about telling stories to children to keep them busy, the camera focuses on a cross made of two sticks tied together - implying that religion might be "stories for children". It also foretells the link between the devil nets of the killer and the Church. In short, this series is definitely not pro-Christian.

As the reverend talks about devil nets being “stories to keep children busy”, the camera focuses on a cross made of two sticks tied together – implying that religion might be “stories for children”. It also foretells the link between the devil nets and Church leaders in Louisiana.

Rustin Cohle and the Psychosphere

Played by Matthew McConaughey, Rustin Cohle qualifies himself as a realist or, in philosophical terms, a “pessimist”. The least one can say is that he has little faith in humanity and that he does not understand the constructs surrounding it – including religion.

“I think human consciousness is a tragic step in evolution. We became too self-aware. Nature created an aspect of nature separate from itself. We are creatures that should not exist by natural law”.

As a “pessimist” who hates humanity in general and a Texan working in Louisiana, Cohle is an eternal outsider. Indeed, he has a tendency of viewing the world from outside, almost as if he was an other-worldly figure. To accentuate this fact, Cohle appears to have a sixth-sense – bordering on extra-sensory perception (ESP) – that manifests itself throughout the investigation. He has visions, he “reads” people in a few seconds, and he can even “taste” colors.

In the very first episode of the series, Cohle tells his partner a sentence that sums up the main message of the entire series. While driving through Louisiana roads, Cohle refers to an obscure concept that has deep resonance in occult spheres.

“Got a bad taste out there. Aluminum, ash, like you can smell the psychosphere”.

Psychosphere

The term psychosphere is not a common term in the English language. It originates from the science fiction literature of authors such as Roland C. Wagner and  H. P. Lovecraft – the creator of  the Cthulhu Mythos.

“Psychosphere” can be defined as “sphere of human consciousness” and takes its roots in Carl Jung’s concept of “collective unconscious”. It basically states that all thoughts that go through the human brain are “converted” by the neocortex and projected outwards into ethereal dimensions. Humans therefore live in an “atmosphere of thoughts”, a concept that is also referred to as “noosphere” by Vladimir Vernadsky and Teilhard de Chardin. According to them, the existence of this psychosphere causes humans to be compelled to respond to similar ideas, myths and symbols.

Although referred to in other terms, the concept of psychosphere is important in occult circles who conduct mega-ritals to influence the “collective unconscious” – often for nefarious purposes.

In the 1940s, the French poet and theater director Antonin Artaud predicted the advent of occult mega-rituals in media. Artaud was an adept of  several forms of occultism and well-aware of the transformative powers of theatrical rituals: he created the infamous “Theater of Cruelty” that intended to profoundly change the audience. Regarding the processing of the Group Mind, Artaud wrote:

“Aside from the trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically … That is how strange forces are aroused and transported to the astral vault, to the dark dome which is composed above all of … the poisonous aggressiveness of the evil minds of most people … the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.”

Occult researchers have often identified ritualistic murders as mass-rituals meant to shock the masses and disturb the psychosphere.

“[Some murders] are ritual murders involving a cult protected by the U.S. government and the corporate media, with strong ties to the police.

Such killings are actually intricately choreographed ceremonies; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, then on a grand scale, amplified incalculably by the electronic media.

In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased in this, the ‘Nigredo’ phase of the alchemical process.

- Michael A. Hoffman II, Secret Societies and Psychological Warfare

This is what True Detective is truly about.

Rustin Cohle, who has a tendency toward ESP, states that he can actually “smell the psychosphere”‘ and that it tastes “like aluminum and ash”. In other words, the sphere of human thought around the crime scene is nothing less than toxic and foul. However, being himself part of the human sphere, Cohle cannot help but being part of it and, on some level, even embracing it.

In the "present day" scenes, where Cohle is discussing his investigation with detectives, Cohle drinks cans of beer and smokes cigarettes - aluminum and ashes. Is this a way of saying that, after years in the "psychosphere" that Cohle is now completely imbued with it?

In the “present day” scenes Cohle drinks cans of beer and smokes cigarettes … aluminum and ashes. While, fifteen years before, Cohle was disgusted by the taste of the psychosphere, this psychosphere is now part of him.

The first ritual murder discovered in True Detectives was purposely staged to attract the attention of the masses. Not only is it a physical manifestation of the foul psychosphere, it is also an attempt to massively affect the psychosphere. These mega-rituals are purposely staged to shock and traumatize the masses, who then collectively send these thoughts to the psychosphere, creating the type of ambiance the occult elite revel in.

Throughout the series, an image appears in several places and through several people : Five men around a girl. This “pentagram of men” represents the occult elite abusing a child in a ritualistic matter. Through the psychosphere, the world appears to be aware of this, almost unconsciously.

The detectives find at the Tuttles house a video of a little girl being abused and sacrificed by five masked men.

The detectives find a video of a little girl being abused and sacrificed by five masked men. The fact that the ritual was recorded represents the elite’s propensity for creating “snuff material”.

 

While visiting the house of a woman whose daughter mysteriously disappeared, Cohle notices a framed picture of a young girl surrounded by five masked men.

While visiting the house of a woman whose daughter mysteriously disappeared, Cohle notices a framed picture of a young girl surrounded by five masked men.

Martin Hart's daughter placed five male dolls around a female naked doll.

Martin Hart’s daughter Audrey placed five male dolls around a female naked doll. We’ll later see how this character is subtly connected to the rituals.

While telling his story to detectives, Rustin Cohle weirdly transforms five cans of beer in to five little people and places them in a circle. Is he unconsciously telling the detectives who are the real culprits and that he never caught them?

While telling his story to agents, Rustin Cohle oddly transforms five cans of beer in to five little people and places them in a circle. Is he unconsciously telling the detectives that he never caught the real culprits – the pentagram of men?

Through symbols, the series tells us that the psychosphere is disturbed by the elite’s rituals and that its effects seep through the reality of the masses. However, these effects are not only symbolic: they influence society’s morals, values and behavior. This is represented by the evolution of Martin Hart’s family.

Martin Hart and his Family

Played by Woody Harrelson, Martin Hart is very much the opposite of Rustin Cohle. A simple look at the character’s names gives a good idea of their mindset. The name Rustin Cohle sounds like “rust and coal” – two materials associated with decay and toxicity – which represent his world vision. In contrast, Martin Hart’s last name sounds like “heart” – the muscular organ that keeps people alive. Far from being detached from the material world like Cohle, Hart intensely lives the emotional trials and tribulations of human experience. Like most humans, he is also deeply flawed. While considering himself to be a Christian, he has a propensity for adultery and violence.

It is however the evolution of his family that is the most telling. While his family has nothing to do with the main investigation, the series spends a great amount of time describing its evolution. More than simple “character development”, the Hart family represents how average citizens are ultimately affected by the foul psychosphere and the moral depravity of those that rule them.

Although Marty’s daughter Audrey has no apparent knowledge of or contact with those who conduct the rituals, she nevertheless appears to be deeply affected by it. As seen above, Marty found her daughter playing with dolls that appear to re-create “pentagram of men”. Later, her parents find a book full of upsetting drawings.

One of Audrey's sexual drawings feature a mask man touching a woman.

One of Audrey’s sexual drawings feature a masked man touching a woman who has her hands bound behind her back.

 

In another scene, Marty's girls are seen wearing a crown with ribbons - which is reminiscent to the Satanic antler crown with ribbons placed on the victims during the rituals.

In another scene, Marty’s girls are seen wearing a tiara with ribbons – which is reminiscent to the Satanic antler crown with ribbons placed on the victims during the rituals.

 

The tiara ends up on a tree, not unlike the ritual victims.

The tiara ends up on a tree, not unlike the ritual victims.

The foul psychosphere appears to affect Audrey’s behavior and her very soul. Her grandfather foretells her future while talking with Marty about “kids today”.

“I’ve seen kids today. All in black, makeup on their faces. Everything is sex”.

While Marty basically dismissed these words as being an old man’s ramblings, Audrey eventually grows up to become exactly that what her grandfather said.

Audrey dressed in black with makeup on her face. In this scene, she got caught by her father having sex with two guys in a truck.

Audrey dressed in black with makeup on her face. In this scene, she got caught by her father having sex with two guys in a truck. This caused Marty to call her a “slut”.

Audrey’s transformation from an innocent girl to a promiscuous teen represents how the occult elite’s depravity and immorality ultimately affects the entire population. While she is not a direct victim of the occult elite, she is an indirect victim through the foul ambiance she grows up in. We later learn that, as an adult, Audrey “sometimes forgets to take her pills”, implying that she has mental health issues and that she was indirectly traumatized by this context. Therefore, through various means, the series shows how the psychosphere is purposely disturbed to create a generation that is morally lost.

Now let’s look at the secretive group that is behind this all.

The Spiral – Representing the “Real Life” Occult Elite

As the investigation progresses, the detectives learn about a group of “rich men” sacrificing children. They also learn about the mythology surrounding it.

“There’s a place down-South where all these rich men go to devil-worship. They sacrifice kids and whatnot. Women and children all got murdered there and something about someplace called Carcosa and the Yellow King. He said there’s all these, like, old stones out in the woods people go to, like, worship. He said there’s so much good killing down there. The spiral – that’s their sign.”

We soon discover who’s behind these rituals: The elite of Louisiana, members of an ancient bloodline, the Tuttle family. As a Texan, Cohle quickly finds out that one member of the Tuttle family is Governor and another one leads the Church – therefore encompassing the spheres of power that are politics and religion.

As the detectives discover that the rituals are basically a family affair, they begin constructing the Tuttle family tree.

As the detectives discover that the rituals are basically a family affair, they begin constructing the Tuttle family tree.

After the detectives caught Reggie Ledoux, the deranged redneck, the camera ominously focuses on a lone tree - a tree that is seen multiple times during the series. With its roots firmly gripping the Louisiana soil, the tree represents the family bloodline that rules the region.

After the detectives catch the deranged redneck, the camera ominously focuses on a lone tree – a tree that is seen multiple times during the series. With its roots firmly gripping the Louisiana soil, this tree represents the family bloodline that rules the region.

The detectives learn that the Tuttles are responsible for a great number of missing children who were abused and killed in a ritual sacrifice. Since the family is extremely powerful, law enforcement and local media are completely silent. The family practices its own brand of Louisiana voodoo mixed with classic Satanic Ritual Abuse (SRA) as practiced by the occult elite. While the family’s area of action is very local, it does not take much extrapolation to understand that the Tuttles represent the occult elite that currently rules the entire world.

The Spiral’s taste for Satanic rituals, torture, mind control, and abuse of children is representative of the occult elite’s darkest obsessions. Even the Spiral symbol in the series is actually used by real life networks of shady men to secretly disclose their “preferences.” Here’s an FBI file describing the symbols used by “boy lovers”.

FBI file describing symbols used by children abuse networks.

Actual FBI file describing symbols used by child-abuse networks.

The Spiral on a skull in Carcosa.

The Spiral on a skull in Carcosa.

In True Detective, the Spiral’s rituals are drenched in a specific mythology heavily inspired by science-fiction/horror literature, notably from H.P. Lovecraft.

The Mythology

In True Detective, sacrifices are made to the “Yellow King” which is basically an effigy of a horned god and they take place in an abandoned structure dubbed Carcosa. The mythology surrounding the Spiral borrows heavily from science fiction literature, notably Robert W. Chamber’s The King in Yellow (aka the Yellow King), which mentions a lost city named Carcosa.

Along the shore the cloud waves break,
The twin suns sink beneath the lake,
The shadows lengthen
In Carcosa.

Strange is the night where black stars rise,
And strange moons circle through the skies
But stranger still is
Lost Carcosa.

Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Dim Carcosa.

Song of my soul, my voice is dead;
Die thou, unsung, as tears unshed
Shall dry and die in
Lost Carcosa.

The term Carcosa was also used by H.P. Lovecraft in his famous Cthulhu Mythos. Why is Lovecraft so often referred to in the series? His works are greatly revered in several occult circles and, considering the fact that the series is about satanic ritual murders, it makes sense.

H.P. Lovecraft

While H.P. Lovecraft’s Cthulhu Mythos, is usually considered as a near-satirical atheist work of fiction (it’s about monstrous alien gods), it nevertheless gained great notoriety with societies with a more metaphysical world view. For instance, Anton LaVey’s book The Satanic Rituals includes a chapter entitled “The Metaphysics of Lovecraft”

The Satanic Rituals consider Lovecraft to be a conduit of sorts for “unseen Powers”: “Whether his sources of inspiration were consciously recognized and admitted or were a remarkable ‘psychic’ absorption, one can only speculate.” The rituals consist of evoking names of the Cthulhu Mythos along with the inevitable “Hail Satan,” in mock ceremony evoking the elaborate proclamation and community response of the Catholic Mass.
- Dennis P. Quinn, Cults of an Unwitting Oracle: The (Unintended) Religious Legacy of H. P. Lovecraft

Kenneth Grant, an occultist who was a prominent member of Aleister Crowley’s secret society Ordo Templi Orientis (O.T.O) wrote extensively on the importance of Lovecraft’s works.

For Grant, writing in 1980, Lovecraft should be praised for his abilities to “control the dreaming mind that it is capable of projection into other dimensions.” It is well known that Lovecraft often gained inspiration for his stories in his dreams. For Grant, Lovecraft received actual arcane knowledge in his dreams, which was then expressed through the Cthulhu Mythos. Grant has inspired many magicians, some of whom have moved more into the realm of Lovecraft’s fictional writings.
- Ibid.

Lovecraft’s works are therefore highly regarded by occult or satanic groups who are heavily bent on rituals. Some symbols associated with these societies appear throughout the series.

Reggie Ledoux, one of the culprits carrying out rituals has a tattoo of Baphomet inside an inverted pentagram on his back, the sigil of the Church of Satan.

Reggie Ledoux, one of the culprits (more of a patsy) carrying out rituals has a tattoo of Baphomet inside an inverted pentagram – the sigil of the Church of Satan.

Although the detectives caught and killed Reggie Ledoux, they ultimately learn that the killings are still happening. Even at the end of the series, when the detectives get their hands of Errol Childress (the crazy stereotypical redneck), there are clues implying that he’s not the real culprit – he’s just a patsy.

Errol Childress – Patsy of the Elite

While investigating the Tuttle family, the detectives discover that the reverend has children from a mistress. One of them is Errol Childress, a “bastard son” who was treated badly. In fact, everything about him points toward him being a victim of a multi-generational satanic cult.

Errol has scars on his face because he was disfigured by his own father, which undoubtedly left him traumatized.

Errol has scars on his face because he was disfigured as a child by his family.

In this important shot we see that the Spiral symbol was burned into Errol's flesh, as if he was "branded" by it. In short, he is not the head of the club, he is more of a traumatized victim.

In this important shot we see that the Spiral symbol was burned into Errol’s flesh, as if he was “branded” by it. In short, he is not the head of the club, he is more of a traumatized victim.

At the end of an episode, Errol eerily says "My family's been here a long, long time." and then proceeds to mow the lawn in a spiral pattern. This symbolically represents how everything the occult elite does is in plain sight - for those who have "eyes to see". It also shows how Errol is obsessed by this symbol and was programmed by it.

At the end of an episode, Errol eerily says “My family’s been here a long, long time.” and then proceeds to mow the lawn in a spiral pattern. This symbolically represents how everything the occult elite does is in plain sight – for those who have “eyes to see”. It also shows how Errol is obsessed by this symbol and was programmed by it.

The show provides several clues hinting to the fact that Errol Childress is actually a victim of trauma-based mind control. First, he speaks with in distinct accents – a classic symptom of person with multiple personas. Errol effectively alternates between a typical Louisiana drawl and a distinguished British accent. The contents of his house is also quite telling.

Errol's house is full of dolls (many of which are beheaded). Not only do these dolls add to the "creep" factor, they are a classic symbol to represent multiple personas created through Mind Control.

Errol’s house is full of dolls (many of which are beheaded). Not only do these dolls add to the “creep” factor, they are a classic symbol to represent multiple personas created through Mind Control.

In the opening sequence of the show, we the face of a child projected on a telephone (the one at Errol's house). The dial is on the child's head, a way of portraying how victims of the Spiral has their minds controlled.

In the opening sequence of the show, the face of a child projected on a telephone (the one at Errol’s house). The dial is on the child’s head, a way of portraying how victims of the Spiral are mind controlled.

While his father is one of the richest and most respected people in Louisiana, Errol lives in filthy shack with an equally filthy half-sister with whom he copulates. In other words, Errol is clearly not part of the “elite” but an illegitimate byproduct of it. While he is the ultimate “bad guy” of the series, it is rather clear that he’s simply another victim of the Spiral. Even people who worked for the family were victims.

When the detectives visit Delores Jackson, an ex-maid who worked for Tuttles, we also see signs of mind control.

When the detectives visit Delores Jackson, an ex-maid who worked for Tuttles, we also see signs of mind control.

Although Delores became mentally ill and generally unresponsive (as if she was traumatized in her life), she gets very excited when Rust shows her images of devil nets – as if they were trigger images. She then begins reciting lines as if they were programmed into her.

“You know Carcosa? Him who eats time. Him robes, it’s a wind of invisible voices. Rejoice! Death is not the end!”

It is therefore quite clear that the real people behind the Spiral were never caught in the series. The series ended the same way real life stories involving the occult elite often end: A mind-controlled patsy takes the fall and dies, leaving the real culprits untouched. While Errol did actually commit atrocious crimes, he was a product of a deeper system.

When the detectives finally found and killed Errol, they are sent to the hospital to heal their wounds. There, we hear a TV news report stating:

“The State Attorney General and the FBI have discredited rumors that the accused was in some way related to the family of Louisiana Senator Edwin Tuttle.”

This little piece of information confirms the the State Attorney General, the FBI and mass media in general are “in cahoots” with the Spiral because they are using disinformation to clear the family’s name.

Rust then tells Marty that, although they caught Errol Childress, their job was not complete.

“Tuttles, the men in the video … We didn’t get them all”

To which Marty replies:

“Yeah, and we ain’t gonna get ‘em all. That ain’t the kind of world it is, but we got ours”.

Marty’s grim assessment about “how the world is” basically means that the real occult elite does not get caught. By saying “we got ours”, he means that they got the what they were supposed to get: The chosen patsy. This is not a comforting message regarding the occult elite, but it is the sad truth.

In Conclusion

The series True Detectives spurred all kinds of discussions and theories about the identity of the killer. However, beyond the classic “whodunit”, there is a constant message communicated throughout every episode. It is about our society, about who rules it and about the unseen forces that influence us all. It is about the psychosphere, a concept that is obscure to most of us, but that is nevertheless extremely important in occult elite circles. Through mega-rituals amplified by mass media, the elite actively looks to generate shock, fear, and dismay in the general population, whose thoughts then get projected back to the psychosphere. This disturbance causes the human race to live in a toxic atmosphere, ruled by specific symbols and thoughts. Furthermore, as portrayed by Audrey in True Detectives, a disturbed psychosphere causes society to break down, to become immoral and obsessed with dark thoughts. This is what they revel in.

Despite all of this, the series ends with Rustin Cohle having an epiphany and “seeing the light” because, for a moment, he saw the “spirit world”, where his dead daughter waited for him. Cohle realized that, beyond this material world, the one that is ruled by powerful sadistic families, there is another dimension – an eternal one – where they have no power at all.

The Hidden Meaning of the Movie “Coraline”

Coraline is a popular stop-motion movie released in 2009. While the film appears to be aimed at young people, Coraline’s imagery tells a hidden story: The programming of a mind control slave at the hands of a sadistic handler. We’ll look at the hidden meaning of the movie Coraline.

lead-coraline

Warning: Gigantic spoilers ahead!

Coraline was the first animated movie released by Focus Pictures, the same company that later released 9, another animated movie with a dark underlying meaning (read the article about it here). However, unlike 9, Coraline received rave reviews and almost universal praise for its story and visuals. Part of the movie’s appeal is its simple, child-friendly premise interlaced with twisted imagery and psychological depth. And, for those who know about Mind Control symbolism, the movie goes even deeper: It symbolically depicts the process of programming of a mind control slave at the hands of a manipulative handler (if you have no idea what I’m talking about, read the article Origins and Techniques of Monarch Mind Control).

In fact, the very first scene of the movie is basically a “Mind Control 101″ summation of the entire process. It shows a pair of creepy metallic hands transforming an old doll into a new one. If one examines this scene closely, “with eyes to see”, it symbolically (and creepily) depicts how MK slaves are taken, traumatized, and programmed by a handler–represented throughout the movie by a metallic hand.

A creepy hand (the symbol that will represent the handler throghout the movie) about to get to work on this doll (representing an MK slave).

The creepy hands of an unseen creep are about to get to work on this doll (which represents an MK slave).

Its clothes are removed...

Its clothes are removed using scissors (a reference to abuse?)

Hair ripped out (a form of trauma-inducing torture?)

Hair ripped out from its head (a form of trauma-inducing torture?)

Eyes ripped out (the main way of portraying a slave).

Eyes ripped out. As you might know by reading Vigilant Citizen, the removal of eyes is the main symbol representing MK programming.

The insides forcibly removed (representing the slave's core persona?)

The insides are forcibly removed (representing the removal of the slave’s core persona?)

It is then refilled by the handler and made to look like Coraline. The creation of the alter persona is symbolically complete.

The doll is then refilled by the handler and made to look like Coraline. The creation of the alter persona is symbolically complete.

The first scene of the movie sums up what will happen during the entire movie: The programming of a young girl by a sadistic handler. Before going into the details of the movie, let’s look at its general premise.

The Premise

Coraline is a little girl who moved into a new house with her parents. She is constantly bored and unhappy and her parents do not give her the attention she wants. While exploring her new house, Coraline finds a small door that leads to an alternate version of her reality where her parents are fun and attentive and where everything is magical and wonderful. In this sense, the premise of Coraline is similar to stories such as The Wizard of Oz, Alice in Wonderland and Labyrinth. All of these movies, including Coraline, follow the same basic blueprint: 1) The protagonist is a young girl that is curious, fearless, resourceful, and not afraid to speak her mind; 2) She is bored with her life and wishes for fun and adventure; 3) She magically enters a world that is strange, but wonderful; and 4) She gets “hooked” into the alternate world and doesn’t want to go back to reality.

For this reason, these story are used as programming tools in actual Mind Control sessions. These storylines encourage slaves who are being tortured to escape the trauma by dissociating from reality and entering an alternate reality (programmed by the handler). By doing so, the brain “disconnects” from the body and the sensation of pain disappears. While watching The Wizard of Oz, slaves are told to “go over the rainbow” and while watching Alice in Wonderland, they must “walk through the looking glass”. Coraline follows a similar script as the protagonist goes through a small door to access the “wonderful” alternate reality. This world is everything Coraline wishes for, but there is one small hiccup: It is fake, created by a sadistic handler to manipulate her. Let’s look at the movie’s protagonist.

Coraline

Coraline is voiced by Dakota Fanning, a child star (she was about 15 years old when working on Coraline) who has appeared in other MK-themed movies (see my article on Hide and Seek). The character appears to have a “magical” side. At the beginning of the movie she is shown practicing the ancient occult activity of dowsing or “water witching”.
Coraline looking for a secret well using her dowsing rod.

Coraline looking for a secret well using her dowsing rod. Because of this, her friend Wybie will call her a “water witch”.

  A water witch or dowser, redrawn from a sixteenth-century woodcut.

A water witch or dowser, redrawn from a sixteenth-century woodcut.

Later in the movie, Coraline’s father calls her a “twichy, witchy girl” while singing to her. Throughout the movie, magical, supernatural things happen around her. However, we later discover that these things are traps meant to lead Coraline to her handler. All of these scenes allude to the witchcraft aspect involved in MK programming.

At one point, Wybie gives Coraline a strange gift: A doll that looks just like her.

In MK symbolism, dolls represent the slave's alter persona. Coraline will call this doll "Little Me".

In MK symbolism, dolls represent the slave’s alter persona. Coraline will call this doll “Little Me”.

Coraline brings this dolls everywhere she goes. However, sometimes, the doll appears to lure Coraline to places where her handler wants her to go: The alternate world or, in MK terms, dissociation.

Coraline is "magically" lead to find a little locked door in her house. When her mother unlocks it, the door leads nowhere.

Coraline finds a small locked door in her house. When her mother unlocks it, the door leads nowhere.

However, at night, Coraline is "magically" lead back to the door and she finds out that it leads to a whole other world.

However, at night, Coraline is “magically” lead back to the door and she finds out that it leads to an alternate reality.

The Other World

When Coraline goes through the door, she enters back into her house – but everything is slightly different.

Coraline finds her "other mother" who is warmer, more attentionate and a better cook than her real mother. Also, she has buttons instead of eyes.

Coraline finds her “Other Mother” who is warmer, more attentive and a better cook than her real mother. Also, she has buttons instead of eyes. The symbolism of buttons instead of eyes is extremely important in this movie: it illustrates that the characters in the alternate world are puppets fabricated by the handler. It is later revealed that the Other Mother is the handler in disguise.

Everything in the Other World is tailor-made to charm Coraline and to fulfill her needs (which are the needs of all children): Receiving attention from parents, having fun and discovering wonderful things. The handler therefore knows exactly which “buttons to push” to get a positive response from Coraline. Knowing that Coraline is upset with the disgusting food of her real parents, the Other Mother projects the warm and comforting sight of a mother preparing a home cooked meal for her family.

In the Other World, Coraline's father created an entire garden that looks like Coraline's face when seen from above. This is another way to win over Coraline, by tapping in children's need of being the center of the world.

In the Other World, Coraline’s father created an entire garden that looks like Coraline’s face when seen from above. This is another way to win over Coraline, by tapping in children’s need of being the center of the world. Everything is made especially for her and everything is made to make her feel special.

As expected, Coraline realizes that she likes it better in the Other World. But things get creepy very quickly. While, at first, the movie caters to everything children like, it then turns to everything that scares children (many parents reported that this seemingly child-friendly movie terrified their children and gave them nightmares).

The Other Mother asks Coraline to stay with her forever. To do so however, Coraline must let the Other Mother sew buttons over her eyes.

Coraline's other parents proposing her to sow buttons on her face. This creepy request represents a slave permanently escaping reality through dissociation, effectively causing them to lose their very soul. Notice the two horned (Baphomet-like) heads in the background. They are prominently lighted to emphasize the black magic/occult transformation of the MK process.

Coraline’s other parents proposing her to sow buttons on her face. Notice the two horned (Baphomet-like) heads in the background. They are prominently lit to emphasize the black magic/occult transformation of the MK process happening in the alternate world. These horned heads are not there in the kitchen of the real world.

The Other Parents ominously call Coraline “our little doll” and tell her that “soon you will see things our way”. Sewing buttons onto her eyes means that she would permanently become the handler’s puppet, who would then, as the movie states, “devour her soul”. In MK terms, she would lose control of her core persona by staying stuck in the dissociative world created by her handler (the equivalent of devouring her soul).

The concept of eyes (and the lack thereof) is extremely important in this movie, as it is in actual MK Programming symbolism. While the occult elite represents itself with the All-Seeing Eye, Mind Control is represented by removing eyes – causing the slave to lose sight of reality.

A creepy poster of the movie featuring an All-Seeing Eye inside a triangle.

A creepy poster of the movie featuring an All-Seeing Eye inside a triangle.

When Coraline refuses the button deal, the Other Mother gets angry and we see her true form.

The illusion of the other world is broken. Coraline sees the true form of the other mother, a skeletical spider-like horror. When MK slaves give in to dissociation, the "relief" it caused at first turn into a nightmare.

The illusion of the Other World is broken. Coraline sees the true form of the other mother, a skeletal spider-like monstrosity. When MK slaves give in to dissociation, the “relief” it causes at first quickly turns into a nightmare.

Coraline is then locked in a room where she finds the ghosts of other kids who became her slaves. Here, they are hidding one eye and ask Coraline to find their eyes.

Coraline is then locked in a room where she finds the ghosts of other kids who became the handler’s slaves. In this scene, the ghosts are hiding one eye while asking Coraline to find their eyes, the only way their souls will be freed.

To find the ghost's missing eyes, Coraline must use a symbolic tool: A triangle with a hole in it. Is this a nod to the All-Seeing in triangle?

To find the children ghosts’ missing eyes, Coraline must use a symbolic tool: A triangle with a hole in it. Is this a nod to the All-Seeing in triangle?

The three ghosts call the Other Mother “Beldam”, which means “ugly, evil-looking old woman”. The word also resembles the term Grand Dame, the title given to important women in the Illuminati mind control system.

“An Illuminati Grande Dame will assist the programmers to insure that the proper script is given to the child and that a psychotic break doesn’t occur causing the victim to lose their mind.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

Not so coincidentally, the Beldam in Coraline basically plays the role of a Grand Dame in mind control programming.

“A close loving bond is needed between a child and the initial abuser so that a clean split is created when the initial mind-splitting trauma is carried out. The clean split occurs when the child is confronted with two irreconcilable opposing viewpoints of someone who is important to them. The child can’t reconcile the two extremely opposite views of the same person, one being a loving caretaker, and the other being the worst kind of abuser. The person the child trusted the most is the person the child fears the most. Some professional therapists have come to realize that this is how the core is split.”
- Ibid.

In Monarch Mind Control, the Grand Dame is one of the three people that assist in the programming of young slaves. Like in Coraline, the Grand Dame is somewhat of a (twisted) mother figure.

“As a child of the Illuminati progressed through its programming, three people had oversight over its programming: its Grande Mother, its Grande Dame, and the Programmer.”
- Ibid.

Throughout the movie, Coraline is told that there is “only one key” that can open and lock the door to the alternate world – and the Beldam desperately wants it. This key represents access to Coraline’s psyche. Either Coraline has control of it or the Beldam does. For this reason, there is “only one key”.

In her quest for freedom, Coraline is not alone. She is helped by a strange character.

The Black Cat

The nameless black cat become Coraline's guide and mentor throughout her journey...or is he leading her straight to programming?

A nameless black cat becomes Coraline’s guide and mentor throughout her journey.

The black cat first appears to Coraline while she’s “water witching” at the beginning of the movie. In European folklore, black cats were believed to be witches’ “familiars”- spirits who aid and protect them while they accomplish their magical work. In Coraline, the black cat basically plays the same role and becomes vital to her succeeding.

While the cat appeared to Coraline in the real world, he also appears in the Other World  – and with no buttons on his eyes. Furthermore, when in the Other World, the cat can speak with her. The cat also seems to know a lot about the Beldam and the world she created.

In this scene, the black cat shows Coraline how the Other World is a fake construct created by the Beldam to lure Coraline. In MK terms, it is the dissociative world created by the handlers.

In this scene, the black cat shows Coraline how the Other World is a fake construct created by the Beldam to lure Coraline. In MK terms, the black cat is showing Coraline the confines of the dissociative world.

While the black cat appears to be of great help, he also tends to lead Coraline into Beldam’s traps.

In this scene, the Black Cat leads Coraline back to the portal to the Other World.

In this scene, the Black Cat leads Coraline back to the portal to the Other World, causing her to dissociate again.

So is the black cat helping or manipulating Coraline? The very end of the movie might provide an answer.

After some adventuring, Coraline saves the ghosts by finding their eyes and destroying Beldam’s constructed world. She then throws the key to the Other World (which represents her psyche) down the magical well she found while water-witching. Coraline then happily goes back to her real world and tries to make the best of real life. Her family organizes a party in their garden – the same garden that was made to look like Coraline in the Other World. As the view of the garden pans out, observant viewers might realize something odd.

The garden is shaped like the face of Beldam.

The garden is shaped like the face of Beldam.

While many viewers probably did not notice this almost-subliminal tidbit, it has a heavy meaning. It represents the Beldam imprinting Coraline’s forever – even if she was apparently defeated.

In fact, was the Beldam truly defeated? Was Coraline actually manipulated by the cat? Was throwing the key to her psyche down that well a good move? Can the Beldam now “trigger” Coraline back into her world whenever she needs to? Like in other MK-themed movies (such as Labyrinth), while the final scene of the movie appears to be a celebration, the celebration is dampened by creepy little details that hint that all might not be “well and good”.

Right after, the movie ends with the black cat magically disappearing behind a pole. Is his job as a programmer complete?

The movie ends with the black cat magically disappearing behind a pole.

Does the cat magically disappear because his job as a guide is complete? Or his job as a programmer is complete? It’s not clear.

In Conclusion

While, at first glance, Coraline appears to be a cautionary tale about appreciating what you’ve got and not falling for things that are too good to be true, the movie’s dark and twisted imagery hints to deeper concepts. As proved by the number of screenshots used in this article, the movie contains a wealth of subtle symbols that tell their own story, one that is laced with occultism and the dark process of Monarch mind control.

The entire movie is based on the symbolism of a menacing hand (representing the handler) manipulating a young girl, luring her into a world created to appeal to her psyche. When Coraline escapes (dissociates) to the Other World, the concept of buttons replacing eyes represent the illusory nature of this world and the blindness of those trapped in it. In the end, Coraline appears to vanquish her foe but, as subtle symbolism suggests, she might have simply done exactly what was expected from her all along.

This movie, which features visuals based on the comforting feel of arts and crafts, nevertheless alludes to mind control, the most sadistic practice known to man. In short, it is deception at its finest. As it is the case with many other works in mass media, Coraline‘s hidden meaning can only be understood by those who have “eyes to see”. Unfortunately, most people still have buttons.

“Don’t Make Me Go Back, Mommy” : A Creepy Children’s Book About Satanic Ritual Abuse

cover

“Don’t Make Me Go Back, Mommy”, is a children’s book published in 1990 written by author Doris Sanford. According to the book’s description:

“The words of the text and the objects and situations illustrated are based on months of intensive research into the nature and practice of satanic ritual abuse. Any child who has been ritually abused will recognize the validity of this story.”

The book was marketed primarily to mental health professionals, school counselors, parent organizations, and support groups. The summary on the back of the book reads:

“When five-year-old Allison’s parents begin to see a change in her behavior at home, they seek professional help for her. They find that Allison and other children have been ritually abused at a day care center. Thus begins Allison’s recovery through counseling and through her parents’ affirmations that it was not her fault, that she is precious and loved, and they will keep her safe.”

While the book was probably intended to help children recognize and identify signs of Satanic Ritual Abuse (SRA), it is nevertheless one the most terrifying children’s book ever written. The book is written in codes and contains symbols only SRA victims can recognize, which makes reading the book to non-victims a creepy and scary experience.

As stated in other articles on this site, SRA is a basic element of Monarch Mind Control. This book therefore reflects several aspects of Mind Control such the usage of drugs, of mind games, of ritual abuse, of Satanic ceremonies and so forth.

Here are some pages taken from the book.

 

This vignette refers to a "magic juice" given by the teacher which implies that children are being drugged at the daycare. The image depicts white rabbits in a cage which represent the children themselves. Also, these rabbits might be used to show children what would happen if they break the "circle of trust". In other words, they probably hurt the rabbits in front of the children.

This page refers to a “magic juice” given by the teacher, which is a code word for drugs. The image depicts caged white rabbits in a cage which represent the children themselves. The teachers (handlers) most likely hurt the rabbits to show the children what would happen if they betrayed their trust.

 

This creepy vignette mentions children being locked in. More importantly, the child says that he "got married today". Behind the mother we see a children's wedding veil. Although not explicitly stated, this vignette refers to SRA victims becoming "brides of Satan" through a terrifying ritual conducted by the handlers.

This creepy page mentions children being locked in. More importantly, the girl says that she “got married today”. Behind the mother we see a children’s wedding veil. Although not explicitly stated, this vignette refers to SRA victims becoming “brides of Satan” through a terrifying rituals conducted by the handlers.

 

On the day of Halloween (aka the day of Samhain which is believed to be a day where the veil with the spirit world is at its thinnest), the teachers are dressed as a witch and a skeleton. "Becky's birthday" will actually be an occult ritual.

On the day of Halloween (aka the day of Samhain which is believed to be a day where the veil separating us from the spirit world is at its thinnest), the teachers are dressed as a witch and a skeleton. “Becky’s birthday” will actually be an occult ritual.

 

This scary vignette depicts a naked child inside middle of a "magic circle" where a satanic ritual is about to take place. The teacher says about the circle "There is no way out because there is no end to it" which is the kind of mind freaking things handlers say to confuse and control the slaves.

Her we see Becky naked standing in the middle of a “magic circle” where a satanic ritual is about to take place. The teacher says about the circle “There is no way out because there is no end to it” which is the kind of mind freaking things handlers say to  slaves confuse and control them.

 

This page refers to a bunch of dreadful things associated with SRA : The handler becoming the "other mommy", the real mother losing her "title". More disturbingly, the text refers to the "movie star room" which is where ritual abuse is filmed by the handlers.

This page refers to a bunch of dreadful things associated with SRA : The handler becoming the “other mommy”, the real mother losing her “title”. More disturbingly, the text refers to the “movie star room” which is where ritual abuse is filmed by the handlers.

 

The child here refers again to abuse coded as "magic surgery". The "monster" in the child is probably refers to the fact that victims of SRA are assigned to demons during trauma.

The child here refers again to abuse coded as “magic surgery”. The “monster” in the child probably refers to the fact that victims of SRA are assigned to demons during trauma. Notice where the child pokes the white rabbit.

 

The mother describes the syptoms of a children with

Notice the dead white rabbit next to the child.

While the author of “Don’t Make Me Go Back, Mommy”, probably had good intentions, the book’s coded wording and creepy imagery is enough to traumatize a child by itself. Let’s say this wouldn’t be my first choice for a bedtime story.

That being said, every time this book – or SRA in general – are mentioned online (i.e. this BuzzFeed article or the book’s Amazon reviews) there are tons of comments insisting on the fact that SRA does not exist and that it is a myth that was propagated in the 80′s. My question is : How can one be so sure and convinced that something DOES NOT exist? Why would someone even take the time to stress the fact that something DOES NOT exist? What’s the interest behind this? Is this a case of “doth protest too much, methinks”?

Is it possible that some internet commentators are being paid to make sure that any references to SRA is fully discredited and ridiculed online? One thing is for sure, when one researches the history and the mechanisms of Mind Control, combined with the functioning of the occult elite, the existence of SRA is far from being a myth. It is a documented fact.

“In the McMartin Preschool case about 800 children were witnesses whose stories colloborated the SRA and programming that was done, but the media, and the judicial system were able to cover up the abuse and make it look on television that the abusers were the victims! It wasn’t until after the case was over and the property sold, that the tangible proof (the secret tunnels with paraphenalia) were found, and then the news media has covered that up too. The abusers will often wear masks and costumes.

Let’s say a programmer wears a Mickey Mouse outfit, and the child would remember and tell, “Mickey Mouse hurt me.” Now who is going to believe the child? The child has told the truth, but will be reprimanded for telling the truth. It doesn’t take long for a severely abused child, who has been programmed to keep silent, to learn that no one wants to hear the truth anyway.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

The 2014 Grammy Awards: Still Pushing the Illuminati Agenda

The 2014 Grammy Awards featured a black magic witchcraft ritual disguised as a Katy Perry performance. Surprised? You shouldn’t be. This has been going on for years. We’ll look at the Illuminati Agenda pushed in the 2014 Grammy Awards.

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This year’s Grammy Awards apparently had something for everyone. While old-school rockers might have enjoyed seeing Paul McCartney, Ringo Starr, Willie Nelson and Metallica performing live, it is the current industry puppets who reach the youth. And it is their performances that are riddled with symbolism and messages. Unlike the older singers, the performances given by Beyoncé, Katy Perry, and even Mackelmore, were not strictly about the music. Their performances were vehicles to push the Illuminati-sponsored Agenda.

For years, I’ve been stating that music awards ceremonies are a celebration of what the Illuminati industry stands for, as their choreographed format offers the industry an opportunity to imprint the collective mind with specific messages and symbolism. After each award season, I notice a growing number of people realizing that something is “off” with the music industry and that it promotes a specific set of values and attitudes. Is the public getting wiser or is it just all becoming too obvious to ignore? Whether the case may be, the show prompted people such as Former University of Alabama quarterback A.J. McCarron to tweet:

Even E! Online tweeted during the show:

Let’s look at the lowlights (a term I coined because that’s pretty much what I do on this site) of the 2014 Grammy Awards.

Beyoncé Representing Beta Kittens

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The awards began with Beyoncé singing the words:

I’ve been drinking, I’ve been drinking
I get filthy when that liquor get into me
I’ve been thinking, I’ve been thinking
Why can’t I keep my fingers off it, baby?

From that point, we knew that these awards would probably not be child-friendly. Dressed in a leotard revealing most of her “bootyliciousness”, Beyoncé’s performance was as sexual as the song’s lyrics. This prompted many parents to complain about why this was televised at 8pm, while children (many of whom look up to Beyoncé) are still awake. Others noted that if Miley Cyrus gave the same performance, there would probably be a violent revolution right about now.

Beyoncé’s performance was in fact an accurate representation of her recently released “visual album”, which contains a bunch of very suggestive videos. After watching that album, I can safely estimate that about 80% of the footage consists of closeups of Beyoncé touching herself in a sensual matter. In fact, in this album, Beyoncé appears to play the role of a Beta Kitten that is programmed to be sexual all the time (if you don’t know about Beta Programming, read this article). Some videos in Beyoncé’s album contain Monarch programming symbolism.

In this scene of the video Partition, two Beyoncé's dance sensually behind cage bars while completely covered in feline print.

This scene of the video Partition is a true nod to Beta Kitten Programming. There are two Beyoncé’s (representing split of personalities); They are behind bars (representing being an MK slave) and they are covered in animal prints (representing Kitten slaves in Illuminati symbolism).

Beyoncé’s Grammy performance is therefore in line with the main theme of her visual album – Beta Kitten programming. Televised at the very beginning of the awards, her performance is yet another instance an award show exposing millions of young minds to over-sexualization.

Katy Perry the Witch

The most blatant part of the awards was undoubtedly Katy Perry’s performance, which was so blatant it even caused many “non-aware” viewers to be disturbed by its satanic undertones. The performance began with a sinister voice saying:

“She casts spells from crystal balls. Invoking spirits. She put me in a trance.”

Inside a crystal ball, Perry sings while four horned demon-like figures rise above her.

Some of the sinister figures have Baphomet-like horns.

Some of the sinister figures have Baphomet-like horns.

Katy then gets out of the crystal ball moves around with her backup dancers, remotely controlling them as if they were under her spell.

Seeing the performance, we quickly understand that the song is not about love but being under occult possession.

Seeing the performance, we quickly understand that the song is not about love but about being under occult possession.

The chorus of the song basically reflects what happens to those accepting dark pacts … not unlike most of the successful people in the entertainment industry who were in the audience.

So you wanna play with magic
Boy you should know what you’re fallin’ for
Baby do you dare to do this
‘Cause I’m comin’ at you like a dark horse

Then Katy apparently summons a dark horse – is it a reference to the dark horse of the Apocalypse?

The dark horse's bluish color, musculature and glowing red eyes are striking similar to another horse seen on this site: The "devil horse" of the Denver International Airport.

The dark horse’s musculature, bluish color, and glowing red eyes are strikingly similar to another horse seen on this site: The “devil horse” of the Denver International Airport.

This scary horse stands in front of the Denver International Airport - a place full of  NWO symbolism (read the article about it here). Is the horse in Katy's performance a reference to the "demon horse" (that's what people in Denver call it) of the DIA?

This scary horse stands in front of the Denver International Airport – a place full of NWO symbolism (read the article about it here). Is the horse in Katy’s performance a reference to the “demon horse” (that’s what people in Denver call it) of the DIA?

Katy then dances around a witch’s broom-turned-stripper pole for a while. To complete the ritual, her backup dancers light up a circle of fire around her.

Fire around Katy while the horned demons watch over her.

Fire around Katy while the horned figures watch over her.

The glowing red cross on Perry's dress is very similar to the red cross of the Knights Templar.

The glowing red cross on Perry’s dress is very similar to the red cross of the Knights Templar.

The Knights Templar were a medieval occult secret society that is considered to be the originator of Freemasonry, the Bavarian Illuminati and the keepers of the secrets of sex-magick as practiced by Crowley’s O.T.O.. The Knights Templar were prosecuted due to their alleged worshiping of Baphomet and for practicing of witchcraft. Perry wearing their cross is therefore very fitting. It also represents the occult elite’s philosophy as a whole.

The cover art of Dark Horse features an All-Seeing Eye at the top, signaling that this is sponsored by the occult elite. Also, the bird and the cage hint to the occult mind control elements of the song.

The cover art of Dark Horse features an All-Seeing Eye at the top, signaling that this is sponsored by the occult elite. Also, the bird and the cage hint to the occult mind control elements of the song.

In short, Katy Perry’s performance is the reason why I call most awards ceremonies “mega-rituals”.

Promoting “Maleficent”

Continuing in the exact same vein as Perry’s black magick-themed performance, the Grammy’s were also used to promote the latest Disney movie “Maleficent”.

The movie will feature Angelina Jolie as a horned evil witch.

The movie will feature Angelina Jolie as the horned evil witch from Sleeping Beauty.

The trailer shown at the ceremony featured the song “Once Upon a Dream” sung by Lana Del Rey – another figurehead for Beta Kitten Programming (see 98% of her music videos). Not unlike most of the Grammy’s, this Disney movie appears to be aimed at young people, but there not-so-hidden dark undertones to it.

In the trailer, we see Maleficient "the Mistress of All Evil" placing a curse on Aurora. This is a good image to represent what mass media does to the youth.

In the trailer, we see Maleficent, dubbed “the Mistress of All Evil”, placing a curse on baby Aurora. This is a good image to represent what mass media does to the youth.

The trailer ends with Maleficent saying:

“There is evil in this world. Hatred. And Revenge … HAHAHAHAHAH!”

Whatever you say, Disney Corporation.

The Church Service

The awards then took an odd turn when Mackelmore performed his pro-gay song “Same Love”. The performance featured 33 couples (a symbolic Illuminati number) being wed by Queen Latifah. Right after, Madonna, the Grand Priestess of the music industry herself, came out to sing to her subjects.

Holding a scepter, symbol of power, Madonna gives Grand Priestress' blessings to the mass weddings.

Holding a scepter, symbol of power, Madonna gives her Grand Priestess’ blessings to the mass weddings.

The performance took place in a mock-church, complete with a gospel choir, under which 33 couples were legally married. That is essentially what the Illuminati industry is trying to do: Become the new religion of the masses … complete with televised mega-rituals.

In Conclusion

As usual, the 2014 Grammy Awards rewarded the artists the industry wanted to reward and pushed the messages the Illuminati wanted to push. While many performances were simple and sober, those given by the most influential artists today were heavy in messages and imagery. From Beyoncé’s Beta-Kitten performance to Katy Perry’s black magick ritual, we once again saw that important events are almost always used to brainwash the youth and to steer it in a specific direction.

Why is it all about indoctrinating the youth? As Ketty Perry’s song says: “Cause once you’re mine … There’s no going back.”

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“World War Z” Will Fit Right in the Illuminati’s Agenda (Trailer Video)

worldwarz

Brad Pitt’s next movie will apparently be about martial law, massive depopulation and a devastating crisis that would most likely lead to a one world government. In short, will be another movie portraying the future in a very specific, Illuminati-friendly way. The movie will be an adaptation of the book of the same name – but completely rewritten to feature less social commentary and more Brad Pitt. More importantly, it will contain a whole lot of predictive programming. Here’s the trailer.

The trailer begins with a little girl innocently asking: “Daddy, what is martial law?”. This basically announces what the movie will be about: Drilling in people’s head’s the concept of martial law and total government control in times of crises. In my article named ‘Contagion’ or How Disaster Movies “Educate” the Masses, I explained how the movie Contagion used the fear of  disease to normalize the concept of martial law. In case you don’t know martial law can usually be defined by the imposition of military rule and the suspension of civil liberties such as searches and seizures, freedom of association, and freedom of movement.

World War Z will use the fear of a zombie apocalypse to normalize the same concepts. Furthermore, zombies is a great way to portray the masses as a bunch of brainless animals that need to be destroyed. The movie trailer alone depicts an amount of people being killed. Imagine the whole movie.

Thousands of people piling up like insects while helicopters shoot at them. Yup, Hollywood loves to show us these images.

Thousands of people piling up like insects while helicopters shoot at them. Yup, Hollywood loves to show us these images.

So prepare yourself for a whole bunch of predictive programming, desensitization of human deaths and Brad Pitt running around.

As one guy says at the end of the trailer: “Every human being we save…is one less to fight”.

Wait, what?

The post “World War Z” Will Fit Right in the Illuminati’s Agenda (Trailer Video) appeared first on The Vigilant Citizen.

Satanic Temple Looking to Build Statue of Baphomet at Oklahoma State Capitol

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Rendering of the proposed statue

The Satanic Temple, a New York-based organization, unveiled designs for a seven foot-tall Baphomet statue to be placed at the Oklahoma State Capitol. The statue features Baphomet sitting on a throne adorned with an inverted pentagram flanked by two smiling children. (Maybe I should point out that the Caduceus rising from Baphomet’s lap also represents an erect phallus, which makes the whole children thing quite inappropriate).

According to Temple spokesman:

“The monument has been designed to reflect the views of Satanists in Oklahoma City and beyond. The statue will also have a functional purpose as a chair where people of all ages may sit on the lap of Satan for inspiration and contemplation.”
- CBS New York, N.Y. Group Applies To Build Satan Statue At Oklahoma State Capitol

The Satanic Temple stated that it has raised the necessary funds for the erection of the statue and it is now looking for approval from Oklahoma legislature.

In all honesty, I do not believe that this statue will ever be approved, mainly because officials would not want to deal with the public outcry. I also do not believe that the Satanic Temple expects its design to be approved neither. It is probably a publicity stunt and a way of protesting the placement of a privately-funded monument of the 10 Commandments in 2012 on State Capitol grounds.

If one looks closer at this monument of the Ten Commandments, one can understand why it was approved and why it is standing at the State Capitol today.

The Commandments are topped by the All-Seeing Eye inside a triangle, symbol of the occult elite.

The Commandments are topped by the All-Seeing Eye inside a triangle, symbol of the occult elite.

Odd fact: The monument contains two glaring misspellings.

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In any case, Baphomet is the main figure representing the beliefs of the occult elite and has been for centuries. I do not doubt that, behind closed doors, powerful people would love to see this monument placed at the State Capitol. While a statue ofBaphomet sitting next to children with a symbolic erection might appear to be a horrible aberration to most, it is probably the most honest representation of what the occult elite truly stands for.

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Does Covering One Eye REALLY Mean Something? – Symbolic Pics of the Month

This edition of SPOTM is all about the One Eye sign. As the year 2013 comes to an end, it appears that the sign of the Eye of Horus is more ubiquitous than ever. It is in our faces, all around the world and in all types of media. Here are some examples.

Rihanna is the new face of Balmain fashion house. Unsurprisingly, the two promotional prics that were released feature Rihanna with one eye subtly but wholly hidden.

Rihanna is the new face of Balmain fashion house. Unsurprisingly, the two promotional pics that were released focus on Rihanna hiding one eye.

 

Someone defintely took some time to place Rihanna's hair in order to hide one eye. That's the kind of pop culutre we're dealing with now.

Someone definitely took some time to place Rihanna’s hair in order to hide one eye. Ads do not simply sell products anymore, they communicate something deeper about the system.

 

The poster of season 4B  was critised by actress Ashley Benson, claiming: “Our faces in this were from 4 years ago . . . and we all look ridiculous. Way too much Photoshop. We all have flaws. No one looks like this. It’s not attractive.”  What she might not realize is that everything was 'shopped to hide one eye of each star, making this poster a salute to the Illuminati entertainment industry.

The poster promoting season 4B of the TV series “Pretty Little Liars” was criticized by actress Ashley Benson who said: “Our faces in this were from 4 years ago . . . and we all look ridiculous. Way too much Photoshop. We all have flaws. No one looks like this. It’s not attractive.” More importantly, all four girls have one eye hidden, making this poster a salute to the Illuminati entertainment industry.

 

For some reason, someone thought of creating a TV show called "Lady Gaga & The Muppets Holiday Spectacular". Who wanted to see Lady Gaga doing the one eye sign around a bunch of puppets on Thanksgiving? Apparently 3.6 million viewers (including a whole bunch of children) did.

For some reason, someone thought that a TV show called “Lady Gaga & The Muppets Holiday Spectacular” would be a great idea. Unsurprisingly, it featured Lady Gaga doing the one eye sign around a bunch of puppets. 3.6 million viewers (including a whole bunch of children) watched this on Thanksgiving. They’re pushing it.

 

Here's Ke$ha wearing a One-Eye outfit with a One-Eye bandana and One-Eye right on her hand. In short, she is litterally draped in the symbolism of her rulers.

Here’s Ke$ha wearing a One-Eyed outfit with a One-Eyed bandana and a One-Eyed tattoo on her hand. Eye sore.

 

Candice Swanepoel for iD-Magazine is wearing Mickey Mouse ears (symbolic of Disney MK Programming) and has on eye hidden.

Candice Swanepoel for iD-Magazine is wearing Mickey Mouse ears (symbolic of Disney MK Programming) and has on eye hidden.

 

Another pic of the photoshoot, proving that the One-Eye thing was not an accident.

Another pic from the photoshoot, proving that the One-Eye thing was not an accident.

 

A poster of the upcoming TV series "Intelligence". It features a guy hiding one eye with a microchip. Do I need to say more about it? No, but I'll still share with you the plot of the show: "In Intelligence, Josh Holloway stars as Gabriel Vaughn, a high-tech intelligence operative enhanced with a super-computer microchip in his brain. With this implant, Gabriel is the first human ever to be connected directly into the global information grid." Wow. Promotion of microchipping, transhumanism and all that crap all wrapped in one brainwashing TV show.

This is a poster promoting the TV series “Intelligence”. It features a guy hiding one eye with a microchip. Do I need to say more about what this represents? No, but I’ll nevertheless share with you the plot of the show: “In Intelligence, Josh Holloway stars as Gabriel Vaughn, a high-tech intelligence operative enhanced with a super-computer microchip in his brain. With this implant, Gabriel is the first human ever to be connected directly into the global information grid.” In  short, it is all about the promotion of micro-chipping, trans-humanism and all of that crap, all wrapped in one brainwashing TV show.

 

Pink dressed as Marilyn Monroe (the symbol of Kitten programming) with one eye hidden and mouth "shushed" by her hand. Sigh.

Pink dressed as Marilyn Monroe (figurehead of Kitten programming) with one eye  hidden. Is there a female star in the industry who DID NOT dress up as Monroe? Not really, as it appears to be an “initiatic” obligation.

 

Speaking of Kitten programming, here's a rare photo of Britney Spears from 2000. She is literally bathing in diamonds which is coincidentally the symbol used to indentify "presidential models", the highest level of Kitten Programming. Of course, she is hidding one eye to make sure we understand what's going on there.

Speaking of Kitten programming, here’s a rare photo of Britney Spears from 2000. She is bathing in diamonds and hiding one eye with a diamond. She also has a diamond butterfly (representing Monarch programming) on her right arm. In MK symbolism, diamonds are the symbol used to identify “presidential models”, the highest level of Kitten Programming.

 

This is the cover of "The Ultimate Guide to Talent Agencies and Casting Directors". The One-Eyed picture however tells you what is TRULY needed to make it in the entertainment industry.

This is the cover of the book entitled “The Ultimate Guide to Talent Agencies and Casting Directors”. The One-Eyed picture tells you what is TRULY needed to make it in the entertainment industry.

 

Speaking of book covers, here's the cover of "Fashion Now", a guide of the most influential designers. In case you didn't notice: THERE'S A ONE-EYE THING GOING ON ON THE COVER!

Speaking of book covers, here’s the cover of “Fashion Now”, a guide to the most influential fashion designers. Here’s a surprising fact that you might not have noticed: THERE’S A ONE-EYE SIGN THE COVER!

 

Another edition of "Fashion Now".

Another edition of “Fashion Now”. I don’t get fashion.

 

UK "reality star" (the saddest star category there is) poses in underwear and hiding one eye. Just doing what he can to cling to some celebrity.

UK “reality star” (the saddest category of stars there is) poses in underwear and is hiding one eye. Just doing what he has to do to say somewhat famous.

"Urban model" Stephanie Santiago showing off her tattoo. Someone gotta pay for dem shoes, AMIrITe!?! No.

“Urban model” Stephanie Santiago showing off her tattoo. “Someone gotta pay for dem shoes, AMIrITe!?! LOL!”.

Stephanie and her friends really want to be part of that biz.

Stephanie again, with her friends, trying to look as Illuminati pawns as possible.

The City of Sydney's New Years Eye celebrations' theme is "Shine". It's symbol: A WHOLE BUNCH OF CREEPY EYE EVERYWHERE. According to Sydney residents, there are eyes everywhere in the city.

The City of Sydney’s New Years Eye celebrations party is called “Shine”. The theme? A WHOLE BUNCH OF CREEPY EYES EVERYWHERE. Posters of the event are currently all around the city.

 

Here's a poster promoting "Shine". Eyes everywhere around the city of Sydney. How nice and comforting.

Here’s a poster promoting “Shine”. Eyes everywhere around the city of Sydney. How nice and comforting.

 

There's even All-Seeing eyes on space satellites and rockeyships. In order words, people in Sydney will celebrate the New Year under the theme of them being watched all the time.

There are even All-Seeing eyes on space satellites and rocket-ships. This does not make me want to celebrate the New Year. It makes me want to go hide in forest, away from all of these eyes.

 

Here's the logo of Race 4 Chase - a Sandy hook victim. My stomach is queezing.

Here’s the logo of Race 4 Chase – a charity for a Sandy hook victim. I feel sick to my stomach.

 

It was placed inside a park in Newtown.

It was placed inside a park in Newtown. Speaking of which, one year later, is there any new information about the alleged shooter? No, nothing at all.

 

Here is what left of Sandy Hook Elementary School. Questioning the "official version" of the story with crime scene evidence is now quite difficult, isn't it?

In case someone wanted to go investigate the Sandy Hook crime scene and verify the official version of the story, here is what left of Sandy Hook Elementary School. That is how you destroy evidence.

The post appeared first on The Vigilant Citizen.