What Happened to Ol’ Dirty Bastard?

 What Happened to Ol’ Dirty Bastard?

Rapper Ol’ Dirty Bastard was known for his unique rap style, one that mixed hardcore New-York rap with your drunk uncle singing Frank Sinatra at 1:14 AM. While listening to ODB rap and talk always made one linger between “I have no idea what he’s talking about” and “I know exactly what he’s talking about”, he was rather clear on one subject: The government was trying to kill him.

Indeed, shortly before his untimely death on November 2004 (at the age of 36), ODB repeatedly tried to warn the world that people in high places were after him.  Here’s a video compiling ODB’s rants about “the government” (Warning: Foul language).

While many dismissed ODB’s warnings as the “ramblings of a crackhead”, one thing is for sure: He was indeed heavily monitored by the FBI. Using the Freedom of Information act, Rich Jones of Gun.io blog obtained the hefty FBI file on ODB and his group, the Wu-Tang Clan.

The files document the history of the group, its many activities and its potential ties with the crime world. A part of it states:

“The detectives have documented, in their case files, that the WTC [Wu-Tang Clan] is heavily involved in the sale of drugs, illegal guns, weapons possession, murder, car jackings, and other types of violent crimes…”

Here’s the entire (but heavily redacted) file:

FBI File of Russell "Old Dirty Bastard" Jones

So. What really happened to ODB?

The post What Happened to Ol’ Dirty Bastard? appeared first on The Vigilant Citizen.

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Despite the Doom and Gloom Part III: My 2013 Holiday Message

 Despite the Doom and Gloom Part III: My 2013 Holiday Message

At the beginning of 2013, I told myself: “This year should be interesting”. Well, I was wrong. The word “interesting” was not an appropriate word to describe 2013, even if it was meant sarcastically. Looking back at the events that happened this year, the best word I can think of is “foul”. 2013 started in the aftermath of the Sandy Hook shooting and things only got fouler.

In 2013, the world discovered the mind-boggling extent of government surveillance by the NSA. Mainstream news reported what “alternative” news were reporting for years: The NSA is an ever-expanding, Big Brotherish monster that collects and archives the personal data of all U.S. citizens, and pretty much everyone else too. Although these revelations did not cause much visible outrage, it was a gigantic cold shower that fell on freedom-loving people across the world. Everything that “paranoid conspiracy theorists” were claiming was true – and then some. Faith in freedom and democracy is fading like the ink on the Bill of Rights.

In order to forget these depressing facts, the masses turned to mind-numbing entertainment, the same way a wounded person turns to pain-numbing medication. And who was the most influential figure in the entertainment world this year? Miley Cyrus. Yup. That’s how foul 2013 was. Damn Hannah-Montana-turned-MK-sex-kitten was the most influential person in entertainment. But there were plenty of other events that proved that the elite Agenda is becoming too obvious to ignore.

Throughout the year, I attempted to decode and analyze the various events, videos, movies, and images that were thrown at us by mass media. By analyzing specific bits of media, I try to highlight their inherent manipulation and to help readers paint a much broader picture of what is happening in the world. Mass media is propaganda – but it is not trying to sell you on an ideology or a political view. It goes much deeper than that. It is about affecting the mind, the body, and the soul. It is about turning humanity into a debased, confused, and malleable mass of lost souls. It is about exposing and desensitizing minds to foul aberrations. It is about selling demoralization disguised as empowerment. It is about turning disgusting things such as pedophilia into something normal. It is about making you scared, insecure and unsatisfied. In short, mass media is poison. And that poison is everywhere.

“Damn VC, your holiday message is depressing :(“

I’m sorry. I really am. But even if my assessment is depressing, I am not depressed. And you shouldn’t be neither. Why? Because, although everything I described is horrible, it is all the result of a fake, artificial creation. The goal of mass media is to amplify things to create the illusion of importance. It is meant to manipulate and it works best when the subjects do not even realize that they are being manipulated. But we do know. Vigilant citizens around the world know that this is all just noise, meaningless noise meant to disrupt our thought process. Thankfully, we can shut that noise off and banish it from our minds.

Just because something is communicated to us doesn’t mean we need to accept it. In fact, we don’t even need to listen to it. The System needs us to exist, but we don’t need it. Furthermore, as we recognize the foulness of the System, we must be wise enough not to “feed” it further with our fear, anger, or hate. For our own sake, we must turn our backs to it completely and head towards what is true and pure. We must devote our lives to the things that make us happy, healthy, and complete. As I try to point out every year, we are made to enjoy nature, the company of our loved ones, and to stimulate our minds.

In a world that wants us to be angry, bitter, selfish and vile, I realized that the truest form of rebellion is uncompromising righteousness. In this day and age, I believe that a true rebel does not run the streets with a weapon yelling stuff. True rebels live the life they believe is right, no matter the consequences. Those in power do not fear some random person with a weapon. They can easily control that. Those in power fear those that are not corruptible, not buy-able, not brainwash-able, and not scare-able. And that is what being a Vigilant Citizen is all about.

This year again, I’d like to thank all of you for your incredible support. Thank you for taking the time to read my articles; Thank you for commenting on every article; Thank you for sending me heart-warming messages, symbolic pics, and interesting links; Thank you for submitting articles in the VC Community and thank you for spreading the word. We are making a difference and the world is taking notice. Happy holidays to you and yours.

Sincerely,
VC

The post Despite the Doom and Gloom Part III: My 2013 Holiday Message appeared first on The Vigilant Citizen.

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The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

Tim Burton’s “9″ is a computer animated movie that was released on 9/9/09. While some critics claimed that the movie “lacked substance”, it nevertheless conveyed powerful messages through symbolism. It even defines a “new age” for humanity as seen by occult secret societies. We’ll look at the esoteric meaning of “9″.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

Warning: Gigantic spoilers ahead!

9 takes place in a dark, post-apocalyptic world where intelligent, self-reproducing machines destroyed all life on Earth. In this desolate setting, a small relic of humanity remains: Nine rag dolls animated by a scientist’s soul. These dolls, however, are constantly targeted by the machines that are determined to eradicate anything resembling life on Earth. The dolls must therefore band together to fight and destroy these evil robots.

The above paragraph pretty much sums up the plot of 9 in its entirety – and that is probably what most viewers got out of the movie. However, like all works infused with an esoteric dimension, there is more to the movie than meets the eye. Through symbolism and references, the movie describes humanity as a whole and the transitional phase it is going through. More precisely, 9 describes the world as seen by occult secret societies and the “new age” they are all predicting: the Age of Horus or the Age the Aquarius.

Before we look at the movie, let’s look at the occult philosophy behind it.

The Age of Horus

The occult elite believes that humanity needs to go through a period of great tribulation in order for it to “purge its impurities”. According to occult writers, these “impurities” include traditional religions and governments as we know them. Manly P. Hall, a 33rd degree Freemason, describes what should happen in the next phase of humanity. We’ll later see how this fits perfectly with the vision portrayed in 9.

“The criers of the Mysteries speak again, bidding all men welcome to the House of Light. The great institution of materiality has failed. The false civilization built by man has turned, and like the monster of Frankenstein, is destroying its creator. Religion wanders aimlessly in the maze of theological speculation. Science batters itself impotently against the barriers of the unknown. Only transcendental philosophy knows the path. Only the illumined reason can carry the understanding part of man upward to the light. Only philosophy can teach man to be born well, to live well, to die well, and in perfect measure be born again.”
- Manly P. Hall, The Secret Teachings of All Ages

The most prominent occultist of the 20th century, Aleister Crowley, stated that the last 2,000 years were the “Age of Osiris”. Osiris was the “king of the living and ruler of the dead” and his Age was characterized by strong governments and religions, notably Christianity’s “emphasis on death, suffering, sorrow and the denial of the body”. However, since the 20th Century, Crowley claims that humanity entered the Age of Horus, who is the child of Osiris. In this phase, humans would learn to become their own gods.

“In plain language, the Aeon of Horus means that the Godhead is being passed down to the individual who needs to learn to activate and find the God-Within themselves. This latest Aeon sees the beginning of the end of Divine Power and authority being owned by kings, queens, religions, governments, big institutions and dictatorships, which will increasingly all begin to fail spectacularly. The individual will have the opportunity to become fully liberated, in charge of their own spiritual destiny. ”
- Paul Dunne, The Magic of the New Aquarian Age and the New Aeon of Horus

Through subtle symbolism, 9 describes the fall of authority (mainly the Christian Church) in an new era ruled by the Luciferian philosophy of obtaining godhood through one’s own powers. Using rag dolls and very little dialogue, 9 describes the basis of this occult philosophy and shows how it will prevail.

The heroes of the movie are themselves the product of an ancient occult concept: They are homunculi, “little men” artificially created through an occult process. They are epitome of man playing God and giving life.

Homunculi

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

Scientist creating 9, the last of the 9 homunculi that remain on Earth.

Homunculi (Latin for “little men”) is a concept that can be found in several ancient alchemical documents. In Jewish folklore, the Golem, an animated anthropomorphic being created entirely from inanimate matter, is documented in the Talmud and the Sefer Yetzirah (there are even accounts of Kabbalist rabbis successfully animating such Golems).

For a brief moment, the movie acknowledges the occult roots of its premise:

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

Visible for about a half a second, the cover of this book explains the origins of the rag dolls and indicates the occult meaning behind the entire movie. You might recognize the ubiquitous symbol of the All-Seeing Eye inside a triangle. However, the title of the book is even more telling.

The title of the book, “Annuls of Percelsus”, basically tells the viewers: “This movie is based on hermetic philosophy and alchemy”. Paracelsus was one of the most renowned occultists of the Renaissance. His work in the field of Hermetism, alchemy and medicine are still thoroughly studied to this daym in practically all occult circles.

“In any matter of Realization and Ritual, Paracelsus is an imposing magical authority. No one has accomplished works greater than his, and for that very reason he conceals the virtue of ceremonies and merely teaches in his occult philosophy the existence of that magnetic agent which is omnipotence of will; he sums also the whole science of characters in two signs, the macrocosmic and microcosmic stars. It was sufficient for the adepts, and it was important not to initiate the vulgar. Paracelsus therefore did not teach the Ritual, but he practised, and his practice was a sequence of miracles.”
- Eliphas Levi, Rituel de la Haute Magie

Paracelsus’ work De natura rerum (1537) is the first alchemical work that mentions the creation of homunculi. It actually describes technique to create one using horse dung and human sperm.

The concept of creating homnuculi subsequently appeared in other seminal occult texts, such as the Rosicrucian work Chymical Wedding of Christian Rosenkreutz (1616) and Johann Wolfgang von Goethe’s Faust, Part 2 (a German legend about a man making a pact with the Devil). More recently, Aleister Crowley and his followers were obsessed with the creation of a homunculus, also called a “Moonchild”. Crowley even made the creation of a homunculus to be the “secret instruction” when one is initiated to the O.T.O’s (an occult secret society) 10th degree.

With this reference, 9 taps into a crucial part of Western Occultism.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

19th century engraving depicting the creation of a Homunculus from Goethe’s “Faust part II”

 

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

In 9, the rag dolls read  “Annuls of Peracelsus” and find a drawing documenting their creation. That drawing was probably inspired by the Faust engraving above.

In addition to the creation of homunculi, the movie also includes other parts of Paracelsus’ research, such as the use of magically charged Talismans, a tool Paracelsus used to treat his patients.

Understanding that the backstory of 9 is steeped in ancient occultism gives the movie’s storyline a specific color: It describes the world as seen by members of occult secret societies. The evolution of the characters in 9 tells it all.

The Characters

The heroes of the movie are nine rag dolls created by a scientist who infused his soul into them in order to give them life. He then died, along with the rest of humanity. Each one of the rag dolls embodies a part of the scientist’s soul and personifies one of his traits. On a larger scale, each one of these rag dolls represents a group within humanity as a whole. The fate of each doll represents what occultists predict will happen in the Age of Horus.

1: The Pope

The rag dolls are named and numbered in the order they are created, so 1 is the oldest one of the bunch. His position of authority and his distinctive garments make him the leader of the group. Given his attire, it is quite clear that 1 represents the power and authority of the Catholic Church (and religions in general).

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

1 wears a cape and holds a scepter, symbols of power. On his hat is strapped a coin, symbolizing the wealth of the Church.

1 is stubborn, fearful, dogmatic, cowardly, and close minded. In short, he represents all of the Church’s shortcomings as perceived by elite occult groups. In the first part of the movie, 1 forces all of the dolls to hide in a decrepit Cathedral, discouraging his followers to venture outside of it. He wants his followers to stay hidden and ignorant as he believes that it is the best way to stay alive.

As the movie progresses however, 1 loses his authority, his scepter and his cape. He even loses the coin on his hat. In this transitional period, 1 ultimately represents the fall of religions in the Age of Horus and their loss of power, wealth, and authority.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

At one point, 1′s Cathedral is attacked by one-eyed robots and burns down, forcing the group to hide in the Library instead. It is difficult to find a more telling image representing the fall of religions at the brink of a new era.

After the Cathedral burns down, the group hides in the Library. There they discover “Annuls of Peracelsus”, an occult book describing the creation of the rag dolls. 1 is against the dolls reading this book.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

When the dolls open up Peracelsus’ book, 1 tears up the page describing their creation.

At one point 1 says:

“Dark Science. What does this useless rubbish do for us? Forget it!”

To which 9 replies:

- You know something. What do you know?”

1 answers:

- I know enough to leave their ancient evil to moulder. Look what they left us with.”

Does this scene represent religious elites holding occult knowledge while forbidding its followers from seeking it? 1 is exactly how secret societies perceive the Church and how they want the world to perceive the Church … in order to abandon it.

9: The Light Bearer

9 is the hero of the movie. Not unlike 1, he is also associated with an object that has a heavy significance: A light-bulb on a stick.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

The movie poster depicts 9 holding his electric torch. Note that the release date of the movie was 9-9-09, a nod to occult numerology and one of the movie’s flirts with the number of the beast, 666.

9 is pretty much the opposite of 1. He is the youngest of the group, adventurous, courageous, curious, and resolved to solve his problems by his own means. In short, he is how occult groups perceive themselves. 9 also holds the Mystery schools’ favorite emblem, a lighted torch – a nod to Prometheus, the bringer of fire (divine knowledge) to humanity.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

“Prometheus Brings Fire” by Heinrich Friedrich Füger.

The Judeo-Christian version of Prometheus is Lucifer, which is a Latin word meaning “light-bearer”. 9 represents the Mystery School’s interpretation of Lucifer: A savior who “initiated” humanity to divine knowledge (by introducing Adam and Eve to the knowledge of good and evil).

While 1 apparently awaits a divine intervention to save the world, 9 represents the Promethean/Luciferian concept of attaining godhood through one’s own means. In the end of the movie, 9 does just that and even brings life back on Earth.

In this movie that takes place in a transitional period of humanity – between the Age of Osiris and the Age of Horus – 9 symbolically represents the Luciferian principle overthrowing traditional religions … and saving the world.

Other Notable Characters

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

6 is a visionary obsessed with a symbol that turns out to be the talisman needed to save the dolls. If you look closely at 6′s sketches, you might notice that they contain three 6s.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

2 is the second oldest character who at one point lost an eye. He actually says during the movie: “Actually I don’t mind having one eye. It’s easier for me. I can concentrate on one thing at a time., you know?” He is one of many nods to the one-eye signs throughout the movie. ALL of the evil robots in the movie also have one eye.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

Here’s an evil one-eyed robot.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

Here’s another evil one-eyed robot. In short, whether you’re looking at the rag dolls or the robots, there’s some one-eyed action going on. Is it a way of saying that the entire movie is a message from the occult elite?

 

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

3 and 4 are twins who serve as historian and archivist. 7 is a fearless warrior and the only female of the group. These three characters rejected 1′s rule at the Cathedral and sought refuge at the Library, the place where all knowledge (including occult knowledge) is stored. When the Cathedral burns down, all the dolls (including 1) hide in the Library. Once again, knowledge and courage are portrayed as the opposite of 1, the representative of religion.

A Purge to Save Humanity

The dolls flee the burning Cathedral and seek refuge in the Library, where 3, 4 (the historian and archivist) and 7 (the warrior) already live.

This part of the story is telling because it represents the “evolution” that occult secret societies want to see in the world. Ever since the time of the medieval Knight Templars, occult secret societies have accused the Church of stifling knowledge, science and progress. It is difficult to find an occult writer who doesn’t extensively denounce the Church’s role in censoring occult knowledge and punishing those who teach or practice it. The move from the Cathedral to the Library therefore represents the abandonment of religions for knowledge.

Moving to the Library is however not enough. The robots still find the dolls and attack them. In the end, sacrifices must be made and some elements must be “purged” in order for the group to survive.

The occult elite perceives the evolution of humanity as an ongoing alchemical process. The goal of alchemy is to turn crude metals into gold and it is believed that humanity needs to transform using the same process. The first phase of the alchemical Great Work is called Nigredo – blackening. This phase represents the process of burning, turning the base material into black ashes in order to break it down and remove its impurities. In 9, the world is definitely going through the Nigredo phase: It is dark, burnt down and in ruins.

The end of the movie is also extremely symbolic. 9 creates a bonfire in the shape of a five-pointed star to liberate the souls of the dolls who were killed by the robots.

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

9 creates a bond fire that will release the souls of 1, 2, 5 and 8. In the New Age, occultists believe some elements of humanity must be “purged”. While they may have been useful during the previous period, they are now thought to be outdated.

 

 The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus

The four dolls who remain alive to see the New Age are, 9, 7, 3, and 4 … coincidentally, the four who defied 1′s rule. This is pretty much up the message of the entire movie.

After the bonfire, 7 asks 9:

“What happens next?”

“I’m not sure exactly. But this world is ours now. It’s what we make of it”.

Then it starts raining and we see living organisms in the drops of water. The purge has allowed life to be brought back to Earth.

In Conclusion

When one takes a first, superficial look at 9 and its promotional material, one is inclined to think that it is a children’s movie  a slightly darker feel. Critics summed up the movie as being “eye candy with little substance”. Even after watching the movie, most viewers probably thought nothing more of it.  They may have understood the in-your-face “too much technology is bad, m’kay” message on the surface, but its deeper, esoteric message was probably missed by most.

However, once one understands the background knowledge used to build the storyline, the occult references, and the movie’s overarching philosophy, it is easy to see an entirely different dimension to the movie. 9 is about humanity going through a transitional period, embracing a Promethean/Luciferian savior, and destroying the rule of traditional powers, such as religion.

Aleister Crowley believes that this transitional period is now and called this new age the Aeon of Horus. Horus was the child of Osiris and Isis and for this reason, it is believed that humanity is currently taking the traits of a child. After encountering the Stele of Revealing in an Egyptian museum (it was exhibit #666), Crowley wrote this about the coming New Aeon:

“Horus rules the present period of 2,000 years, beginning in 1904. Everywhere his government is taking root. Observe for yourselves the decay of the sense of sin, the growth of innocence and irresponsibility, the strange modifications of the reproductive instinct with a tendency to become bi-sexual or epicene, the childlike confidence in progress combined with nightmare fear of catastrophe, against which we are yet half unwilling to take precautions.

Consider the outcrop of dictatorships, only possible when moral growth is in its earliest stages, and the prevalence of infantile cults like Communism, Fascism, Pacifism, Health Crazes, Occultism in nearly all its forms, religions sentimentalized to the point of practical extinction.

Consider the popularity of the cinema, the wireless, the football pools and guessing competitions, all devices for soothing fractious infants, no seed of purpose in them.

Consider sport, the babyish enthusiasms and rages which it excites, whole nations disturbed by disputes between boys.

Consider war, the atrocities which occur daily and leave us unmoved and hardly worried.

We are children.”

- Aleister Crowley, Book of the Law on the New Aeon / Age of Horus

This is what 9 is about. But there is one question the movie doesn’t answer: Is humanity organically entering this phase of History or is it being forced and provoked by the powers that be in order for it to achieve its own “Great Work”?

The post The Esoteric Interpretation of the Movie “9″: Heralding the Age of Horus appeared first on The Vigilant Citizen.

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Symbolic Pics of the Month (11/13)

In this edition of SPOTM: Leona Lewis, Rihanna, Lebron James and a bunch of proving that Illuminati symbolism is omnipresent in mass media.

 

 Symbolic Pics of the Month (11/13)

The 2013 fall-winter Louis Vuitton campaign revolves around Venetian masks – à la “Eyes Wide Shut”. The short video “Initiation au voyage” (featuring David Bowie) depicts a “magical” venetian masked ball. Louis Vuitton released a series of pics showcasing the guests’ attire – and guess what? They’re full of Illuminati / MK Ultra symbolism. In this pic, the guy has an eye patch with an eye – to emphasize the unavoidable one-eye sign.

 

 Symbolic Pics of the Month (11/13)

This guest is wearing a multiple faced mask – a theme that appears to be a favorite in “elite parties”.

 

 Symbolic Pics of the Month (11/13)

A picture of a guest at an actual masked ball thrown by the elite Rothschild family in 1972 (read the article about it here).

 

 Symbolic Pics of the Month (11/13)

Another guest sporting the “multiple face” theme. In MK Ultra symbolism, this can represent a slave’s multiple personas.

 

 Symbolic Pics of the Month (11/13)

In MK symbolism, a broken mirror represents a slaves fractured psyche. Of course, this mask can only represent a broken mirror, but, considering the imagery of the other costumes, there’s definitely a multiple-persona theme going on there.

 

 Symbolic Pics of the Month (11/13)

Eye-wear made of hands (MK handlers?). Also, this guest’s top features the image of a Janus-like two-faced being.

 

 Symbolic Pics of the Month (11/13)

Something “fashionable” is hiding one eye. Combined with the cherckerboard patterned dress = This ad campaign is a nod to the occult elite.

 

 Symbolic Pics of the Month (11/13)

On the cover of British GQ, Rihanna is a repitilian-eyed Medusa-type character with snakes instead of hair.

 

 Symbolic Pics of the Month (11/13)

In this pic, a snake somewhat strangles her while its head hides one of her eyes. Does this represent the “stranglehold” of the industry Illuminati puppets?

 

 Symbolic Pics of the Month (11/13)

The cover of Leona Lewis’ single “One More Sleep” features a Christmas-themed one-eye sign. The Illuminati industry doesn’t take holiday vacations.

 

 Symbolic Pics of the Month (11/13)

“The Voice UK” finalist Vince Kidd is trying to make it big in the industry. In his video “Zoo”, he’s got one eye hidden by a monarch butterfly (representing Monarch programming). That’s like Illuminati 101.

 

 Symbolic Pics of the Month (11/13)

Vince Kidd in Pause Mag with a bunch of inverted crosses on his hat and a Baphomet pendant. Reality shows are a great way to recruit Illuminati pawns.

 

 Symbolic Pics of the Month (11/13)

The Nike website dedicated to NBA star Lebron James features a bunch of icons describing his style of play. Almost all of them are clearly Masonic. This icon contains a beehive and stylized compass, two classic Masonic symbols.

 

 Symbolic Pics of the Month (11/13)

This icon clearly represents the ultimate Illuminati symbol: the All-Seeing Eye surrounded by glory inside a triangle.

 

 Symbolic Pics of the Month (11/13)

This icon features a pyramid with an illuminated capstone. At the center is an open book lit by candles, another symbol found in Masonic art. On the book is written “Thirty Four”. On the website, it is explained that Lebron James increased his shots taken in the paint from 34% to 40% in the last ten years. That’s great and all, but wouldn’t it be more logical to put “forty” on the book? Is it a coincidence that Masonry is comprised of a total of thirty three degrees? Does “Thirty Four” represent the hidden step above Masonry…the Illuminati?

 

 Symbolic Pics of the Month (11/13)

Most of the symbols above can be found on this Masonic panel. Pretty darn obvious.

 

 Symbolic Pics of the Month (11/13)

Short video bumps promoting the network Adult Swim feature a 101 of Illuminati / NWO symbols such as the All-Seeing Eye in the sky, pyramids, Masonic temples, a bunch of dead people (depopulation?), computers controlling people and elite-looking characters rising above the clouds. Here’s a screenshot of one of them.

 

 Symbolic Pics of the Month (11/13)

Father Jim W. Sichko is a priest of the Diocese of Lexington, KY. He has ties with Hollywood and the political elite. Unsurprisingly, he is doing the One-Eye sign on his book cover. Lame.

 

 Symbolic Pics of the Month (11/13)

PBS has recently introduced “Black Culture Connection”, a whole subdivision of its operations dedicated to black culture. While I find it somewhat odd that black culture is “segregated” into its own section, the image used to promote is even more telling: One Eye sign =  It is about pushing the elite’s agenda to this particular demographic.

 

 Symbolic Pics of the Month (11/13)

A “vigilant” reader sent me this pic of the book section of a major retailer. Along with the pseudo-occult theme that appears to be omnipresent in mass market “literature”, the one-eye sign is also prominently displayed.

Thanks to everyone who sent in pics!

The post Symbolic Pics of the Month (11/13) appeared first on The Vigilant Citizen.

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Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Britney Spears and Iggy Azalea were born on opposite sides of the world, but their videos “Work B*tch” and “Change Your Life” contain the same exact hidden meaning. Indeed, the symbolism of these videos are both celebrations of the mind control culture of the Illuminati entertainment industry, especially Kitten Programming.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

There are plenty of differences between Britney Spears and Iggy Azalea: Britney is from the U.S. while Iggy is from Australia; Britney is a veteran in the music business while Iggy is a newcomer; Britney sings pop while Iggy raps. Despite these surface differences, they both ultimately work for the same bosses who use their sex appeal to push the Illuminati Agenda. Work B*tch and Change Your Life were both released around the same time, they both take place in a “Las Vegas showgirl” context and they both convey the same exact twisted message: Being an industry Kitten is great because it will make you rich, famous and even powerful. Both videos are all about glamorizing the Mind-Control culture the occult elite revels in – although it is all about violent, disgusting and sadistic exploitation.

While on the surface, these videos appear to be about “empowerment” (I hate that word), they are actually celebrating the entertainment industry’s exploitation of victims of Kitten programming. (If you’ve never heard of Mind Control or Kitten Programming, read this article first).

Let’s look at the insidious symbolism of these videos.

Work B*tch

When one knows about Britney Spears’ actual living conditions and mental state in the past few years, watching Work B*tch becomes somewhat difficult, as its message is ironic in the saddest way possible. In my several articles on Britney, I have described how, since her meltdown, she has become a literal slave, heavily medicated and with absolutely no power over her career, finances or personal life. Britney has been living under the conservatorship of various handlers since 2008, meaning that, during all of these years, she has never gained back control of her life.

Considering these facts, the lyrics of Work B*tch become somewhat disturbing, as they appear to be words a pimp who say to his “employee”. Or what a Beta Kitten handler would tell an MK slave (like Britney) …

You wanna hot body
You want a Bugatti
You wanna Maserati
You better work b*tch
You want a Lamborghini
Sip martinis
Look hot in a bikini
You better work b*tch
You wanna live fancy
Live in a big mansion
Party in France

You better work b*tch

In the song and video, Britney plays the role of the handler who is yelling stuff at her slaves … the same kind of stuff she is probably told on a daily basis. Like most of Britney’s recent releases, the song is almost ridiculing her condition, as if her handlers are saying: “Look at what we’re doing with her. We’re making her sing about her own captivity”. To make things worse, Britney sings the song with a British accent. While, at first glance, this fact might be trivial, remember that in 2008, when Britney went through a gigantic meltdown, she was caught speaking with a British accent – a symptom of Multiple Personality Disorder, which is itself a symptom of Monarch Programming. Here’s a 2008 article about the meltdown and her British accent:

Britney Spears Lapses Into a British Accent

Britney Spears has a new accessory to go with her pink wig: a British accent.

In the last several weeks, Spears, 26, has been videotaped numerous times trading her Louisiana twang for U.K. inflections.

“She had the English accent thing going the whole time” while shopping at Kitson last Thursday, according to a source. “It didn’t stop.”

Even when angry, the accent appears. On an L.A. shopping trip to Macy’s on Jan. 13, she screamed at the paparazzi, “Get out of my G—— face!” – in a British accent.

So is it all in fun or has she flipped her pink wig?

“When someone has dissociative identity disorder” – formerly known as multiple personality disorder – “each identity is split off from the other,” says L.A. psychologist Renee A. Cohen, who is not treating Spears. “Each identity would have its own name, memories, behavioral traits and emotional characteristics.”

Cohen says the critical question is: “When Britney uses the British accent, or appears to take on another identity, does she know she’s Britney Spears?”

“Otherwise, she could simply be behaving this way for attention, for sympathy, or any other reason,” adds Cohen. “It’s foolish to attempt to diagnose her without a formal evaluation.”

One possible influence could be Spears’s maternal grandmother, Lilian Bridges, who was originally from England.

Also, Spears’s new beau, photographer Adnan Ghalib, grew up in Birmingham, England.

According to paparazzi who trail the singer around the clock, one thing is for sure: the pink wig means something’s changing.

“When she puts on the pink wig, you just know something crazy is about to happen,” said one paparazzo.

- Source: People.com

Knowing this fact, making Britney sing in a British accent is almost a code for showing that she’s embodying another persona. She’s a MK handler.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

In the video, Britney bosses around Beta Kitten slaves around (they even have kitten ears), whipping them into submission and calling them bitches. Knowing Britney’s condition, this is all rather twisted

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

This scene defines the entire video. Britney is holding Beta Kittens on a leash, controlling them. She stands on an inverted pyramid, perhaps to highlight the fact that Britney is actually NOT at the top of the pyramid. She is actually at the bottom of it, not unlike these leashed kittens.

Some might say: “That’s an empowering video! Britney is being empowered! She empowers her fans by seeing her being so empowered!” Did I mention that I hate the word “empowered”? To empower means “to give power”. Watching a video does not give you power. It actually accomplishes the exact opposite. Those who use the word “empowering” to describe a music video remind me of a Simpsons line about the word “proactive”: “Excuse me, but “proactive” and “paradigm”? Aren’t these just buzzwords that dumb people use to sound important?”. 

Britney herself admitted that she was not “empowered” by the video. Shortly after the release of the video, Britney called a radio station and stated that she was pressured into its highly sexualized concept, something she wants to stop doing ever since she became a mother. However, as stated above, she has no power over her own life or work.

Britney Spears implies she’s being pressured to keep sexed-up image

Is Britney Spears being pressured to be overly sexual? That’s what the pop star implied during a radio interview.

Spears told a Boston radio show that she wants to be more modest but she’s pressured to maintain her sexy image. When discussing her latest music video for “Work Bitch,” Spears said she made editors cut out a lot of the sexed-up scenes.

“Oh my God we showed way more skin and did way more stuff for the video than what is actually there,” she said. “I cut, like, out half the video because I am a mother and because, you know, I have children and it’s hard to play sexy mom while you’re, you know, being a pop star as well.”

The radio host then asked Spears straight out if she had people pushing her to shoot sexy scenes. She laughed and replied “Yes.”

She said in her ideal world, her image would be different.

“A lot of sex goes in to what I do… But sometimes I would just like to bring it back to the old days when it was like one outfit through the whole video, and you’re just dancing through the whole video, and there’s not that much sex stuff going on and it’s just about the dance.”

(…)

- FOX News, Britney Spears implies she’s being pressured to keep sexed-up image

Towards the end of the video, we see blindfolded mannequins being brought into the desert. They then explode.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Blindfolded mannequins represent the state of mind controlled slaves. Blowing them up into body parts represent the fragmenting of a slave’s psyche into several personas. This image is used in several videos including Beyonce’s “Crazy”.

Work B*tch is therefore another tribute to Britney’s own mind control status. While her situation is sad and disturbing, however, it doesn’t stop new artists from following in her footsteps.

Change Your Life

Iggy Azalea is a rapper from Australia who moved to the United States at the age of 16. She soon got signed by Interscope Records and almost immediately embraced that sweet, sweet Illuminati symbolism.

 

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

A butterfly hiding one eye: That’s Illuminati symbolism 101.

Iggy is now signed with Island Def Jam (also home to Rihanna, Kanye West and many others) and her single Change Your Life confirms that she’s there to push the Agenda.

Inspired by the movie Showgirls, Change Your Life depicts Iggy as a Vegas dancer and T.I. as a club owner. While this premise is simple, when ones understand the symbolism of the video, it becomes the story of a Beta Kitten being initiated in the Illuminati industry.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

The glass of this picture frame is shown broken at the beginning of the video for no apparent reason. This can represent the fractured personality of an MK slave. While not ALL broken glass represents fractured personalities, this image fits with the context of the rest of the video.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Iggy lays in bed with a baby tiger – a reference to Kitten Programming.

As its title states, the song is about Iggy apparently being able to “change your life” – going from rags to riches and so forth. Here are the lyrics of the chorus:

Imma change your life, Imma change it
Imma change your life (life)

Once you go great, you never go good
You never go back, even if you could
I’ll show you my way, I got that good-good
You never go back, even if you could

Have you ever wished your life would change?
Woke up and you lived your dreams
Baby I could help you make that change
I could show you how to do this thing

While these lyrics are as “empowering” as Britney’s Work B*tch, the video depicts Iggy as dancer who doesn’t like her boss/pimp. In other words, she doesn’t have power. Like Britney’s song, it appears that the Illuminati is talking THROUGH Iggy, subtly letting young people know that “changing their lives” implies being exploited by the Illuminati industry. We once again see a twisted association between “making it big” and being an industry Beta kitten and, through symbolism, the video shows Iggy’s initiation into the Illuminati industry.

Although Iggy does not appear to like the club owner played by T.I., she nevertheless gets intimate with him on the hood of a car. Why? Because that’s what Beta Kittens do. On a more esoteric level, she wears a red dress, the symbolic color of initiation.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

Is copulating with her boss/handler a requirement in order for her to “change her life”? Does this represent the ritual initiation into the Illuminati industry?

After the encounter, we see a new Iggy in town.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

As if to denote her initiation, she is wearing a top featuring a big All-Seeing Eye. She stands in front of a club named Cheetah, which is another clear reference to Kitten Programming. She sets fire to a car (is it her boss’?) to represent the “burning” of her old life.

 Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming

In a scene that is shown in parallel to the one above, Iggy is dressed in white and is arrested by the police. Did she get arrested because she lit that car on fire? If that’s the case, why is she dressed differently and why is this scene playing at the same time as the one above (and not after)? In actuality, this scene can represent what happens after initiation in the industry: the “good girl” dressed in white “is taken away for good” while the Illuminati-girl dressed in black (with an All-Seeing eye) remains.

Is that what Iggy means by “Once you go great, you never go good”? In the words of Iggy, once you’re initiated: “You never go back, even if you could”.

In Conclusion

Released around the same time, Britney’s Work B*tch and Iggy’s Change Your Life are similar in several ways: They both depict the artists as Vegas dancers, they are both drenched in Kitten Programming imagery, the lyrics are both written from the point of view of those controlling them and, more importantly, both have an psuedo-empowering message that revolves around the glorifying being an industry Beta Kitten.

Sadly, to “make it” in the Illuminati industry, stars must sell their bodies and give up their soul. This process is celebrated in these videos and sold to young girls around the world. Furthermore, as the MK symbolism of the videos subtly imply, these artists who “made it” are not in control of what’s happening – they’re actually slaves to their owners. Britney Spears’ life is probably the most transparent case of a pop star under heavy mind control. In a rare moment of clarity, Britney went on record and stated that Work B*tch went too far and was too sexual. However, she did it anyway … because Beta slaves do not call the shots in their own lives. What did Britney’s handlers tell her when she was opposed working on that video? “You better work b*tch”.

The post Britney Spears’ “Work B*tch” and Iggy Azalea’s “Change Your Life”: Two Videos Celebrating Kitten Programming appeared first on The Vigilant Citizen.

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The Mysterious Case of Elisa Lam

 The Mysterious Case of Elisa Lam

There are mysteries that are so eerie and strange that they boggle the mind for days on end. The case of Elisa Lam is one of them. In February 2013, this 21-year-old student from Vancouver, Canada, was found dead inside the Cecil Hotel’s rooftop water tank in Los Angeles. The L.A. County Department of Coroner ruled the death “accidental due to drowning” and said no traces of drugs or alcohol were found during the autopsy. However, there is much more to the story than what is implied by police reports. The first piece of evidence that needs to be considered is an elevator surveillance tape that recorded Elisa’s behavior only a few moments before she lost her life.

The four-minute video posted on YouTube shows Elisa pressing all of the elevator buttons and waiting for it to move. Seeing that the elevator doors are not closing, starts behaving extremely bizarrely. Here’s the video.

At first, Elisa enters the elevator and apparently presses all of its buttons. She then waits for something to happen but, for some reason, the elevator door doesn’t shut. She starts to look around, as if she is expecting (or hiding from) someone. At 1:57, her arms and hands start moving in a very strange matter (almost not human) as she appears to be talking to someone, something … or nothing at all. She then walks away. The elevator door then shuts and appears to start working again.

Right after the events of the video, Elisa apparently gained access to the rooftop of the hotel, climbed to its water tank and, somehow, ended up drowning in it. Her body was found two weeks after her death, after hotel guests complained about the water’s taste and color. Incredible.

Seeing the surveillance footage, most people would conclude that she was under the influence of drugs. However, Elisa did not have a history of drug use and her autopsy concluded that no drugs were involved. When one looks at the context and the circumstances of this death, things become even more mysterious.

Cecil Hotel’s Dark History

Built in the 1920s to cater to “businessmen to come into town and spend a night or two”, Cecil Hotel was quickly upstaged by more glamorous hotels. Located near the infamous Skid Row area, the hotel began renting rooms on a long-term basis for cheap prices, a policy that attracted a shiftier crowd. The hotel’s reputation quickly went from “shifty” to “morbid” when it became notorious for numerous suicides and murders, as well as lodging famous serial killers.

“Part of its sordid history, involves two serial killers,  Richard Ramirez and Jack Unterweger.

Now on death row, Ramirez, labeled “the Nightstalker”, was living at the Cecil Hotel in 1985, in a top floor room.  He was charged 14 dollars a night.  In a building filled with transients, he remained unnoticed as he stalked and killed his 13 female victims. Richard Schave, said “He was dumping his bloody clothes in the Dumpster, at the end of his evening and returned via the back entrance.”

Jack Unterweger, was a journalist covering crime in Los Angeles for an Austrian magazine in 1991.  “We believe he was living at the Cecil Hotel in homage to Ramirez,” Schave said.

He is blamed with killing three prostitutes in Los Angeles, while being a guest at the Cecil.

In the 50’s and 60’s the Cecil was known as a place that people would go to jump out of one of the hotel’s windows to commit suicide.

Helen Gurnee, in her 50s, leaped from a seventh floor window, landing on the Cecil Hotel marquee, on October 22, 1954.

Julia Moore jumped from her eighth floor room window, on February 11, 1962.

Pauline Otton, 27, jumped from a ninth floor window after an argument with her estranged husband, on October 12, 1962.  Otton landed on George Gianinni, 65, who was walking on the side walk, 90 feet below. Both were killed instantly.

There was also a murder of one of the residents.  “Pigeon Goldie” Osgood, a retired telephone operator, known for protecting and feeding pigeons in a nearby park, was found dead in his ransacked room on June 4, 1964.  He had been stabbed, strangled, and raped.  The crime still remains unsolved.”

- Las Vegas Guardian Express, Elisa Lam, Morbid History Of Two Serial Killers Unfolds At “Cecil Hotel”

Elisa Lam’s case is yet another sordid addition to the hotel’s history and can lead us to ask: “What the hell is wrong with that place”?

The Movie “Dark Water”

 The Mysterious Case of Elisa Lam

The story of Elisa Lam is eerily similar to the 2005 horror movie Dark Water. Dahlia, the main protagonist of the movie moves into an apartment building with her young daughter Cecilia. Both of these names are relevant. Black Dahlia is the nickname given to Elizabeth Short, a woman who was the victim of a gruesome murder in 1947 – one that appeared to be particularly ritualistic. The case was never solved. According to LA Observed, it is rumored that Black Dahlia was at Cecil Hotel right before she lost her life.

“The Black Dahlia, Elizabeth Short, is alleged in at least one book to have hung out at the Cecil and drank at the bar next door before she disappeared in 1947, though cultural historians Kim Cooper and Richard Schave of Esotouric say that’s just rumor.”
- LA Observed, Serial Killer Central

In the movie, the daughter’s name, Cecilia, is, obviously, quite similar to the name Cecil Hotel.

After moving into her apartment, Dahlia notices dark water leaking from the ceiling in her bathroom. She ultimately discovers that a young girl named Natasha Rimsky drowned in the building’s rooftop water tank, which caused the water to turn black. The owner of the apartment building knew about this fact but refused to take action. Elisa Lam’s body was  in the water tank for over two weeks, causing hotel guests to complain about foul tasting “black water”.

The ending of the movie is also eerily relevant: The apartment buildings elevator malfunctions and the ghost of Cecilia’s mother braids her hair. Is Elisa Lam’s death one of those ritualistic murders that are synchronistically mirrored in a Hollywood movie?

Another Strange Coincidence

Shortly after the discovery of Elisa Lam’s body, a deadly outbreak of tuberculosis occurred in Skid Row, near Cecil Hotel. You probably won’t believe the name of the test kit used in these kinds of situations: LAM-ELISA. That is hardcore synchronicity.

No Foul Play?

LA authorities ruled in June 2013 that Elisa Lam’s death was accidental and that she was “probably bi-polar”. That being said, some questions remain unanswered. How did Elisa, who was obviously not in her right mind, end up in the hotel’s water tank, an area that is difficult to access? Here’s a news report describing the water tank area.

As the reporter states in the video, the rooftop area is protected by an alarm system and the water tank is difficult to reach. How did Elisa reach that area? Also, how did she close the water tank lid?

As is usually the case for strange deaths, authorities have been incredibly secretive and non-transparent during this investigation. What truly happened here? Why are there so many strange coincidences? Why was Elisa Lam acting so strange in the elevator? Was there a ritualistic aspect to this death? Why is the Cecil Hotel a hotbed for these kinds of stories? Is there some paranormal going on there? The mystery appears to be whole and authorities do not seem to be wanting to probe further. Maybe I should cite here the slogan that appears on Dark Water movie posters : “Some mysteries are not meant to be solved”.

 

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Symbolic Pics of the Month (10/13)

In this edition of SPOTM: Amber Rose, Bono, Lady Gaga, Eminem and Miley Cyrus.

 Symbolic Pics of the Month (10/13)

The September issue of Vogue contains a photoshoot dedicated to Google Glass – a computer you wear on your face. The device has many privacy-shattering capabilities such as seamlessly recording audio and video without other people knowing. While this retro-futuristic photoshoot attempts to make this device cool and stylish, it also manages to make it creepier than it already appears to be. In this pic, the woman in white doesn’t seem to like the woman in red. She is probably filming her face. She will then use facial recognition and extract her personal info. Vengeance is coming soon for lady in  red.

 

 Symbolic Pics of the Month (10/13)

“Oh crap. These two strange women appear to be engaging in violent behavior. I better film the incident and forward the footage to the authorities. I love my snitch glasses.”

 

 Symbolic Pics of the Month (10/13)

The only model in the photoshoot without the glasses appears to be dead. Why? And those with glasses are acting extra creepy around her, probably filming her instead of, like, calling for help or something that normal humans would do.

 

 Symbolic Pics of the Month (10/13)

Amber Rose (Wiz Khalifa’s wife) attended the Made in America music festival with an inverted cross stamped on her forehead.

 

 Symbolic Pics of the Month (10/13)

Chilling with Beyonce. When these pics came out in September, Rose got accused of being a Satanist and an Illuminati pawn on Twitter. She replied that the inverted cross is the cross of St. Peter, a Christian saint. Let me be the first to say this: This is BS. Nobody in the entertainment business ever wears an inverted cross to pay homage to St. Peter. NOBODY. Not even fervent Catholics.

 

 Symbolic Pics of the Month (10/13)

Death Metal musician Glen Benton sometimes wears an inverted cross on his forehead as part of his act. Is it a tribute to St. Peter? No, he’s a Satanist. At least he’s open about it. Today’s pop culture is all about deceit and hypocrisy.

 

 Symbolic Pics of the Month (10/13)

A Church of Satan altar. Are those crosses there in honor of St. Peter? No, they represent the inversion of Christianity. I repeat, no inverted crosses in pop culture ever represent St. Peter, don’t let them fool you.

 

 Symbolic Pics of the Month (10/13)

Miley Cyrus recently did a photoshoot with creepy-ass Terry Richardson. The result is, well, annoying.

 

 Symbolic Pics of the Month (10/13)

I can picture Richardson saying thisr: “OK, now suck on your thumb like a baby. You’re just a little baby girl. That’s so hot. Now hold your crotch with your other hand. So hot”.

 

 Symbolic Pics of the Month (10/13)

Miley closes one eye in pretty much every pic she’s in these days. Was she instructed to do that by her handlers?

 

 Symbolic Pics of the Month (10/13)

Cyrus is definitely NOT the only celeb that flashed the one eye thing in the past weeks. Here’s Lady Gaga on the cover of ELLE.

 

 Symbolic Pics of the Month (10/13)

Gaga posted this on Instagram. Apparently it’s a mask she did. A one-eyed mask. Why? Because Illuminati.

 

 Symbolic Pics of the Month (10/13)

This is the current promotional image of Eminem. One eye and devil horns. That the type of stuff you have to do to be able to stay relevant and get exposure in this business. Especially if you’re signed with Interscope Records.

 

 Symbolic Pics of the Month (10/13)

A Bulgari ad featuring the ex-first lady of France Carla Bruni-Sarkozy. Mixing entertainment with high power produces Illuminati results.

 

 Symbolic Pics of the Month (10/13)

Speaking of mixing entertainment with high power, here’s Bono showing off an award he received from Queen Elizabeth II – the same queen that gave an award to mass abuser Jimmy Savile. Let’s call this the occult elite award.

 

 Symbolic Pics of the Month (10/13)

This image was posted on the Voice UK official Facebook page.

 

 Symbolic Pics of the Month (10/13)

They’re really trying to expose children to this Illuminati symbolism. Here’s a promo shot of children’s TV show House of Anubis.

 

 Symbolic Pics of the Month (10/13)

A page from a Target catalog. Well, maybe that was just coincidence.

 

 Symbolic Pics of the Month (10/13)

Other page from the same catalog. No coincidence. Pushing the symbolism. Some might rationalize what is happening and say “well, that’s what trendy right now”. Who made it trendy?

 

 Symbolic Pics of the Month (10/13)

The cover of ex-Spice Girl Mel B’s latest single. It features one eye with a head full of Monarch butterflies (symbolism on Monarch mind control). I guess she’s also doing what she has to in order to stay in showbusiness.

 

 Symbolic Pics of the Month (10/13)

Big Brother UK is a show that is called…Big Brother. And it is about cameras spying on people to entertain the masses. The first show of the season featured a gigantic All-Seeing eye stage with people cheering all around it. That’s how the elite indoctrinates people.

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Sinead O’Connor’s Open Letter to Miley Cyrus: “You Are Being Pimped by the Music Business”

 Sinead O’Connor’s Open Letter to Miley Cyrus: “You Are Being Pimped by the Music Business”

Sinead O’Connor is definitely not known for NOT speaking her mind. When Miley Cyrus claimed that her look for the video Wrecking Ball was inspired by Sinead’s quintessential 90′s hit Nothing Compares, Sinead did not quietly nod her head in approval. Instead, she wrote an open letter basically destroying everything Miley Cyrus is about and the industry that controls her.

As I stated in the article MTV VMAs 2013: It Was About Miley Cyrus Taking the Fall, Miley is not simply a young girl “expressing herself”. She is doing what she is being told by her handlers who are turning her into another industry sex kitten. The letter posted on Sinead’s website, warns her of what is really going on: Those who control her are prostituting her and they will eventually dump her. She tells her : “your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.”  Sinead even adds that, if she keeps going that route, she will eventually end up in rehab.

Here’s the (strongly worded) letter:

“Dear Miley,

I wasn’t going to write this letter, but today i’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares … So this is what I need to say … And it is said in the spirit of motherliness and with love.

I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.

Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent. I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.

The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted … and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.

None of the men ogling you give a shit about you either, do not be fooled. Many’s the woman mistook lust for love. If they want you sexually that doesn’t mean they give a f**k about you. All the more true when you unwittingly give the impression you don’t give much of a f**k about yourself. And when you employ people who give the impression they don’t give much of a f**k about you either. No one who cares about you could support your being pimped … and that includes you yourself.

Yes, I’m suggesting you don’t care for yourself. That has to change. You ought be protected as a precious young lady by anyone in your employ and anyone around you, including you. This is a dangerous world. We don’t encourage our daughters to walk around naked in it because it makes them prey for animals and less than animals, a distressing majority of whom work in the music industry and it’s associated media.

You are worth more than your body or your sexual appeal. The world of showbiz doesn’t see things that way, they like things to be seen the other way, whether they are magazines who want you on their cover, or whatever … Don’t be under any illusions … ALL of them want you because they’re making money off your youth and your beauty … which they could not do except for the fact your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.

I repeat, you have enough talent that you don’t need to let the music business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them give a flying f**k about you. They’re there for the money… we’re there for the music. It has always been that way and it will always be that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control.

You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age … which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.

Real empowerment of yourself as a woman would be to in future refuse to exploit your body or your sexuality in order for men to make money from you. I needn’t even ask the question … I’ve been in the business long enough to know that men are making more money than you are from you getting naked. Its really not at all cool. And its sending dangerous signals to other young women. Please in future say no when you are asked to prostitute yourself. Your body is for you and your boyfriend. It isn’t for every spunk-spewing dirtbag on the net, or every greedy record company executive to buy his mistresses diamonds with.

As for the shedding of the Hannah Montana image … whoever is telling you getting naked is the way to do that does absolutely NOT respect your talent, or you as a young lady. Your records are good enough for you not to need any shedding of Hannah Montana. She’s waaaaaaay gone by now … Not because you got naked but because you make great records.

Whether we like it or not, us females in the industry are role models and as such we have to be extremely careful what messages we send to other women. The message you keep sending is that its somehow cool to be prostituted … its so not cool Miley … its dangerous. Women are to be valued for so much more than their sexuality. We aren’t merely objects of desire. I would be encouraging you to send healthier messages to your peers … that they and you are worth more than what is currently going on in your career. Kindly fire any motherf**ker who hasn’t expressed alarm, because they don’t care about you.”

- Source: sineadoconnor.com

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iPhone 5 nSa Commercial (Great Video)

 iPhone 5 nSa Commercial (Great Video)

Last week, people around the world lined up in front of stores to buy the new iPhone 5S. Why? Well, many will probably tell you: “Because it’s now available in gold!! All of my friends will be jealous! LOL OMG #iphone #socool #gold #exclusive #imspecial”

But seriously, were there people lining up because the device can now also scan and store your fingerprints? I don’t believe so. But that is, by far, the most notable feature of the new iPhone. It introduces biometrics to the mass market and, as we know, all of that information can EASILY be transmitted to a whole bunch of shady governmental entities.

Here’s a great video about the new iPhone.

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“Now You See Me”: A Movie About the Illuminati Entertainment Industry?

“Now You See Me” is about big-time magicians doing incredible magic tricks … and some kind of a bank heist. But mostly, “Now You See Me” is about a shady organization named “The Eye” that controls these entertainers. While most viewers are dizzied with the senseless action of the movie, an important message is being communicated: The occult elite controls the entertainment business … Do you see it?

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Warning: Gigantic spoilers ahead!

Most critics had the same complaint about Now You See Me: The story makes absolutely no sense and is completely illogical. I wholeheartedly agree with them. Almost everything that happens during the entire movie is implausible. Even the mind-blowing overarching “master plan” of the movie actually depends on so many variables that could go wrong that it is, in fact, a horrible plan.

While most viewers will try to make sense of the action in Now You See Me, the movie simply keeps repeating to the viewers “The closer you look, the less you see”. It also constantly repeats that magicians always do something to distract the audience while the real magic happens elsewhere. Does this apply in the movie itself? Of course it does. The police chase, the bank heist plot, the explosions are there to keep the viewers’ eyes occupied while the real underlying story unfolds: It is about the entertainment industry, the forces that rule it and those that are used by it. It is also about the audience, the masses that are being fooled by master illusionists. The first lines of the movie say it all:

“Come in close. Closer. Because the more you think you see, the easier it’ll be to fool you. Because what is seeing? You’re looking, but what you’re really doing is filtering, interpreting, searching for meaning. My job? To take that most of gifts you give me, your attention, and use it against you.”

These lines, said while a magic card trick is being performed, sum up the true role of mass media and the entertainment industry. The rest of the movie aptly describes who rules the industry and even the methods it uses. The magicians are recruited by a secret society named “The Eye” (this might ring a bell for readers of this site) that uses the entertainers to further its agenda and make its symbolism a part of popular culture. Take a step back and realize this: The movie IS the magician. Let’s take a look at the themes of Now You See me.

Approached

At first, we see the four magicians doing their own little thing separately. They are all trying to make a living doing their magic tricks. They are however far from being big-time celebrities. They are watched and followed by a hooded figure who leaves an invitation in the form of a tarot card.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

On the back of the invitation card is the symbol of the All-Seeing Eye. In this particular shot, the card is held above a photo of one of the magicians and hides one of its eyes – hinting that he’s about to be part of the occult elite’s entertainment industry. The fact that one eye is replaced by the all-seeing eye also implies that he is about to lose a whole lot sight … and freedom.

The four magicians are selected because they excel in their particular field of magic and, mostly, because they sometimes appear to be using real, occult magic.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

From left to right: Henley Reeves is an escapist (High Priestess tarot card); J. Daniel Atlas is an illusionist (Lovers card); Merritt McKinney is a mentalist (Hermit card); Jack Wilder is a sleight-of-hand illusionist (Death card).

 

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Jack Wilder, the youngest of the crew received the Death card for a reason: It foreshadows his upcoming ritual sacrifice.

The magicians are invited to a strange apartment with strange contraptions in it. After figuring out the riddles that were placed there (an initiation process), they see the elite’s plans laid out for them. Then, just like magic, they become big-time entertainers.

Puppets of Their Rulers

After joining The Eye, the magicians are in Las Vegas, surrounding by a roaring crowd while we hear big boisterous music that basically screams “This is showbiz, baby!”. The four magicians, who were four solo, independent acts, have now joined into a group to become the Four Horsemen. This name is taken the Bible’s Book of Revelation, where the Four Horsemen are harbingers of the Apocalypse and the tribulations that come with it. The Four Horsemen of the Apocalypse are often said to be associated with pestilence, war, famine and death. This is a rather grim name for a bunch of magicians, but it makes sense when we know that they are working for the occult elite. The Book of Revelation is of great importance in secret societies as it is believed to conceal an occult meaning to be only deciphered by the initiates. A lot of their symbolism derives from it and this is no exception.

Not unlike “real” performers in the entertainment industry, the Four Horsemen are only there to obey orders coming from The Eye. Everything about them relates to the secret society that controls them.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The stage on which the Horsemen perform is a giant eye. That’s a scale model of the stage.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The logo of the Four Horsemen is quite enigmatic.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

In one scene however, we see a strange decoration that says “Eye”. It appears consist of a combination of two 3D versions of the Horsemen logo. In short, the logo is another hidden way of hiding Eye symbolism in plain sight.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

When the group completes its most spectacular magic trick, the symbol of the Eye flashes on Times Square. While most people believe that The Eye is a myth, its symbolism is everywhere … just like in real life.

Everything about the Four Horsemen is therefore stamped with the seal of the Eye.

It is interesting to note that the people behind the movie did not create a fictional symbol to represent the secret society. They used the most important symbol of today’s occult elite – one the most important symbols of various powerful secret societies. As we often see on this site, this symbol is also already used all around mass media. Why is that? Is it because the movie plays the role of the Four Horsemen – a vehicle for the symbolism of the occult elite?

The Eye – Based on the Actual Secret Society that Runs Hollywood?

As the movie progresses, we discover some information The Eye and its history. Everything about it closely resembles an actual secret society that is powerful in Hollywood: the OTO, a self-described “magickal Order”.

In the movie, the Eye is:

“keepers of real magic and protectors of those who practice it. Candidates for initiation must follow a series of commands with blind obedience”.

It is clearly stated that the symbol of the Eye originates from the Ancient Egyptian symbol of the Eye of Horus.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

A documentary on the Eye shows its occult origin.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

This is a page of the notepad of the researcher investigating the Four Horsemen. They Eye of Horus is one of the most important symbols of the Freemasons, OTO and the Illuminati. The use of this symbol in this movie was not random.

The characteristics of the Eye closely resemble the OTO.

The OTO is based on Aleister Crowley’s Thelema  – a philosophy that was “communicated” to him while inside an Egyptian pyramid. Like The Eye, the OTO primarily focuses on “real” magick and its near-scientific application. Crowley added the letter “k” at the end of magick to distinguish it from stage magic. Therefore, like The Eye, the OTO considers itself “keepers of real magic”.

The symbol of the Eye of Horus is of the extreme importance for the OTO because the OTO is all about bringing about the Aeon of Horus – an era ruled by the Thelema. Is it surprising to see that, in this Aeon of Horus, mass media is literally flooded with the symbol of the Eye of Horus?

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

In the movie, one of the book used to research The Eye is called “The Guardians of Horus”.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The layout of its cover closely resembles the cover of actual OTO books, complete with rectangular borders and a title in golden, embedded, capitalized letters.

Just like The Eye, the OTO exerts a great influence in Hollywood. One of its mission statements is to bring about Thelema and the Aeon of Horus to the masses. What better tool than mass media to do so?

Inside the Industry

As we witness the Four Horsemen rise to fame, we also see how the entertainment industry functions. For instance, there are a few allusions to the usage of mind control on various people.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

This supposedly “randomly selected member of the audience” for a magic trick is actually a mind-control slave.

Thaddeus (the guy who attempts to debunk the Horsemen and the Eye) describes how this guy ended up on stage:

“He was selected. Programmed his mind to make it to Las Vegas. And then they kept reinforcing it until he did. They trailed him. They studied him. Nothing was left to chance. He had no idea he was their target. And they simply activated him in Las Vegas.”

 

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

This FBI agent (played by Common) starts playing an air violin after he hears the word “bullshit”. We later learn that he was programmed by the magicians and that the word “bullshit” triggers him into playing air violin. This is a way of letting us know that law enforcement can also be programmed by the elite.

Another key aspect of the Illuminati industry is the use of ritual sacrifices in order to bring about transformation. The illusionist Jack Wilder was given the tarot card of Death at the beginning of the movie because he was chosen for a ritual sacrifice.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Jack, one of the Four Horsemen, dies (kind of) in a car crash – an event that is broadcast on live TV.

The event causes shock and brings sympathy towards the elite-backed magicians. We later discover that the car crash was a set up and that Jack is still alive – but the public doesn’t know that. The event is an example of a ritual sacrifice played out on a mass scale by the occult elite. It was also a diversion.

The movie also shows what happens to those who fall out of the elite’s good graces. Thaddeus, an ex-magician, now makes a career out of creating DVDs “debunking” magicians. When he goes against the elite-backed Horsemen, things do not end well for him.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Thaddeus is framed by The Eye and thrown in jail.

When asking the police officer (who turns out to be part of The Eye) why this is happening to him, here’s the reply.

“The legend is that The Eye is everywhere. Waiting for the truly great magicians to distinguish themselves from the mediocre ones. Maybe that was you. Deep down inside you wanted nothing more than be part of The Eye, but you were never invited.”

Duped?

As the movie progresses, it becomes obvious that the members of the Four Horsemen have no idea what’s really going on. Like real life artists in the industry, they are mere puppets trying to fulfill the tasks given to them. They however know one thing for sure: They desperately want to be part of The Eye.

Once they complete their entire mission, the Horsemen meet up in Central Park.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The magicians are greeted by Dylan Rhodes, the FBI agent that was trying to arrest them during the entire movie … *cough*… While this plot twist makes little to no sense, it does convey the meaning that The Eye own mass media AND law enforcement.

Rhodes tells the magicians “Welcome to The Eye” and brings them to a carousel that starts turning. The magicians mount on a little horsie and start spinning around. This leads us to think: Were the magician taken for a literal ride during the whole time? Does The Eye even exist?

Judging by the magnitude of the schemes the Horsemen were involved in, there is no doubt that a VERY powerful entity was behind them. However, like in real life, outsiders can never be part of the “inner-circle”. While the Horsemen did everything required from them, they will never be part of the elite. This fact is reinforced in a semi-hidden scene at the end of the movie.

A few minutes after the credits roll out, there’s a scene that I’m sure many people missed. It shows the ultimate fate of entertainers used by the occult elite.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The Horsemen are told to go to a place in the desert where old Las Vegas signs are thrown away. This neon sign graveyard pretty much represents their own career.

They then go get equipment for their new magic show.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

The magicians realize that the boxes stamped with the sign of The Eye are locked. The Horsemen do not have access to Eye-related privileges anymore.

Thinking that maybe their magical tarot cards might be able to unlock their crates, the magicians look in their pockets. Their tarot cards are gone. The Eye does not need these performers anymore so their pass was revoked. They were used and now they were thrown away in the desert amongst discarded neon signs.

So to answer questions many ask me: Are artists like Jay-Z actually part of the Illuminati? There’s your answer.

The Big Picture

Throughout the movie, investigators ask themselves “Why do they go through all of this trouble”? Why do the magicians and, by extension The Eye construct these elaborate schemes? It makes no sense. And, to many viewers, the movie doesn’t make sense. Most of the action is based around moronic police officers running around, pointing their guns, trying to catch smug-faced magicians. However, behind the action scenes and the loud music, there’s a message there. The movie itself repeatedly tells the viewers: “The closer you look, the less you see”. The closer you try to understand and make sense of the action going on screen, the less you see the “big picture”.

Now You See Me is definitely not about a bank heist. It is about the “magic” of the entertainment industry. Crowley defined magick as “the Science and Art of causing Change to occur in conformity with Will”. The goal of the entertainment industry is to cause change. But that change takes time … years, decades and generations. The movie describes the process in a very metaphorical matter.

The interpol agent researching The Eye describes the most famous trick of a magician named Lionel Shrike

“When he was 14, he saw a hole in a tree in Central Park. He had a guy, who worked at the carousel, sign a card for what looked like a routine little trick. At the guy’s retirement, 18 years later, Shrike performs, has the guy sign a card and presto! The card is in the tree. It was in the tree for 18 years.

The trick was not to look closely. It was to look so far that you see 20 years into the past.”

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

After the Horsemen completed all of their tasks, they were asked to meet at Shrike’s tree because it represent what the Eye is all about. Just like the card inside the tree trick, the elite’s transformative “magic” is about the long-term big picture.

At one point, Thaddeus says:

“This is a magic trick played out on the global scale. And you are the abracadabra, the distraction”.

While the viewers are hypnotized with explosions and car chases, they are missing the real magic: The elite transforming society to fit its needs through mass media.

 “Now You See Me”: A Movie About the Illuminati Entertainment Industry?

Most of the “magic” we see during the movie is CGI. The entertainment industry is the real master of illusion.

The movie ends with a call from the Illuminati to the public, letting them know that they are the ones being duped by the real magicians.

“Come in close. Closer. Because now you know our secret. We could be anywhere. Watching you. We’re looking for someone to help us with our next trick. On the count of three, open your eyes and tell me what you see. One. Two …”

Fade to black…

In Conclusion

While there is absolutely nothing “realistic” about Now You See Me, it does aptly describe what actually happens in the entertainment industry. The magicians in the movie represent the various artists and performers that are recruited by the elite to advance its agenda. The Eye is based on actual secret societies that exert influence in Hollywood. While these facts might be crystal clear to some, most viewers probably miss these messages as they try to understand what the hell is going on.

In fact, during the entire time, the movie kind of laughs at the audience. At one point, a member of the Horsemen says: “The magician must be the most intelligent person in the room”. The movie is so Hollywood that it is almost a parody of it. It is almost telling the viewers: “Look at the moronic stuff you’re consuming to be entertained”. But, behind it all, there’s a powerful message coming straight from The Eye. Either you see it … or you don’t.

The post “Now You See Me”: A Movie About the Illuminati Entertainment Industry? appeared first on The Vigilant Citizen.

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