Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Britney Spears and Iggy Azalea were born on opposite sides of the world, but their videos “Work B*tch” and “Change Your Life” contain the same exact hidden meaning. Indeed, the symbolism of these videos are both celebrations of the mind control culture of the Illuminati entertainment industry, especially Kitten Programming.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

There are plenty of differences between Britney Spears and Iggy Azalea: Britney is from the U.S. while Iggy is from Australia; Britney is a veteran in the music business while Iggy is a newcomer; Britney sings pop while Iggy raps. Despite these surface differences, they both ultimately work for the same bosses who use their sex appeal to push the Illuminati Agenda. Work B*tch and Change Your Life were both released around the same time, they both take place in a “Las Vegas showgirl” context and they both convey the same exact twisted message: Being an industry Kitten is great because it will make you rich, famous and even powerful. Both videos are all about glamorizing the Mind-Control culture the occult elite revels in – although it is all about violent, disgusting and sadistic exploitation.

While on the surface, these videos appear to be about “empowerment” (I hate that word), they are actually celebrating the entertainment industry’s exploitation of victims of Kitten programming. (If you’ve never heard of Mind Control or Kitten Programming, read this article first).

Let’s look at the insidious symbolism of these videos.

Work B*tch

When one knows about Britney Spears’ actual living conditions and mental state in the past few years, watching Work B*tch becomes somewhat difficult, as its message is ironic in the saddest way possible. In my several articles on Britney, I have described how, since her meltdown, she has become a literal slave, heavily medicated and with absolutely no power over her career, finances or personal life. Britney has been living under the conservatorship of various handlers since 2008, meaning that, during all of these years, she has never gained back control of her life.

Considering these facts, the lyrics of Work B*tch become somewhat disturbing, as they appear to be words a pimp who say to his “employee”. Or what a Beta Kitten handler would tell an MK slave (like Britney) …

You wanna hot body
You want a Bugatti
You wanna Maserati
You better work b*tch
You want a Lamborghini
Sip martinis
Look hot in a bikini
You better work b*tch
You wanna live fancy
Live in a big mansion
Party in France

You better work b*tch

In the song and video, Britney plays the role of the handler who is yelling stuff at her slaves … the same kind of stuff she is probably told on a daily basis. Like most of Britney’s recent releases, the song is almost ridiculing her condition, as if her handlers are saying: “Look at what we’re doing with her. We’re making her sing about her own captivity”. To make things worse, Britney sings the song with a British accent. While, at first glance, this fact might be trivial, remember that in 2008, when Britney went through a gigantic meltdown, she was caught speaking with a British accent – a symptom of Multiple Personality Disorder, which is itself a symptom of Monarch Programming. Here’s a 2008 article about the meltdown and her British accent:

Britney Spears Lapses Into a British Accent

Britney Spears has a new accessory to go with her pink wig: a British accent.

In the last several weeks, Spears, 26, has been videotaped numerous times trading her Louisiana twang for U.K. inflections.

“She had the English accent thing going the whole time” while shopping at Kitson last Thursday, according to a source. “It didn’t stop.”

Even when angry, the accent appears. On an L.A. shopping trip to Macy’s on Jan. 13, she screamed at the paparazzi, “Get out of my G—— face!” – in a British accent.

So is it all in fun or has she flipped her pink wig?

“When someone has dissociative identity disorder” – formerly known as multiple personality disorder – “each identity is split off from the other,” says L.A. psychologist Renee A. Cohen, who is not treating Spears. “Each identity would have its own name, memories, behavioral traits and emotional characteristics.”

Cohen says the critical question is: “When Britney uses the British accent, or appears to take on another identity, does she know she’s Britney Spears?”

“Otherwise, she could simply be behaving this way for attention, for sympathy, or any other reason,” adds Cohen. “It’s foolish to attempt to diagnose her without a formal evaluation.”

One possible influence could be Spears’s maternal grandmother, Lilian Bridges, who was originally from England.

Also, Spears’s new beau, photographer Adnan Ghalib, grew up in Birmingham, England.

According to paparazzi who trail the singer around the clock, one thing is for sure: the pink wig means something’s changing.

“When she puts on the pink wig, you just know something crazy is about to happen,” said one paparazzo.

- Source: People.com

Knowing this fact, making Britney sing in a British accent is almost a code for showing that she’s embodying another persona. She’s a MK handler.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

In the video, Britney bosses around Beta Kitten slaves around (they even have kitten ears), whipping them into submission and calling them bitches. Knowing Britney’s condition, this is all rather twisted

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

This scene defines the entire video. Britney is holding Beta Kittens on a leash, controlling them. She stands on an inverted pyramid, perhaps to highlight the fact that Britney is actually NOT at the top of the pyramid. She is actually at the bottom of it, not unlike these leashed kittens.

Some might say: “That’s an empowering video! Britney is being empowered! She empowers her fans by seeing her being so empowered!” Did I mention that I hate the word “empowered”? To empower means “to give power”. Watching a video does not give you power. It actually accomplishes the exact opposite. Those who use the word “empowering” to describe a music video remind me of a Simpsons line about the word “proactive”: “Excuse me, but “proactive” and “paradigm”? Aren’t these just buzzwords that dumb people use to sound important?”. 

Britney herself admitted that she was not “empowered” by the video. Shortly after the release of the video, Britney called a radio station and stated that she was pressured into its highly sexualized concept, something she wants to stop doing ever since she became a mother. However, as stated above, she has no power over her own life or work.

Britney Spears implies she’s being pressured to keep sexed-up image

Is Britney Spears being pressured to be overly sexual? That’s what the pop star implied during a radio interview.

Spears told a Boston radio show that she wants to be more modest but she’s pressured to maintain her sexy image. When discussing her latest music video for “Work Bitch,” Spears said she made editors cut out a lot of the sexed-up scenes.

“Oh my God we showed way more skin and did way more stuff for the video than what is actually there,” she said. “I cut, like, out half the video because I am a mother and because, you know, I have children and it’s hard to play sexy mom while you’re, you know, being a pop star as well.”

The radio host then asked Spears straight out if she had people pushing her to shoot sexy scenes. She laughed and replied “Yes.”

She said in her ideal world, her image would be different.

“A lot of sex goes in to what I do… But sometimes I would just like to bring it back to the old days when it was like one outfit through the whole video, and you’re just dancing through the whole video, and there’s not that much sex stuff going on and it’s just about the dance.”

(…)

- FOX News, Britney Spears implies she’s being pressured to keep sexed-up image

Towards the end of the video, we see blindfolded mannequins being brought into the desert. They then explode.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Blindfolded mannequins represent the state of mind controlled slaves. Blowing them up into body parts represent the fragmenting of a slave’s psyche into several personas. This image is used in several videos including Beyonce’s “Crazy”.

Work B*tch is therefore another tribute to Britney’s own mind control status. While her situation is sad and disturbing, however, it doesn’t stop new artists from following in her footsteps.

Change Your Life

Iggy Azalea is a rapper from Australia who moved to the United States at the age of 16. She soon got signed by Interscope Records and almost immediately embraced that sweet, sweet Illuminati symbolism.

 

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

A butterfly hiding one eye: That’s Illuminati symbolism 101.

Iggy is now signed with Island Def Jam (also home to Rihanna, Kanye West and many others) and her single Change Your Life confirms that she’s there to push the Agenda.

Inspired by the movie Showgirls, Change Your Life depicts Iggy as a Vegas dancer and T.I. as a club owner. While this premise is simple, when ones understand the symbolism of the video, it becomes the story of a Beta Kitten being initiated in the Illuminati industry.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

The glass of this picture frame is shown broken at the beginning of the video for no apparent reason. This can represent the fractured personality of an MK slave. While not ALL broken glass represents fractured personalities, this image fits with the context of the rest of the video.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Iggy lays in bed with a baby tiger – a reference to Kitten Programming.

As its title states, the song is about Iggy apparently being able to “change your life” – going from rags to riches and so forth. Here are the lyrics of the chorus:

Imma change your life, Imma change it
Imma change your life (life)

Once you go great, you never go good
You never go back, even if you could
I’ll show you my way, I got that good-good
You never go back, even if you could

Have you ever wished your life would change?
Woke up and you lived your dreams
Baby I could help you make that change
I could show you how to do this thing

While these lyrics are as “empowering” as Britney’s Work B*tch, the video depicts Iggy as dancer who doesn’t like her boss/pimp. In other words, she doesn’t have power. Like Britney’s song, it appears that the Illuminati is talking THROUGH Iggy, subtly letting young people know that “changing their lives” implies being exploited by the Illuminati industry. We once again see a twisted association between “making it big” and being an industry Beta kitten and, through symbolism, the video shows Iggy’s initiation into the Illuminati industry.

Although Iggy does not appear to like the club owner played by T.I., she nevertheless gets intimate with him on the hood of a car. Why? Because that’s what Beta Kittens do. On a more esoteric level, she wears a red dress, the symbolic color of initiation.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Is copulating with her boss/handler a requirement in order for her to “change her life”? Does this represent the ritual initiation into the Illuminati industry?

After the encounter, we see a new Iggy in town.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

As if to denote her initiation, she is wearing a top featuring a big All-Seeing Eye. She stands in front of a club named Cheetah, which is another clear reference to Kitten Programming. She sets fire to a car (is it her boss’?) to represent the “burning” of her old life.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

In a scene that is shown in parallel to the one above, Iggy is dressed in white and is arrested by the police. Did she get arrested because she lit that car on fire? If that’s the case, why is she dressed differently and why is this scene playing at the same time as the one above (and not after)? In actuality, this scene can represent what happens after initiation in the industry: the “good girl” dressed in white “is taken away for good” while the Illuminati-girl dressed in black (with an All-Seeing eye) remains.

Is that what Iggy means by “Once you go great, you never go good”? In the words of Iggy, once you’re initiated: “You never go back, even if you could”.

In Conclusion

Released around the same time, Britney’s Work B*tch and Iggy’s Change Your Life are similar in several ways: They both depict the artists as Vegas dancers, they are both drenched in Kitten Programming imagery, the lyrics are both written from the point of view of those controlling them and, more importantly, both have an psuedo-empowering message that revolves around the glorifying being an industry Beta Kitten.

Sadly, to “make it” in the Illuminati industry, stars must sell their bodies and give up their soul. This process is celebrated in these videos and sold to young girls around the world. Furthermore, as the MK symbolism of the videos subtly imply, these artists who “made it” are not in control of what’s happening – they’re actually slaves to their owners. Britney Spears’ life is probably the most transparent case of a pop star under heavy mind control. In a rare moment of clarity, Britney went on record and stated that Work B*tch went too far and was too sexual. However, she did it anyway … because Beta slaves do not call the shots in their own lives. What did Britney’s handlers tell her when she was opposed working on that video? “You better work b*tch”.

The post Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming appeared first on The Vigilant Citizen.

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The Mysterious Case of Elisa Lam

 The Mysterious Case of Elisa Lam

There are mysteries that are so eerie and strange that they boggle the mind for days on end. The case of Elisa Lam is one of them. In February 2013, this 21-year-old student from Vancouver, Canada, was found dead inside the Cecil Hotel’s rooftop water tank in Los Angeles. The L.A. County Department of Coroner ruled the death “accidental due to drowning” and said no traces of drugs or alcohol were found during the autopsy. However, there is much more to the story than what is implied by police reports. The first piece of evidence that needs to be considered is an elevator surveillance tape that recorded Elisa’s behavior only a few moments before she lost her life.

The four-minute video posted on YouTube shows Elisa pressing all of the elevator buttons and waiting for it to move. Seeing that the elevator doors are not closing, starts behaving extremely bizarrely. Here’s the video.

At first, Elisa enters the elevator and apparently presses all of its buttons. She then waits for something to happen but, for some reason, the elevator door doesn’t shut. She starts to look around, as if she is expecting (or hiding from) someone. At 1:57, her arms and hands start moving in a very strange matter (almost not human) as she appears to be talking to someone, something … or nothing at all. She then walks away. The elevator door then shuts and appears to start working again.

Right after the events of the video, Elisa apparently gained access to the rooftop of the hotel, climbed to its water tank and, somehow, ended up drowning in it. Her body was found two weeks after her death, after hotel guests complained about the water’s taste and color. Incredible.

Seeing the surveillance footage, most people would conclude that she was under the influence of drugs. However, Elisa did not have a history of drug use and her autopsy concluded that no drugs were involved. When one looks at the context and the circumstances of this death, things become even more mysterious.

Cecil Hotel’s Dark History

Built in the 1920s to cater to “businessmen to come into town and spend a night or two”, Cecil Hotel was quickly upstaged by more glamorous hotels. Located near the infamous Skid Row area, the hotel began renting rooms on a long-term basis for cheap prices, a policy that attracted a shiftier crowd. The hotel’s reputation quickly went from “shifty” to “morbid” when it became notorious for numerous suicides and murders, as well as lodging famous serial killers.

“Part of its sordid history, involves two serial killers,  Richard Ramirez and Jack Unterweger.

Now on death row, Ramirez, labeled “the Nightstalker”, was living at the Cecil Hotel in 1985, in a top floor room.  He was charged 14 dollars a night.  In a building filled with transients, he remained unnoticed as he stalked and killed his 13 female victims. Richard Schave, said “He was dumping his bloody clothes in the Dumpster, at the end of his evening and returned via the back entrance.”

Jack Unterweger, was a journalist covering crime in Los Angeles for an Austrian magazine in 1991.  “We believe he was living at the Cecil Hotel in homage to Ramirez,” Schave said.

He is blamed with killing three prostitutes in Los Angeles, while being a guest at the Cecil.

In the 50’s and 60’s the Cecil was known as a place that people would go to jump out of one of the hotel’s windows to commit suicide.

Helen Gurnee, in her 50s, leaped from a seventh floor window, landing on the Cecil Hotel marquee, on October 22, 1954.

Julia Moore jumped from her eighth floor room window, on February 11, 1962.

Pauline Otton, 27, jumped from a ninth floor window after an argument with her estranged husband, on October 12, 1962.  Otton landed on George Gianinni, 65, who was walking on the side walk, 90 feet below. Both were killed instantly.

There was also a murder of one of the residents.  “Pigeon Goldie” Osgood, a retired telephone operator, known for protecting and feeding pigeons in a nearby park, was found dead in his ransacked room on June 4, 1964.  He had been stabbed, strangled, and raped.  The crime still remains unsolved.”

- Las Vegas Guardian Express, Elisa Lam, Morbid History Of Two Serial Killers Unfolds At “Cecil Hotel”

Elisa Lam’s case is yet another sordid addition to the hotel’s history and can lead us to ask: “What the hell is wrong with that place”?

The Movie “Dark Water”

 The Mysterious Case of Elisa Lam

The story of Elisa Lam is eerily similar to the 2005 horror movie Dark Water. Dahlia, the main protagonist of the movie moves into an apartment building with her young daughter Cecilia. Both of these names are relevant. Black Dahlia is the nickname given to Elizabeth Short, a woman who was the victim of a gruesome murder in 1947 – one that appeared to be particularly ritualistic. The case was never solved. According to LA Observed, it is rumored that Black Dahlia was at Cecil Hotel right before she lost her life.

“The Black Dahlia, Elizabeth Short, is alleged in at least one book to have hung out at the Cecil and drank at the bar next door before she disappeared in 1947, though cultural historians Kim Cooper and Richard Schave of Esotouric say that’s just rumor.”
- LA Observed, Serial Killer Central

In the movie, the daughter’s name, Cecilia, is, obviously, quite similar to the name Cecil Hotel.

After moving into her apartment, Dahlia notices dark water leaking from the ceiling in her bathroom. She ultimately discovers that a young girl named Natasha Rimsky drowned in the building’s rooftop water tank, which caused the water to turn black. The owner of the apartment building knew about this fact but refused to take action. Elisa Lam’s body was  in the water tank for over two weeks, causing hotel guests to complain about foul tasting “black water”.

The ending of the movie is also eerily relevant: The apartment buildings elevator malfunctions and the ghost of Cecilia’s mother braids her hair. Is Elisa Lam’s death one of those ritualistic murders that are synchronistically mirrored in a Hollywood movie?

Another Strange Coincidence

Shortly after the discovery of Elisa Lam’s body, a deadly outbreak of tuberculosis occurred in Skid Row, near Cecil Hotel. You probably won’t believe the name of the test kit used in these kinds of situations: LAM-ELISA. That is hardcore synchronicity.

No Foul Play?

LA authorities ruled in June 2013 that Elisa Lam’s death was accidental and that she was “probably bi-polar”. That being said, some questions remain unanswered. How did Elisa, who was obviously not in her right mind, end up in the hotel’s water tank, an area that is difficult to access? Here’s a news report describing the water tank area.

As the reporter states in the video, the rooftop area is protected by an alarm system and the water tank is difficult to reach. How did Elisa reach that area? Also, how did she close the water tank lid?

As is usually the case for strange deaths, authorities have been incredibly secretive and non-transparent during this investigation. What truly happened here? Why are there so many strange coincidences? Why was Elisa Lam acting so strange in the elevator? Was there a ritualistic aspect to this death? Why is the Cecil Hotel a hotbed for these kinds of stories? Is there some paranormal going on there? The mystery appears to be whole and authorities do not seem to be wanting to probe further. Maybe I should cite here the slogan that appears on Dark Water movie posters : “Some mysteries are not meant to be solved”.

 

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Symbolic Pics of the Month (10/13)

In this edition of SPOTM: Amber Rose, Bono, Lady Gaga, Eminem and Miley Cyrus.

 Symbolic Pics of the Month (10/13)

The September issue of Vogue contains a photoshoot dedicated to Google Glass – a computer you wear on your face. The device has many privacy-shattering capabilities such as seamlessly recording audio and video without other people knowing. While this retro-futuristic photoshoot attempts to make this device cool and stylish, it also manages to make it creepier than it already appears to be. In this pic, the woman in white doesn’t seem to like the woman in red. She is probably filming her face. She will then use facial recognition and extract her personal info. Vengeance is coming soon for lady in  red.

 

 Symbolic Pics of the Month (10/13)

“Oh crap. These two strange women appear to be engaging in violent behavior. I better film the incident and forward the footage to the authorities. I love my snitch glasses.”

 

 Symbolic Pics of the Month (10/13)

The only model in the photoshoot without the glasses appears to be dead. Why? And those with glasses are acting extra creepy around her, probably filming her instead of, like, calling for help or something that normal humans would do.

 

 Symbolic Pics of the Month (10/13)

Amber Rose (Wiz Khalifa’s wife) attended the Made in America music festival with an inverted cross stamped on her forehead.

 

 Symbolic Pics of the Month (10/13)

Chilling with Beyonce. When these pics came out in September, Rose got accused of being a Satanist and an Illuminati pawn on Twitter. She replied that the inverted cross is the cross of St. Peter, a Christian saint. Let me be the first to say this: This is BS. Nobody in the entertainment business ever wears an inverted cross to pay homage to St. Peter. NOBODY. Not even fervent Catholics.

 

 Symbolic Pics of the Month (10/13)

Death Metal musician Glen Benton sometimes wears an inverted cross on his forehead as part of his act. Is it a tribute to St. Peter? No, he’s a Satanist. At least he’s open about it. Today’s pop culture is all about deceit and hypocrisy.

 

 Symbolic Pics of the Month (10/13)

A Church of Satan altar. Are those crosses there in honor of St. Peter? No, they represent the inversion of Christianity. I repeat, no inverted crosses in pop culture ever represent St. Peter, don’t let them fool you.

 

 Symbolic Pics of the Month (10/13)

Miley Cyrus recently did a photoshoot with creepy-ass Terry Richardson. The result is, well, annoying.

 

 Symbolic Pics of the Month (10/13)

I can picture Richardson saying thisr: “OK, now suck on your thumb like a baby. You’re just a little baby girl. That’s so hot. Now hold your crotch with your other hand. So hot”.

 

 Symbolic Pics of the Month (10/13)

Miley closes one eye in pretty much every pic she’s in these days. Was she instructed to do that by her handlers?

 

 Symbolic Pics of the Month (10/13)

Cyrus is definitely NOT the only celeb that flashed the one eye thing in the past weeks. Here’s Lady Gaga on the cover of ELLE.

 

 Symbolic Pics of the Month (10/13)

Gaga posted this on Instagram. Apparently it’s a mask she did. A one-eyed mask. Why? Because Illuminati.

 

 Symbolic Pics of the Month (10/13)

This is the current promotional image of Eminem. One eye and devil horns. That the type of stuff you have to do to be able to stay relevant and get exposure in this business. Especially if you’re signed with Interscope Records.

 

 Symbolic Pics of the Month (10/13)

A Bulgari ad featuring the ex-first lady of France Carla Bruni-Sarkozy. Mixing entertainment with high power produces Illuminati results.

 

 Symbolic Pics of the Month (10/13)

Speaking of mixing entertainment with high power, here’s Bono showing off an award he received from Queen Elizabeth II – the same queen that gave an award to mass abuser Jimmy Savile. Let’s call this the occult elite award.

 

 Symbolic Pics of the Month (10/13)

This image was posted on the Voice UK official Facebook page.

 

 Symbolic Pics of the Month (10/13)

They’re really trying to expose children to this Illuminati symbolism. Here’s a promo shot of children’s TV show House of Anubis.

 

 Symbolic Pics of the Month (10/13)

A page from a Target catalog. Well, maybe that was just coincidence.

 

 Symbolic Pics of the Month (10/13)

Other page from the same catalog. No coincidence. Pushing the symbolism. Some might rationalize what is happening and say “well, that’s what trendy right now”. Who made it trendy?

 

 Symbolic Pics of the Month (10/13)

The cover of ex-Spice Girl Mel B’s latest single. It features one eye with a head full of Monarch butterflies (symbolism on Monarch mind control). I guess she’s also doing what she has to in order to stay in showbusiness.

 

 Symbolic Pics of the Month (10/13)

Big Brother UK is a show that is called…Big Brother. And it is about cameras spying on people to entertain the masses. The first show of the season featured a gigantic All-Seeing eye stage with people cheering all around it. That’s how the elite indoctrinates people.

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Sinead O’Connor’s Open Letter to Miley Cyrus: “You Are Being Pimped by the Music Business”

 Sinead O’Connor’s Open Letter to Miley Cyrus: “You Are Being Pimped by the Music Business”

Sinead O’Connor is definitely not known for NOT speaking her mind. When Miley Cyrus claimed that her look for the video Wrecking Ball was inspired by Sinead’s quintessential 90′s hit Nothing Compares, Sinead did not quietly nod her head in approval. Instead, she wrote an open letter basically destroying everything Miley Cyrus is about and the industry that controls her.

As I stated in the article MTV VMAs 2013: It Was About Miley Cyrus Taking the Fall, Miley is not simply a young girl “expressing herself”. She is doing what she is being told by her handlers who are turning her into another industry sex kitten. The letter posted on Sinead’s website, warns her of what is really going on: Those who control her are prostituting her and they will eventually dump her. She tells her : “your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.”  Sinead even adds that, if she keeps going that route, she will eventually end up in rehab.

Here’s the (strongly worded) letter:

“Dear Miley,

I wasn’t going to write this letter, but today i’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares … So this is what I need to say … And it is said in the spirit of motherliness and with love.

I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.

Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent. I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.

The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted … and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.

None of the men ogling you give a shit about you either, do not be fooled. Many’s the woman mistook lust for love. If they want you sexually that doesn’t mean they give a f**k about you. All the more true when you unwittingly give the impression you don’t give much of a f**k about yourself. And when you employ people who give the impression they don’t give much of a f**k about you either. No one who cares about you could support your being pimped … and that includes you yourself.

Yes, I’m suggesting you don’t care for yourself. That has to change. You ought be protected as a precious young lady by anyone in your employ and anyone around you, including you. This is a dangerous world. We don’t encourage our daughters to walk around naked in it because it makes them prey for animals and less than animals, a distressing majority of whom work in the music industry and it’s associated media.

You are worth more than your body or your sexual appeal. The world of showbiz doesn’t see things that way, they like things to be seen the other way, whether they are magazines who want you on their cover, or whatever … Don’t be under any illusions … ALL of them want you because they’re making money off your youth and your beauty … which they could not do except for the fact your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.

I repeat, you have enough talent that you don’t need to let the music business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them give a flying f**k about you. They’re there for the money… we’re there for the music. It has always been that way and it will always be that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control.

You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age … which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.

Real empowerment of yourself as a woman would be to in future refuse to exploit your body or your sexuality in order for men to make money from you. I needn’t even ask the question … I’ve been in the business long enough to know that men are making more money than you are from you getting naked. Its really not at all cool. And its sending dangerous signals to other young women. Please in future say no when you are asked to prostitute yourself. Your body is for you and your boyfriend. It isn’t for every spunk-spewing dirtbag on the net, or every greedy record company executive to buy his mistresses diamonds with.

As for the shedding of the Hannah Montana image … whoever is telling you getting naked is the way to do that does absolutely NOT respect your talent, or you as a young lady. Your records are good enough for you not to need any shedding of Hannah Montana. She’s waaaaaaay gone by now … Not because you got naked but because you make great records.

Whether we like it or not, us females in the industry are role models and as such we have to be extremely careful what messages we send to other women. The message you keep sending is that its somehow cool to be prostituted … its so not cool Miley … its dangerous. Women are to be valued for so much more than their sexuality. We aren’t merely objects of desire. I would be encouraging you to send healthier messages to your peers … that they and you are worth more than what is currently going on in your career. Kindly fire any motherf**ker who hasn’t expressed alarm, because they don’t care about you.”

- Source: sineadoconnor.com

The post Sinead O’Connor’s Open Letter to Miley Cyrus: “You Are Being Pimped by the Music Business” appeared first on The Vigilant Citizen.

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iPhone 5 nSa Commercial (Great Video)

 iPhone 5 nSa Commercial (Great Video)

Last week, people around the world lined up in front of stores to buy the new iPhone 5S. Why? Well, many will probably tell you: “Because it’s now available in gold!! All of my friends will be jealous! LOL OMG #iphone #socool #gold #exclusive #imspecial”

But seriously, were there people lining up because the device can now also scan and store your fingerprints? I don’t believe so. But that is, by far, the most notable feature of the new iPhone. It introduces biometrics to the mass market and, as we know, all of that information can EASILY be transmitted to a whole bunch of shady governmental entities.

Here’s a great video about the new iPhone.

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“Now You See Me”: A Movie About the Illuminati Entertainment Industry?

“Now You See Me” is about big-time magicians doing incredible magic tricks … and some kind of a bank heist. But mostly, “Now You See Me” is about a shady organization named “The Eye” that controls these entertainers. While most viewers are dizzied with the senseless action of the movie, an important message is being communicated: The occult elite controls the entertainment business … Do you see it?

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Warning: Gigantic spoilers ahead!

Most critics had the same complaint about Now You See Me: The story makes absolutely no sense and is completely illogical. I wholeheartedly agree with them. Almost everything that happens during the entire movie is implausible. Even the mind-blowing overarching “master plan” of the movie actually depends on so many variables that could go wrong that it is, in fact, a horrible plan.

While most viewers will try to make sense of the action in Now You See Me, the movie simply keeps repeating to the viewers “The closer you look, the less you see”. It also constantly repeats that magicians always do something to distract the audience while the real magic happens elsewhere. Does this apply in the movie itself? Of course it does. The police chase, the bank heist plot, the explosions are there to keep the viewers’ eyes occupied while the real underlying story unfolds: It is about the entertainment industry, the forces that rule it and those that are used by it. It is also about the audience, the masses that are being fooled by master illusionists. The first lines of the movie say it all:

“Come in close. Closer. Because the more you think you see, the easier it’ll be to fool you. Because what is seeing? You’re looking, but what you’re really doing is filtering, interpreting, searching for meaning. My job? To take that most of gifts you give me, your attention, and use it against you.”

These lines, said while a magic card trick is being performed, sum up the true role of mass media and the entertainment industry. The rest of the movie aptly describes who rules the industry and even the methods it uses. The magicians are recruited by a secret society named “The Eye” (this might ring a bell for readers of this site) that uses the entertainers to further its agenda and make its symbolism a part of popular culture. Take a step back and realize this: The movie IS the magician. Let’s take a look at the themes of Now You See me.

Approached

At first, we see the four magicians doing their own little thing separately. They are all trying to make a living doing their magic tricks. They are however far from being big-time celebrities. They are watched and followed by a hooded figure who leaves an invitation in the form of a tarot card.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

On the back of the invitation card is the symbol of the All-Seeing Eye. In this particular shot, the card is held above a photo of one of the magicians and hides one of its eyes – hinting that he’s about to be part of the occult elite’s entertainment industry. The fact that one eye is replaced by the all-seeing eye also implies that he is about to lose a whole lot sight … and freedom.

The four magicians are selected because they excel in their particular field of magic and, mostly, because they sometimes appear to be using real, occult magic.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

From left to right: Henley Reeves is an escapist (High Priestess tarot card); J. Daniel Atlas is an illusionist (Lovers card); Merritt McKinney is a mentalist (Hermit card); Jack Wilder is a sleight-of-hand illusionist (Death card).

 

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Jack Wilder, the youngest of the crew received the Death card for a reason: It foreshadows his upcoming ritual sacrifice.

The magicians are invited to a strange apartment with strange contraptions in it. After figuring out the riddles that were placed there (an initiation process), they see the elite’s plans laid out for them. Then, just like magic, they become big-time entertainers.

Puppets of Their Rulers

After joining The Eye, the magicians are in Las Vegas, surrounding by a roaring crowd while we hear big boisterous music that basically screams “This is showbiz, baby!”. The four magicians, who were four solo, independent acts, have now joined into a group to become the Four Horsemen. This name is taken the Bible’s Book of Revelation, where the Four Horsemen are harbingers of the Apocalypse and the tribulations that come with it. The Four Horsemen of the Apocalypse are often said to be associated with pestilence, war, famine and death. This is a rather grim name for a bunch of magicians, but it makes sense when we know that they are working for the occult elite. The Book of Revelation is of great importance in secret societies as it is believed to conceal an occult meaning to be only deciphered by the initiates. A lot of their symbolism derives from it and this is no exception.

Not unlike “real” performers in the entertainment industry, the Four Horsemen are only there to obey orders coming from The Eye. Everything about them relates to the secret society that controls them.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The stage on which the Horsemen perform is a giant eye. That’s a scale model of the stage.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The logo of the Four Horsemen is quite enigmatic.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

In one scene however, we see a strange decoration that says “Eye”. It appears consist of a combination of two 3D versions of the Horsemen logo. In short, the logo is another hidden way of hiding Eye symbolism in plain sight.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

When the group completes its most spectacular magic trick, the symbol of the Eye flashes on Times Square. While most people believe that The Eye is a myth, its symbolism is everywhere … just like in real life.

Everything about the Four Horsemen is therefore stamped with the seal of the Eye.

It is interesting to note that the people behind the movie did not create a fictional symbol to represent the secret society. They used the most important symbol of today’s occult elite – one the most important symbols of various powerful secret societies. As we often see on this site, this symbol is also already used all around mass media. Why is that? Is it because the movie plays the role of the Four Horsemen – a vehicle for the symbolism of the occult elite?

The Eye – Based on the Actual Secret Society that Runs Hollywood?

As the movie progresses, we discover some information The Eye and its history. Everything about it closely resembles an actual secret society that is powerful in Hollywood: the OTO, a self-described “magickal Order”.

In the movie, the Eye is:

“keepers of real magic and protectors of those who practice it. Candidates for initiation must follow a series of commands with blind obedience”.

It is clearly stated that the symbol of the Eye originates from the Ancient Egyptian symbol of the Eye of Horus.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

A documentary on the Eye shows its occult origin.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

This is a page of the notepad of the researcher investigating the Four Horsemen. They Eye of Horus is one of the most important symbols of the Freemasons, OTO and the Illuminati. The use of this symbol in this movie was not random.

The characteristics of the Eye closely resemble the OTO.

The OTO is based on Aleister Crowley’s Thelema  – a philosophy that was “communicated” to him while inside an Egyptian pyramid. Like The Eye, the OTO primarily focuses on “real” magick and its near-scientific application. Crowley added the letter “k” at the end of magick to distinguish it from stage magic. Therefore, like The Eye, the OTO considers itself “keepers of real magic”.

The symbol of the Eye of Horus is of the extreme importance for the OTO because the OTO is all about bringing about the Aeon of Horus – an era ruled by the Thelema. Is it surprising to see that, in this Aeon of Horus, mass media is literally flooded with the symbol of the Eye of Horus?

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

In the movie, one of the book used to research The Eye is called “The Guardians of Horus”.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The layout of its cover closely resembles the cover of actual OTO books, complete with rectangular borders and a title in golden, embedded, capitalized letters.

Just like The Eye, the OTO exerts a great influence in Hollywood. One of its mission statements is to bring about Thelema and the Aeon of Horus to the masses. What better tool than mass media to do so?

Inside the Industry

As we witness the Four Horsemen rise to fame, we also see how the entertainment industry functions. For instance, there are a few allusions to the usage of mind control on various people.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

This supposedly “randomly selected member of the audience” for a magic trick is actually a mind-control slave.

Thaddeus (the guy who attempts to debunk the Horsemen and the Eye) describes how this guy ended up on stage:

“He was selected. Programmed his mind to make it to Las Vegas. And then they kept reinforcing it until he did. They trailed him. They studied him. Nothing was left to chance. He had no idea he was their target. And they simply activated him in Las Vegas.”

 

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

This FBI agent (played by Common) starts playing an air violin after he hears the word “bullshit”. We later learn that he was programmed by the magicians and that the word “bullshit” triggers him into playing air violin. This is a way of letting us know that law enforcement can also be programmed by the elite.

Another key aspect of the Illuminati industry is the use of ritual sacrifices in order to bring about transformation. The illusionist Jack Wilder was given the tarot card of Death at the beginning of the movie because he was chosen for a ritual sacrifice.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Jack, one of the Four Horsemen, dies (kind of) in a car crash – an event that is broadcast on live TV.

The event causes shock and brings sympathy towards the elite-backed magicians. We later discover that the car crash was a set up and that Jack is still alive – but the public doesn’t know that. The event is an example of a ritual sacrifice played out on a mass scale by the occult elite. It was also a diversion.

The movie also shows what happens to those who fall out of the elite’s good graces. Thaddeus, an ex-magician, now makes a career out of creating DVDs “debunking” magicians. When he goes against the elite-backed Horsemen, things do not end well for him.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Thaddeus is framed by The Eye and thrown in jail.

When asking the police officer (who turns out to be part of The Eye) why this is happening to him, here’s the reply.

“The legend is that The Eye is everywhere. Waiting for the truly great magicians to distinguish themselves from the mediocre ones. Maybe that was you. Deep down inside you wanted nothing more than be part of The Eye, but you were never invited.”

Duped?

As the movie progresses, it becomes obvious that the members of the Four Horsemen have no idea what’s really going on. Like real life artists in the industry, they are mere puppets trying to fulfill the tasks given to them. They however know one thing for sure: They desperately want to be part of The Eye.

Once they complete their entire mission, the Horsemen meet up in Central Park.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The magicians are greeted by Dylan Rhodes, the FBI agent that was trying to arrest them during the entire movie … *cough*… While this plot twist makes little to no sense, it does convey the meaning that The Eye own mass media AND law enforcement.

Rhodes tells the magicians “Welcome to The Eye” and brings them to a carousel that starts turning. The magicians mount on a little horsie and start spinning around. This leads us to think: Were the magician taken for a literal ride during the whole time? Does The Eye even exist?

Judging by the magnitude of the schemes the Horsemen were involved in, there is no doubt that a VERY powerful entity was behind them. However, like in real life, outsiders can never be part of the “inner-circle”. While the Horsemen did everything required from them, they will never be part of the elite. This fact is reinforced in a semi-hidden scene at the end of the movie.

A few minutes after the credits roll out, there’s a scene that I’m sure many people missed. It shows the ultimate fate of entertainers used by the occult elite.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The Horsemen are told to go to a place in the desert where old Las Vegas signs are thrown away. This neon sign graveyard pretty much represents their own career.

They then go get equipment for their new magic show.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The magicians realize that the boxes stamped with the sign of The Eye are locked. The Horsemen do not have access to Eye-related privileges anymore.

Thinking that maybe their magical tarot cards might be able to unlock their crates, the magicians look in their pockets. Their tarot cards are gone. The Eye does not need these performers anymore so their pass was revoked. They were used and now they were thrown away in the desert amongst discarded neon signs.

So to answer questions many ask me: Are artists like Jay-Z actually part of the Illuminati? There’s your answer.

The Big Picture

Throughout the movie, investigators ask themselves “Why do they go through all of this trouble”? Why do the magicians and, by extension The Eye construct these elaborate schemes? It makes no sense. And, to many viewers, the movie doesn’t make sense. Most of the action is based around moronic police officers running around, pointing their guns, trying to catch smug-faced magicians. However, behind the action scenes and the loud music, there’s a message there. The movie itself repeatedly tells the viewers: “The closer you look, the less you see”. The closer you try to understand and make sense of the action going on screen, the less you see the “big picture”.

Now You See Me is definitely not about a bank heist. It is about the “magic” of the entertainment industry. Crowley defined magick as “the Science and Art of causing Change to occur in conformity with Will”. The goal of the entertainment industry is to cause change. But that change takes time … years, decades and generations. The movie describes the process in a very metaphorical matter.

The interpol agent researching The Eye describes the most famous trick of a magician named Lionel Shrike

“When he was 14, he saw a hole in a tree in Central Park. He had a guy, who worked at the carousel, sign a card for what looked like a routine little trick. At the guy’s retirement, 18 years later, Shrike performs, has the guy sign a card and presto! The card is in the tree. It was in the tree for 18 years.

The trick was not to look closely. It was to look so far that you see 20 years into the past.”

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

After the Horsemen completed all of their tasks, they were asked to meet at Shrike’s tree because it represent what the Eye is all about. Just like the card inside the tree trick, the elite’s transformative “magic” is about the long-term big picture.

At one point, Thaddeus says:

“This is a magic trick played out on the global scale. And you are the abracadabra, the distraction”.

While the viewers are hypnotized with explosions and car chases, they are missing the real magic: The elite transforming society to fit its needs through mass media.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Most of the “magic” we see during the movie is CGI. The entertainment industry is the real master of illusion.

The movie ends with a call from the Illuminati to the public, letting them know that they are the ones being duped by the real magicians.

“Come in close. Closer. Because now you know our secret. We could be anywhere. Watching you. We’re looking for someone to help us with our next trick. On the count of three, open your eyes and tell me what you see. One. Two …”

Fade to black…

In Conclusion

While there is absolutely nothing “realistic” about Now You See Me, it does aptly describe what actually happens in the entertainment industry. The magicians in the movie represent the various artists and performers that are recruited by the elite to advance its agenda. The Eye is based on actual secret societies that exert influence in Hollywood. While these facts might be crystal clear to some, most viewers probably miss these messages as they try to understand what the hell is going on.

In fact, during the entire time, the movie kind of laughs at the audience. At one point, a member of the Horsemen says: “The magician must be the most intelligent person in the room”. The movie is so Hollywood that it is almost a parody of it. It is almost telling the viewers: “Look at the moronic stuff you’re consuming to be entertained”. But, behind it all, there’s a powerful message coming straight from The Eye. Either you see it … or you don’t.

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Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

The magazine Vanity Fair created a series of short videos called Vanity Code, quick “how to” guides how to be a douchebag socialite – the “lifestyle” promoted by the magazine. The video entitled “How to Land a Hollywood Agent” humorously instructs small time writers how to become big time in Hollywood. While the humor somewhat caused me to expire air out of a my nose at some point, it is the blatant and flagrant symbolism that caused me to watch it again. Here’s the video.

 

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

The first thing we see in the video: the Vanity Code logo. It’s an all-seeing eye inside a pyramid. Why so much Illuminati right away?

 

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

“Inside view of the entertainment world” + occult symbolism = Get the message.

 

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

This the guy giving the instructions. He is dressed in full Masonic attire and around him are EVERY SINGLE Masonic symbol in existence. Left of him is the Masonic square and compass, right of him are the Masonic G with the all seeing eye. Bonus: a skull. In front of him is the seal of Solomon and,  again, a pyramid with all seeing eye.

 

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

On the chalkboard behind the man is basically a full Masonic trestleboard, complete with the twin pillars, the all seeing eye and so forth.

 

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

An actual Masonic trestleboard.

Why is this guy giving advice on Hollywood made to be the most hardcore Freemason ever? Is it a subtle way of hinting at how to REALLY make it in Hollywood?

In another video, the guy gives advice on how to behave in “Eye Wide Shut”-style swingers party.

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

It is hip to be an occult elite wannabee.

 

 Why So Much Occult Symbolism in Vanity Fair’s Video “How to Land a Hollywood Agent”?

The viewers (you) is represented by the guy wearing a red devil mask. Weird.

Owned by Condé Nast, the mega-corporation that also owns the Illuminati-symbolism-laden Vogue magazine, Vanity Fair subtly yet blatantly telling you who runs the show. As usual, all of that symbolism will swoosh about ten miles above most people’s heads.

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A-JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K-Pop

Illuminati mind control symbolism does not only exist in the Western world. In Asia, the widely popular K-Pop scene is also replete with the same imagery. We’ll look at the symbolism of A-JAX’s “Insane” and Ladies’ Code “Hate You”, two blatant examples that prove the elite’s symbolism is truly international.
 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

K-Pop (pop music from South Korea) has garnered an incredible following across the world as its machine keeps creating new boy and girl bands and music videos that become instant YouTube hits. The “Korean wave” has hit not only Asia, but also Latin America, Northeast India, the Middle East, and North Africa. However, while K-Pop appears to have become somewhat of an alternative to Western pop culture, it is not exempt from the Illuminati symbolism and the Agenda found in Western pop. In fact, the symbolism is often more blatant and in-your-face with K-Pop videos, causing me to ask: Is K-Pop truly an alternative to Western pop or just an effective way for the elite to get its message across in Asia?

A quick look at K-Pop videos such as A-JAX’s “Insane” and Ladies’ Code “Hate You” is all it takes to realize that mind control symbolism is as heavily pushed in K-Pop than it is in the West. In fact, both of these videos basically read like a MK-101 manual, using all of the symbols associated with it and portraying the stars as slaves. K-Pop has effectively become another outlet for the elite to promote its “mind control culture”, even alluding to its sadistic practices in stylish videos aimed at young (and unaware) people. (For more information mind control, read the article Origins and Techniques of Monarch Mind Control.) Let’s look at the videos and see how they fit right in with the MK Agenda that is also pushed in the Western world.

A-JAX’s “Insane”

A-JAX is one of these K-Pop “idol” boy bands that were completely created by a record label and reality TV. Their video “Insane” contains all of the hallmarks of MK symbolism. Furthermore, it clearly depicts the singers as mind-controlled slaves who are hypnotized in a mental institution and dissociate to a world full of MK symbolism. How much clearer can it get ?

The video takes place in a mental institution room, where the band members held there are constantly hypnotized by creepy doctors. Throughout the video, the members dissociate to an alternate world while physically staying in the room. Causing a slave to dissociate is the basic premise of Monarch mind control and the video clearly refers to this. Why expose children to this sick practice? Because it is part of the elite’s Agenda.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The singer is in a room and hypnotized by a handler. Throughout the video, the clock displays random times, probably emphasize the fact that MK slaves lose all sense of time. Above the singer is a Baphomet head (we do not fully see it in this shot). This symbolic figure is an anchor point for the slave’s alternate worlds.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The video completely conforms to the “codes” of MK culture: Here, the slave’s dissociation is represented by “going through the looking glass”.

As seen in previous articles, “going through the looking glass” is the classic symbol for dissociating from reality. It was taken from Alice in Wonderland, a story that is used as a tool to program slaves.

When the slave goes through the mirror, he enters his “internal world” as programmed by his handler.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

In one scene, the “inner psyche” is represented by a room full of mirrors.

Those behind the making of the video appear to have a good knowledge of Monarch programming, because this is exactly how the internal world of Monarch slaves is made to be.

“In programming Monarch slaves, mirrors are used a great deal. Within the Monarch slave’s mind, countless mirror images are made. The slave sees thousands of mirrors everywhere in their mind.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The concept of hall of mirrors to represent a slave’s mind is often used in MK-themed media such as Katy Perry’s “Wide Awake” (read the article about it here).

The slaves then goes through another mirror and ends in another VERY symbolic scene: A room that solely consists of dualistic black and white patterns.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The pattern of this room was not randomly chosen: Dualistic patterns are used to program/hypnotize MK slaves.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

This painting by Monarch slave survivor Kim Noble (read the article about her here) clearly shows the importance of the pattern in MK programming. The similarities between the music video and this painting is too striking to ignore.

The video clearly shows that the scenes of dissociation are happening in the slave’s mind.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

After seeing this guy in the checkerboard room with wind blowing at him, we see him in the hospital room facing a fan, implying that he is physically in the institution but that his mind has completely dissociated.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

This singer has dissociated to another room. There are pentagrams all over his clothes. Combined with the Baphomet head behind him, this scene refers to the black magic rituals that happen during the slaves’ programming.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

At one point, the Baphomet-head’s eyeballs creepily turn towards the viewers, emphasizing its importance and letting you know that “it is watching you”.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

What kind of institution room has a Baphomet head right above the patient’s bed while he’s being hypnotized? A mind control programming site … nowhere else.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

Close-ups of the video camera tell the viewers that these A-JAX guys are not simply “Insane”, they are being monitored and controlled by their handlers.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The slave holds the “key to his psyche” but, as we can see here, it consists of two rear ends with no key, hinting to the fact that slaves do not own the key to their own mind.

All of this leads to the ultimate goal of Monarch programming: The fracturing of the core persona and the creation of new ones.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The multiplication of the slave into new personas.

Almost every single frame of “Insane” is filled with imagery associated with and used in MK programming. While the song is about them being “insane”, we clearly see that there is a lot more going on there. The singers are actively being hypnotized, monitored and controlled to dissociate from reality. Combined with occult symbolism, the video gives a complete picture of what MK culture is all about.

Ladies’ Code “Hate You”

Reading the title of the song and a translation of the lyrics, most people would believe that “Hate You” is about a girl that hates her boyfriend but cannot leave him. However, the imagery of the video communicates something a lot more disturbing. There are absolutely no references to a love relationship in the video but plenty of references to another kind of relationship: One between an MK slave and her handler. Not only is the video replete with the basic symbolism we’ve seen in previous articles, it symbolically portrays the sick relationship between a programmed slaves and a sadistic handler.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The girl is sitting in a room full of dolls (which represent the slave’s alter personas). On the wall are tally marks used by prisoners to count days behind bars. We therefore understand that the girl is “confined” and held there against here will. For a split second, the image of a caterpillar appears on screen.

 

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

Immediately after, the image of a butterfly appears on screen – the symbol of Monarch (a type of butterfly) programming.

When we combine the dolls, the tally marks and the butterfly, we obtain a clear reference to Monarch programming.

“The name MONARCH is not necessarily defined within the context of royal nobility, but rather refers to the monarch butterfly.

When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.”
- Ron Patton, Project Monarch

While the two above frames are pure mind control imagery, the rest of the video makes everything clearer regarding its true meaning.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

Here the singer innocently (yet creepily) plays with a marionette.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

She then becomes the marionette, controlled by unseen hands – a classic way of depicting an MK slave.

The other singers appear in similar scenes. They first play the role of the handler, then the slave.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

The singer holds the doll in a forceful, restrictive way.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

She is then held herself by unseen handlers.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

This singer gives the doll a cruel and unusual punishment: she burns one of its eyes using a magnifying glass.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

We then see her with an eye patch, implying that she got the same treatment and that she is a slave herself. Also, this is a slick way of flashing the unavoidable one-eye sign.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

Speaking of the unavoidable one-eye sign, here it is again.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

In this scene, the two singers are sitting behind a plate full of dolls that were torn apart. This is a symbol used to represent powerless and fragmented MK slaves. Like in A-JAX’s video, there’s a horned figure “presiding” over the scene.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

This singer is strategically placed in front of the horns, making them appear as if they were sticking out of her head. This indicates that she is playing an MK handler. Here, she is holding a doll’s head while brushing its hair.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

For a split second, the image of a Baphomet-like skull flashes on her face, emphasizing the fact that these horns are not there for random reasons.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

She then holds the doll’s hair, confirming that she was a handler basically torturing (scalping) a slave represented by the doll.

 A JAX and Ladies’ Code: Two Blatant Examples of Mind Control Culture in K Pop

A slave literally bound to her handler.

As the large number of screenshots taken from this video suggest, “Hate You” is pretty much a non-stop compilation of Monarch programming imagery. The members of Ladies’ Code are made to play the role of handlers and slaves, symbolically recreating some of the horrendous torture actual slaves have to live through. The chorus, which repeats “I hate you” three times to end with “but I love you”, can be interpreted as MK who despise their sadistic handlers, but that are nevertheless programmed into feeling something resembling love towards them. Sick? Yes.

In Conclusion

If you’re a regular reader of this site, you can by now easily recognize the specific set of symbols that is used by the occult elite its promote MK culture. Those who are part of the Monarch programming system have created a disturbing culture surrounding it, complete with esthetics and symbols that are now omnipresent in mass media. All of this is packaged with catchy tunes and good-looking performers, which causes young people to subliminally associate this culture with positive feelings, even making it fashionable. As the above videos prove, this is all becoming increasingly blatant and interpreting these videos through the mind-control lens is almost impossible.

While the mind-control culture appears to have originated in the United States, the exact same set of symbols and meanings are also present in the booming South Korean pop scene. The fact that this is happening proves two things: First, the set of symbols I describe in videos is NOT a result of coincidence. It is cohesive imagery that originates from Monarch mind control. Second, it is obvious that at the top of all music industries, whether it be in America, Europe or Asia, the same occult elite are promoting the same Agenda. Why does Baphomet have to be in all of these videos across the world? Because the horned head represents those in power, and those in power are not your locally elected politicians, but a global elite. Through these videos, you are being told what the elite believes in and the sick practices it engages in. Are people rebelling against this? No, quite to contrary, they are dancing to it and paying money to purchase it. I guess A-JAX aren’t the only ones who are Insane.

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Revealing Pictures From 1972 Rothschild Illuminati Ball

On 12/12/72 Marie-Hélène de Rothschild, member of the most powerful elite family in the world, held a Surrealist Ball at Château de Ferrières, one of the family’s gigantic mansions. While these events are usually extremely secretive, photographs of this particular Ball surfaced on the web. In short, it is a mix of an “Eyes Wide Shut”-style masked ball mixed with a Lady Gaga-style pop video. I’m not even kidding. Indeed, behind the fun and games, these pics reveal the underlying ideology and the mind state of the occult elite  – which is apparently also used in the countless MK/Illuminati theme music videos discussed on this site.

 Revealing Pictures From 1972 Rothschild Illuminati Ball

The invitation is written in reverse. It required a mirror to be read. Inversion is a big deal in a pseudo-satanic mind state.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

The Château de Ferrières was lit in red to make it appear as if it was on fire. Scenes from Roman Polanski’s movie about Satan “9th Gate” were filmed there. In “Eyes Wide Shut”, the occult ritual takes place in another Rothschild mansion, Mentmore Towers in the UK.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

A guest wearing multiple-faced mask. A similar mask is seen in Eyes Wide Shut (was the movie inspired by Rothschild balls?). Did this ball “devolve” into the debauchery depicted in the movie?

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

Lots of birdcages everywhere.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

Lots.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

The host is wearing a giant horned head. How appropriate.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

Baphomet welcomes you.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

Salvador Dali doing his Dali face in front of his famous depiction of Mae West.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

Lady Gaga is probably dying to wear one of these.

 Revealing Pictures From 1972 Rothschild Illuminati Ball

 Revealing Pictures From 1972 Rothschild Illuminati Ball

 Revealing Pictures From 1972 Rothschild Illuminati Ball

On the diner table are dismembered dolls and cracked skulls. This imagery is also prevalent in countless music videos. Its all about the occult elite’s MK culture.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

A mannequin-cadaver type thing on the diner table.

 

 Revealing Pictures From 1972 Rothschild Illuminati Ball

Not quite sure what that is.

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Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

The iHeartRadio Ultimate Pool Party was a two-day musical weekend that took place on June 29th at Fontainebleau in Miami Beach. The high profile event featured pop acts such as Miley Cyrus, Pitbull and Ke$ha. I wasn’t aware this even existed but when a VC reader sent me stills of Ke$ha’s set, I had to watch her performance as it appeared to be an extremely blatant, Illuminati-themed set. I watched the whole 50 minutes thing…and it was. My head is still hurting. If you can take it, here’s the performance.

The show begins with Ke$ha addressing her fans about being “misfits” and fighting for acceptance. How are her fans called? “Animals”… It’s as if this name was chosen by the elite that is laughing at the people who love this stuff.

The first thing we then see is a planet exploding and turning into a giant all-seeing eye. This pretty much sets the tone of the entire performance.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

Planet earth (I assume) turns into a giant eye-ball…A way of saying that the Illuminati controls the world?

The audience then gets 50 minutes full of mind-numbing, hypnotizing symbolism.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

At the end of “Crazy Kids”, Ke$ha stayed like this for a few seconds while the crowd cheered. Hurray for Illuminati!

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

Even the keyboard player had an eye on her shirt.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

Later in the show, Ke$ha wears a headdress adorned with an all seeing eye between two pyramids.

While the above headdress looks like an esoteric, third eye, pineal gland type thing which usually refer to “spiritual enlightenent”, there isn’t much of that going on during that show. For instance, before the next song, Ke$ha asks the crowd:

“Do you guys like balls? I do. I love them. I love every kind of ball. I like big balls…I like little balls…I even like saggy balls, they don’t even bother me. That’s good news for the older people here. But my favorite ball, is an eyeball.”

She then does this.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

Her favorite ball, is the Illuminati all-seeing eye ball. She said it…and probably nobody there got it. That’s pop music today.

Can Ke$ha display her servitude to the Illuminati in a clearer way? The answer is yes. Here’s what happens during that song.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

Then come out The Residents, a group comprised of eyeball guys dressed in Masonic-type who dance around with Ke$ha.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

Behind the performers are eyeballs flying around on a Masonic checkerboard pattern.

The last song of the performance was Die Young. As I described in the article entitled The Illuminati Symbolism of Ke$ha’s “Die Young” and How it Ridicules the Indoctrinated Masses, the video of that song was pure Illuminati symbolism. Unsurprisingly enough, the performance was as well.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

The dancers had inverted pentagrams across their chests while Ke$ha’s costumed featured an inverted cross (inside a heart). That’s how you make black magic and satanism appealing to kids. Also, singing to them “we’re gonna die young” is a nice touch.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

An all-seeing eye inside a triangle? Sure, why not. Let’s brainwash these kids good.

 Ke$ha’s iHeartRadio “Pool Party” Performance: An Overload of Illuminati Symbolism

This guy is just watching all of this, taking it all in, mesmerized by the flashing images, telling to himself “Wow, this is awesome”.

In short, this was what young people are paying to be exposed to. Pure, mind numbing, Illuminati symbolism with no real artistic meaning or content at all. Ke$ha’s last words of the show: “I hope you all get laid tonight!”. Such insight, such inspiration, such depth. Wow.

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